I am not a great fan of computers. I do watch videos and analyse
I am not a great fan of computers. I do watch videos and analyse which batsman is playing how. Batsmen can play different shots on different days. A batsman may not play cover drives well, but if he connects with two such shots, he starts playing the drive well on that day.
Host: The stadium lights glowed like a constellation of artificial stars, cutting through the humid night air of Mumbai. The echo of distant cheers still lingered, dissolving slowly into the silence of the empty stands. The pitch, once alive with the clash of bat and ball, now rested beneath a thin veil of mist — a battlefield after its war, serene and bruised.
In a quiet corner of the player’s lounge, Jack and Jeeny sat opposite each other at a long mahogany table. A flickering television replayed highlights from a recent cricket match. The camera zoomed in on a batsman’s elegant cover drive — the arc of precision, the poetry of timing.
Jack sipped his tea, his grey eyes reflecting the ghostly light of the screen. Jeeny leaned forward, her hands folded beneath her chin, her gaze soft but burning with curiosity.
Host: The air was thick with nostalgia and something unspoken — a quiet reverence for mastery, and the fragile line between art and calculation.
Jeeny: “Harbhajan Singh once said, ‘I am not a great fan of computers. I do watch videos and analyse which batsman is playing how. Batsmen can play different shots on different days. A batsman may not play cover drives well, but if he connects with two such shots, he starts playing the drive well on that day.’”
Jack: “So even instinct can be trained by repetition. Sounds logical. You miss, you adjust, you learn. That’s not philosophy — that’s pattern recognition.”
Jeeny: “But he’s not talking about data, Jack. He’s talking about feeling. The rhythm of the day, the mood, the invisible pulse of confidence. Computers can’t measure that.”
Host: The screen showed slow-motion replays — the rise of the bat, the split-second alignment of mind, muscle, and courage. The soft thud of contact. The ball racing across the field like a comet.
Jack: “Confidence? That’s just dopamine disguised as poetry. You connect twice, your brain rewards you, your hands obey you. That’s chemistry, not magic.”
Jeeny: “And yet that chemistry becomes art. When a batsman finds flow, it’s not numbers that drive him — it’s intuition, surrender, presence. You call it chemical; I call it spiritual.”
Jack: “You romanticize the unpredictable. But in sport — like life — consistency wins. Computers, data, analysis — they’re how we decode chaos. That’s why Harbhajan still watches videos, even if he doesn’t ‘love’ computers. He knows that instinct without information is just arrogance.”
Jeeny: “No, Jack. It’s humanity. He’s saying that technology can’t replace touch — that sometimes, performance is not an equation. One day you find the center of the bat not because you studied angles, but because your heart remembered the sound.”
Host: The lights above them buzzed faintly, their hum merging with the distant echo of rain outside. The smell of damp grass drifted in through the open door — that distinct perfume of cricket, sweat, and sky.
Jack: “That’s sentimental. The game is data now — spin angles, release speed, heat maps. Analysts can predict where a batsman will miss even before he swings.”
Jeeny: “And yet they can’t predict when he’ll transcend that data. When the same player, written off by every model, suddenly strikes century after century. That’s not numbers, Jack — that’s belief.”
Jack: “Belief doesn’t change physics. The ball obeys only motion, not emotion.”
Jeeny: “But the hand that strikes it does. You forget — physics begins with human will. The mind is the first mover.”
Host: Jack leaned forward, the dim light catching the sharp angles of his face. His voice dropped, quiet but firm, like a man trying to hold reason against a tide of faith.
Jack: “You talk like intuition is a miracle. But it’s just experience disguised as prophecy. A batsman hits two drives, gains confidence, and starts repeating success. Cause and effect — nothing divine about it.”
Jeeny: “And yet you can’t explain why some players rise under pressure while others crumble. They all have the same data, the same training, the same muscle memory — but not the same soul.”
Jack: “Soul is a comforting word for chaos. When we can’t measure something, we mythologize it.”
Jeeny: “Maybe because not everything valuable was meant to be measured.”
Host: The rain outside grew louder — rhythmic, meditative. The faint reflection of droplets shimmered across the TV screen, where another replay rolled in slow motion. The batsman’s eyes glowed with focus, his body surrendering to the moment — half science, half surrender.
Jeeny: “When Harbhajan says he’s not a fan of computers, I think he means he still believes in the pulse beneath the statistics — in the heartbeat of play. The day you trust only data is the day you lose the game’s soul.”
Jack: “Or maybe that’s nostalgia speaking — the fear of being replaced by something more precise. Machines don’t tremble. They don’t doubt. They don’t choke.”
Jeeny: “They also don’t feel the weight of victory. Or the joy of redemption. They can’t taste the sweetness of a cover drive reborn after failure. They can calculate contact — but not courage.”
Jack: “You think courage can’t be calculated? Even soldiers now train with simulations, AI predicting reactions under stress. We’re learning to measure bravery.”
Jeeny: “You can measure the reaction, not the reason. Bravery isn’t how fast you move — it’s why you move. No algorithm knows the why.”
Host: The clock above the bar ticked softly, marking the drift between them. The rain eased. The stadium lights dimmed one by one until only the faint glow of the screen remained — a single rectangle of blue light, like a silent witness.
Jack: “So what you’re saying is — human unpredictability is sacred?”
Jeeny: “I’m saying it’s necessary. Without unpredictability, there’s no story — only pattern. No struggle — only prediction. Life, like cricket, is meant to be uncertain.”
Jack: “Uncertainty is chaos. And chaos destroys.”
Jeeny: “No, Jack. Chaos creates. Every cover drive born out of failure, every comeback, every miracle — all of it begins with chaos. The chaos that reminds us we’re alive.”
Host: The wind blew softly through the open door, carrying the faint smell of wet earth. Somewhere in the distance, a dog barked, and a single streetlight flickered to life.
Jeeny: “Do you remember Tendulkar’s match against Australia in 1998? The ‘Desert Storm’? Every analyst predicted he’d fail in those conditions. And yet — he didn’t just play. He created something timeless. Tell me, Jack — did the data see that storm coming?”
Jack: “No,” — Jack smiled faintly, conceding a rare softness — “but the man did.”
Jeeny: “Exactly. That’s what Harbhajan meant. You can analyze, but you must still feel. You can measure, but you must still trust. Even machines bow before momentum.”
Jack: “And yet — you need both. The heart to play the drive, and the data to know when to risk it.”
Jeeny: “Balance — finally something we agree on.”
Host: Jeeny smiled, her eyes glowing like embers in the half-light. Jack’s expression softened — the cynic disarmed by the grace of reason met halfway.
Jack: “So maybe the real art isn’t in rejecting the machine — or worshipping it. It’s knowing when to listen to it, and when to shut it off.”
Jeeny: “Just like a batsman deciding which ball to leave and which to strike.”
Host: The screen froze on a final image — a batsman mid-swing, body arched in perfect motion, eyes fixed on destiny. The ball, blurred by speed, cut through the night like a streak of belief.
The rain stopped. The stadium lights went dark.
Host: And in the stillness, between data and desire, between calculation and courage, the truth shimmered:
That the heart, too, learns — and the mind, too, dreams — and somewhere between the two, a batsman connects… and the world, for that instant, becomes whole again.
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