But in the finished art of the song the use of words has no
But in the finished art of the song the use of words has no connection with the use of words in poetry.
"But in the finished art of the song the use of words has no connection with the use of words in poetry." These words from John Drinkwater draw a distinction between the two great forms of art—song and poetry—and point to the different roles that words play in each. While both forms are rooted in language, song uses words in a way that transcends their usual role in poetry. In a song, words are woven not only to convey meaning but to serve a broader purpose—to accompany melody, to fit the rhythm, and to elicit emotion. The power of a song lies not in the structure of its words alone, but in their integration with the music. In contrast, poetry relies on the precision and depth of language itself, using words as the sole means of creating meaning. The difference between the two is profound and speaks to the versatility and depth of language in the arts.
In the ancient world, poetry was often deeply connected to music, for many early poems were performed with musical accompaniment. The Greeks, for example, would often recite the works of Homer with the accompaniment of the lyre, and the poetry itself would have a musical rhythm that resonated with the listener. However, even in these ancient performances, the words themselves had a primary role in conveying the meaning. In this sense, poetry was often seen as more than just a song; it was a message, a moral teaching, or a story conveyed through carefully chosen language. Homer’s epics, for example, were not merely sung but delivered with a clear sense of purpose—the themes of heroism, fate, and honor were communicated through the very words themselves, whether they were spoken or sung.
In contrast, consider the great songs of the ancient world, such as the hymns dedicated to the gods. These hymns were crafted with care, not for the intricate meanings of their words but for the emotion and devotion they conveyed through melody. The words in these songs served as vehicles for spiritual expression, but the primary purpose of the song was to unite the listener with the divine through the sound and rhythm of the music. The words in such songs were carefully chosen, but their purpose was not necessarily to convey complex ideas or to evoke intellectual reflection; rather, they served to create a spiritual experience. In this way, the power of song lies in the synergy between the words and the music, with neither element taking precedence over the other.
This distinction between song and poetry is important, for it highlights the different ways in which language can be used to communicate. Song allows for a broader range of emotional expression because the words are not bound to the same intellectual precision that poetry demands. A song can convey profound emotion without the necessity of perfect syntax or complex metaphors. The lyrics may be simple, but when paired with the melody, they evoke something greater than the sum of their parts. Consider the songs of Bob Dylan, whose lyrics, though simple on the surface, resonate deeply with generations of listeners. The words in his songs are powerful, but their true impact comes from the way they are delivered in harmony with the music.
Poetry, on the other hand, requires a different kind of mastery. The power of poetry lies in the precision of its words, in the way each word is carefully chosen to create layers of meaning. In poetry, words do not simply serve as vessels for emotion; they must carry intellectual weight as well. The poet’s task is to find the exact word that fits the meaning they wish to convey, not simply to match the words with a melody. Shakespeare’s sonnets, for instance, use words with exquisite precision to explore the nature of time, love, and beauty. Every word in a sonnet is crafted to evoke a deep emotional response, and the poet’s mastery of language is what gives the poem its power.
The lesson that Drinkwater offers us is clear: while both poetry and song use language, the purpose and function of the words are vastly different. In song, words are often shaped and influenced by the melody, and their emotional impact is magnified by the music. In poetry, the words themselves are the central focus, and their emotional and intellectual power comes from their precise arrangement. Both forms of art are deeply valuable, but they operate on different principles. Poetry speaks directly to the mind and soul through language alone, while song draws its power from the combination of words and music.
In our own lives, as creators or appreciators of art, we must understand and embrace these distinctions. When we listen to a song, let us appreciate it for the emotional experience it provides, understanding that the words are part of a larger musical whole. When we engage with poetry, let us appreciate the depth of language and the careful construction of each word, recognizing that poetry is an intellectual and emotional pursuit in its own right. Both are forms of art, but they are each unique in their purpose and execution. By understanding these differences, we can fully appreciate the power of each form and the different ways they speak to the heart, mind, and soul.
Let us, then, create with an awareness of these differences—crafting songs that evoke emotion through melody and lyrics, and writing poetry that speaks to the deepest parts of our selves, using words as vessels of truth and beauty. Whether through song or poetry, we are tasked with using the language of our art to connect with the human experience, to elevate our emotions, and to share something profound and universal.
UPUyen Phuong
I’m intrigued by the idea that words transform when set to music. Does this imply that a lyric’s power depends on its musical context rather than its literary qualities? It also makes me think about cross-cultural music—do words in translation retain their song value if their poetic connection is lost? Additionally, it prompts reflection on performance: can an imperfect lyric achieve perfection through melody and interpretation, highlighting the unique synergy of song as a separate art form?
QBBui Quoc Bao
This perspective challenges my assumptions about the role of words in different art forms. If their use in song is unrelated to poetry, does that mean the beauty of lyrics lies more in sound and emotion than meaning? I also question whether some songs can simultaneously function as poetry, or if this separation is absolute. Could this distinction explain why some lyrics resonate profoundly even when they seem simplistic or repetitive in purely literary terms?
TMtra my
Reading this, I feel a tension between literary and musical appreciation. Are the rules of poetry irrelevant once words enter a song, or do certain principles carry over subtly through rhythm and phrasing? I also wonder about the creative process: does a songwriter consciously ignore poetic norms, or does the music itself demand a new linguistic structure? It makes me reflect on whether this disconnect enhances the universality of songs or limits their depth in comparison to poetry.
D:Khanhha dethung :3
I find this idea fascinating because it suggests a kind of liberation for words within song. If their use in music is disconnected from poetry, does that imply that the function of words is secondary to sound, cadence, and mood? Could a word that is meaningless in poetic terms gain profound significance in a song? It also raises questions about interpretation—does the listener perceive words differently when framed by melody versus written verse?
NT30 - Phan Nhu Thao
This statement makes me wonder about the distinction between language in music and in poetry. If words in a song operate independently from poetic language, is it because melody, rhythm, and tone alter their effect? Does this mean that the emotional resonance of lyrics can surpass their literal meaning, or that music reshapes words into a completely different art form? I’m curious whether this separation makes songwriting more flexible or more constrained compared to traditional poetry.