America to me is so varied and exciting. I always feel nostalgia
America to me is so varied and exciting. I always feel nostalgia for the place I'm not in, and then I get there and find myself in a traffic jam going into the Lincoln Tunnel, and I think, 'God, why was I romanticizing this part of the country?' I think it has to do with the romantic, unrealistic temperament.
Host:
The city stretched out like a restless animal beneath the evening sky — its lights glimmering, its horns wailing, its skyline pulsing like a heartbeat made of steel. From the window of a small apartment in the West Village, the view was all contradiction: beauty and noise, promise and pollution, romance and reality stitched together in neon thread.
Inside, Jack sat near the window, sleeves rolled up, a faint trace of weariness in his posture. A half-drunk glass of bourbon sat beside him, catching the reflection of passing headlights. The TV hummed in the background — muted, flickering images of highways, diners, and landscapes he’d driven through too many times to count.
Across from him, Jeeny stood barefoot, hair tied loosely, holding a travel magazine folded open to a page titled “The Road Across America.” Her eyes were alive with that strange light that comes when dreams refuse to die quietly.
The rain outside was slow, rhythmic — not a storm, but a heartbeat.
Jeeny:
“Ian Frazier once said, ‘America to me is so varied and exciting. I always feel nostalgia for the place I’m not in, and then I get there and find myself in a traffic jam going into the Lincoln Tunnel, and I think, God, why was I romanticizing this part of the country? I think it has to do with the romantic, unrealistic temperament.’”
Host:
Her voice floated between them — wistful, thoughtful, almost apologetic. Jack took a sip of bourbon, let it burn its way down before answering.
Jack:
“Yeah. That sounds about right. The whole country’s built on romantic delusion. Every mile of it. Every small town that promises peace, every city that promises purpose — all of it’s a mirage until you’re stuck in traffic wondering why you left home.”
Jeeny:
“So you think it’s all disappointment?”
Jack:
“I think it’s all expectation. And expectation is the first step to regret.”
Host:
She sighed, folded the magazine, placed it on the table beside him. The rain softened further, like it was listening.
Jeeny:
“Maybe it’s not delusion, Jack. Maybe it’s yearning. Maybe we need to romanticize something — a place, a person, an idea — just to stay alive.”
Jack:
“Yearning’s just nostalgia with better PR.”
Jeeny:
(laughing) “You’re impossible.”
Jack:
“No, I’m realistic. You go somewhere expecting transformation, and you get traffic and overpriced gas. It’s the same everywhere.”
Jeeny:
“Then why do you keep driving?”
Jack:
(quietly) “Because staying still feels worse.”
Host:
Her expression softened. She walked to the window and looked out — the city glittering beneath her like a mirage refusing to dissolve.
Jeeny:
“I don’t think we travel for transformation. I think we travel for reflection. To see the world as a mirror — and maybe catch a glimpse of who we used to be.”
Jack:
“You make it sound poetic.”
Jeeny:
“It is. Nostalgia always is. Even when it lies.”
Host:
Jack leaned back, the chair creaking softly beneath him. The rain streaked the glass, blurring the lights into watercolor.
Jack:
“You think it’s possible to love a place and still hate it?”
Jeeny:
“Of course. That’s what love is — contradiction. You love the idea more than the thing itself.”
Jack:
“That’s how people love America. They fall in love with postcards — not potholes.”
Jeeny:
“Or maybe they love both. Maybe that’s the beauty — that it’s never as good or as bad as we think.”
Host:
A faint rumble of thunder rolled over the city, low and distant. Jack’s eyes flickered, following the sound.
Jack:
“I used to think America was infinite. I’d drive for days, and it always felt like there was something new waiting — something that could change everything. But the more I saw, the smaller it got. The same stores, the same roads, the same tired faces behind gas station counters.”
Jeeny:
“That’s because you were looking for revelation. Not recognition.”
Jack:
“Meaning?”
Jeeny:
“You thought the road would give you something new. But maybe the road just gives you back yourself — over and over — until you finally understand what you’re running from.”
Jack:
“You make it sound like the country’s a therapist.”
Jeeny:
“In a way, it is. It listens, but it doesn’t save you.”
Host:
The rain eased to a whisper now. The city, wrapped in mist, looked almost gentle — as if it, too, were tired of pretending to be something greater.
Jack:
“You know, I’ve driven every kind of road this country has — desert highways, Appalachian passes, coastal routes — and every time, there’s that same moment. That moment you realize you’ve built the destination up too much. That the magic was always in the motion, not the arrival.”
Jeeny:
“That’s the romantic in you talking.”
Jack:
“There’s no romantic left in me, Jeeny. Just pattern recognition.”
Jeeny:
“Then why do your eyes always soften when you talk about the road?”
Jack:
(quietly) “Because it’s the only place I ever almost believed in something.”
Host:
Her gaze lingered on him — not pitying, not tender, just deeply human.
Jeeny:
“Maybe you’re like Frazier. You fall in love with the idea of elsewhere. Maybe that’s your religion — not logic, not love, but longing.”
Jack:
“And maybe that’s the cruelest faith there is.”
Host:
A taxi horn blared below, followed by laughter and footsteps splashing through puddles. The city kept moving, indifferent to introspection.
Jeeny:
“I think it’s beautiful — to always long for something just out of reach. It means you haven’t gone numb yet.”
Jack:
“It also means I’ll never arrive.”
Jeeny:
(smiling) “Maybe arrival isn’t the point.”
Host:
He looked at her, really looked, and for a moment the irony drained from his eyes.
Jack:
“You think it’s okay to keep chasing ghosts?”
Jeeny:
“If they remind you what it feels like to hope — yes.”
Jack:
“But hope hurts.”
Jeeny:
“So does realism. At least hope hurts beautifully.”
Host:
The rain stopped completely. The world outside shimmered with the sheen of renewal — the kind that happens only after surrender.
Jeeny turned away from the window, her reflection dissolving into the darkness.
Jeeny:
“Do you know what I think, Jack? America isn’t the land of dreams. It’s the land of remembering what dreaming felt like.”
Jack:
“And the Lincoln Tunnel?”
Jeeny:
(laughing) “The reminder that even dreams come with traffic.”
Jack:
“You always have to ruin the poetry, don’t you?”
Jeeny:
“Someone has to keep you honest.”
Host:
He smiled faintly — the kind of smile that hides both defeat and affection.
They stood side by side at the window now, watching the mist rise off the wet streets. The city breathed again — flawed, glorious, real.
Host (softly):
Every generation romanticizes the country it can’t quite hold — the one that exists just beyond the windshield, shimmering in the mirage of memory.
We chase it — from coast to coast, from dream to disappointment — not because we expect to find it, but because we can’t stop believing we might.
The camera pulls back: Jack and Jeeny, framed in the window’s glow, two wanderers grounded by irony, yet still haunted by wonder.
Host (final line):
Because maybe that’s America after all —
not a place,
but a longing:
to keep driving toward a light that never stays still.
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