I avoid oily food and in fact my friends get mad at me as I don't

I avoid oily food and in fact my friends get mad at me as I don't

22/09/2025
04/11/2025

I avoid oily food and in fact my friends get mad at me as I don't have cake even on my own birthday. I do have a sweet tooth though for chocolates.

I avoid oily food and in fact my friends get mad at me as I don't
I avoid oily food and in fact my friends get mad at me as I don't
I avoid oily food and in fact my friends get mad at me as I don't have cake even on my own birthday. I do have a sweet tooth though for chocolates.
I avoid oily food and in fact my friends get mad at me as I don't
I avoid oily food and in fact my friends get mad at me as I don't have cake even on my own birthday. I do have a sweet tooth though for chocolates.
I avoid oily food and in fact my friends get mad at me as I don't
I avoid oily food and in fact my friends get mad at me as I don't have cake even on my own birthday. I do have a sweet tooth though for chocolates.
I avoid oily food and in fact my friends get mad at me as I don't
I avoid oily food and in fact my friends get mad at me as I don't have cake even on my own birthday. I do have a sweet tooth though for chocolates.
I avoid oily food and in fact my friends get mad at me as I don't
I avoid oily food and in fact my friends get mad at me as I don't have cake even on my own birthday. I do have a sweet tooth though for chocolates.
I avoid oily food and in fact my friends get mad at me as I don't
I avoid oily food and in fact my friends get mad at me as I don't have cake even on my own birthday. I do have a sweet tooth though for chocolates.
I avoid oily food and in fact my friends get mad at me as I don't
I avoid oily food and in fact my friends get mad at me as I don't have cake even on my own birthday. I do have a sweet tooth though for chocolates.
I avoid oily food and in fact my friends get mad at me as I don't
I avoid oily food and in fact my friends get mad at me as I don't have cake even on my own birthday. I do have a sweet tooth though for chocolates.
I avoid oily food and in fact my friends get mad at me as I don't
I avoid oily food and in fact my friends get mad at me as I don't have cake even on my own birthday. I do have a sweet tooth though for chocolates.
I avoid oily food and in fact my friends get mad at me as I don't
I avoid oily food and in fact my friends get mad at me as I don't
I avoid oily food and in fact my friends get mad at me as I don't
I avoid oily food and in fact my friends get mad at me as I don't
I avoid oily food and in fact my friends get mad at me as I don't
I avoid oily food and in fact my friends get mad at me as I don't
I avoid oily food and in fact my friends get mad at me as I don't
I avoid oily food and in fact my friends get mad at me as I don't
I avoid oily food and in fact my friends get mad at me as I don't
I avoid oily food and in fact my friends get mad at me as I don't

Host: The studio was still, bathed in the amber glow of sunset filtering through tall windows streaked with dust and the faint outline of dancers’ fingerprints. The polished floor gleamed like water; faint scuff marks told silent stories of movement, repetition, and obsession. The air carried a mix of rosin, sweat, and something warm — like discipline made visible.

Host: Jack sat cross-legged near the back wall, his camera bag beside him, flipping through the last shots of the day. Jeeny, still in her rehearsal clothes — loose white tee, bare feet, hair tied high — was perched on the edge of the floor, sipping water from a dented bottle. Her breath was still heavy from practice, but her eyes shone with that alive exhaustion only dancers know — the kind that hurts but heals.

Jeeny: (laughing softly) “You know, Shakti Mohan once said, ‘I avoid oily food and in fact my friends get mad at me as I don't have cake even on my own birthday. I do have a sweet tooth though for chocolates.’

Jack: (grinning) “Sounds like someone who treats life like choreography — every move controlled, every indulgence rehearsed.”

Jeeny: “You say that like discipline’s a crime.”

Jack: “No, just… exhausting.”

Host: The light fell across her face, highlighting the faint sheen of sweat on her skin — not vanity, but victory. She leaned back, arms braced behind her, staring at the ceiling as if it held both heaven and muscle memory.

Jeeny: “Discipline’s not exhaustion, Jack. It’s devotion. People think it’s about denial, but it’s about respect — for the craft, for the body, for what you say you love.”

Jack: “You love dance that much you’d skip cake on your birthday?”

Jeeny: (smiling) “I love feeling alive more than I love feeling full.”

Host: Her words carried quietly through the empty studio, settling like dust on light.

Jack: “See, that’s the difference between you and me. I believe in balance — a little cake, a little chaos. You believe in purity.”

Jeeny: “Maybe. But purity doesn’t mean punishment. It means knowing what gives you peace — and choosing it.”

Jack: “You talk like every choice has to be sacred.”

Jeeny: “It should be. If it shapes who you are.”

Host: He set the camera down and leaned forward, elbows on his knees. The air between them felt like the space between beats — small, measured, intentional.

Jack: “You ever think maybe you miss out? All those spontaneous moments — dinners, drinks, fun — just for the sake of staying perfect?”

Jeeny: “I don’t want to be perfect. I want to be consistent. There’s a difference.”

Jack: “Consistency sounds like another word for control.”

Jeeny: “And control is another word for care.”

Host: She said it without looking at him, her gaze still fixed upward, where dust floated in a shaft of gold light like slow, delicate confetti.

Jack: “So, no cake, huh?”

Jeeny: “No cake.”

Jack: “Not even a bite?”

Jeeny: (grinning) “Only chocolate. That’s my rebellion.”

Jack: “Chocolate’s not rebellion — it’s therapy.”

Jeeny: “Same thing, isn’t it?”

Host: He laughed, shaking his head. There was something endearing — and frustrating — about her self-discipline, her refusal to blur the line between joy and purpose.

Jack: “You know what gets me? You talk about joy like it’s a job description.”

Jeeny: “It kind of is. You think dancers move out of happiness? We move out of ache. Every spin, every jump — it’s the body trying to remember freedom.”

Jack: “And the food rules?”

Jeeny: “Not rules. Rituals. If I treat my body carelessly, how can I expect it to trust me?”

Host: The clock on the wall ticked, the sound sharp in the stillness. Outside, the sun dipped lower, turning the studio into an amber cathedral of motion and quiet reverence.

Jack: “You ever get tired of being the disciplined one? The one who always says no?”

Jeeny: “Of course. But every ‘no’ I say to something small is a ‘yes’ to something greater.”

Jack: “And what’s the greater thing, Jeeny?”

Jeeny: “Presence. The ability to move and mean it.”

Host: He watched her then — the way her shoulders relaxed as she spoke, the way her fingers unconsciously traced invisible patterns on the floor. She didn’t just live her art; she became it, even in rest.

Jack: “You know, I think that’s what people misunderstand about discipline. They think it kills joy, but maybe it’s just joy with direction.”

Jeeny: (smiling softly) “Exactly. People think passion is wild — but it’s not. It’s focused. You don’t build beauty by accident.”

Jack: “You make it sound like every moment’s a sacrifice.”

Jeeny: “Every moment is a choice. Some of them just cost more than others.”

Host: The faint sound of a piano drifted from the adjoining room — a student practicing scales, the same few notes looping, imperfect but persistent. The kind of sound that builds grace through repetition.

Jack: “So tell me — no oily food, no cake. What do you indulge in then?”

Jeeny: (with a mischievous smile) “Chocolate and silence.”

Jack: “That’s it?”

Jeeny: “And good company that doesn’t tempt me into bad habits.” (looks at him pointedly)

Jack: (laughing) “Then I guess I’m the problem.”

Jeeny: “You’re the test.”

Host: Their laughter filled the space briefly, echoing off the mirrors like sunlight bouncing off glass. But beneath it lingered something deeper — that quiet understanding between two people who approached life from opposite sides of the same truth.

Jack: “You think Shakti ever regrets skipping her own cake?”

Jeeny: “Maybe. But she’d never trade the clarity she has for a slice of sweetness that fades in a minute.”

Jack: “And you?”

Jeeny: “I’ve learned to find sweetness in strength.”

Host: The light dimmed, the day exhaling its last breath. The piano in the next room stopped. The studio was theirs again — still, sacred, alive.

Host: Jeeny stood, stretching, her movements slow and deliberate, like punctuation marks at the end of a sentence. Jack picked up his camera, quietly snapping a photo of her silhouetted against the dying light — a woman of discipline, grace, and quiet rebellion.

Host: The click of the shutter echoed softly. She looked back at him and smiled.

Jeeny: “What was that for?”

Jack: “To remember what devotion looks like.”

Host: Outside, the first stars began to appear — small, steady, patient.

Host: And in that moment, Shakti Mohan’s words took form not as restriction, but as revelation: that true artistry isn’t about denial, but discernment — knowing what to keep, what to resist, and what to savor, one square of chocolate at a time.

Host: The studio fell silent. The world outside kept spinning. And inside, a dancer and a cynic sat side by side, both quietly learning that discipline, too, can be a form of joy.

Shakti Mohan
Shakti Mohan

Indian - Dancer

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