I did freelance cartooning off and on from college graduation in

I did freelance cartooning off and on from college graduation in

22/09/2025
13/10/2025

I did freelance cartooning off and on from college graduation in 1991 through ABC News hiring me in 2003. I did a weekly comic strip for 'Roll Call' for about nine years. I sold cartoons and caricatures to 'The Los Angeles Times' and 'The Washington Post.' I drew as much as I could. It's really tough to make a living doing it.

I did freelance cartooning off and on from college graduation in
I did freelance cartooning off and on from college graduation in
I did freelance cartooning off and on from college graduation in 1991 through ABC News hiring me in 2003. I did a weekly comic strip for 'Roll Call' for about nine years. I sold cartoons and caricatures to 'The Los Angeles Times' and 'The Washington Post.' I drew as much as I could. It's really tough to make a living doing it.
I did freelance cartooning off and on from college graduation in
I did freelance cartooning off and on from college graduation in 1991 through ABC News hiring me in 2003. I did a weekly comic strip for 'Roll Call' for about nine years. I sold cartoons and caricatures to 'The Los Angeles Times' and 'The Washington Post.' I drew as much as I could. It's really tough to make a living doing it.
I did freelance cartooning off and on from college graduation in
I did freelance cartooning off and on from college graduation in 1991 through ABC News hiring me in 2003. I did a weekly comic strip for 'Roll Call' for about nine years. I sold cartoons and caricatures to 'The Los Angeles Times' and 'The Washington Post.' I drew as much as I could. It's really tough to make a living doing it.
I did freelance cartooning off and on from college graduation in
I did freelance cartooning off and on from college graduation in 1991 through ABC News hiring me in 2003. I did a weekly comic strip for 'Roll Call' for about nine years. I sold cartoons and caricatures to 'The Los Angeles Times' and 'The Washington Post.' I drew as much as I could. It's really tough to make a living doing it.
I did freelance cartooning off and on from college graduation in
I did freelance cartooning off and on from college graduation in 1991 through ABC News hiring me in 2003. I did a weekly comic strip for 'Roll Call' for about nine years. I sold cartoons and caricatures to 'The Los Angeles Times' and 'The Washington Post.' I drew as much as I could. It's really tough to make a living doing it.
I did freelance cartooning off and on from college graduation in
I did freelance cartooning off and on from college graduation in 1991 through ABC News hiring me in 2003. I did a weekly comic strip for 'Roll Call' for about nine years. I sold cartoons and caricatures to 'The Los Angeles Times' and 'The Washington Post.' I drew as much as I could. It's really tough to make a living doing it.
I did freelance cartooning off and on from college graduation in
I did freelance cartooning off and on from college graduation in 1991 through ABC News hiring me in 2003. I did a weekly comic strip for 'Roll Call' for about nine years. I sold cartoons and caricatures to 'The Los Angeles Times' and 'The Washington Post.' I drew as much as I could. It's really tough to make a living doing it.
I did freelance cartooning off and on from college graduation in
I did freelance cartooning off and on from college graduation in 1991 through ABC News hiring me in 2003. I did a weekly comic strip for 'Roll Call' for about nine years. I sold cartoons and caricatures to 'The Los Angeles Times' and 'The Washington Post.' I drew as much as I could. It's really tough to make a living doing it.
I did freelance cartooning off and on from college graduation in
I did freelance cartooning off and on from college graduation in 1991 through ABC News hiring me in 2003. I did a weekly comic strip for 'Roll Call' for about nine years. I sold cartoons and caricatures to 'The Los Angeles Times' and 'The Washington Post.' I drew as much as I could. It's really tough to make a living doing it.
I did freelance cartooning off and on from college graduation in
I did freelance cartooning off and on from college graduation in
I did freelance cartooning off and on from college graduation in
I did freelance cartooning off and on from college graduation in
I did freelance cartooning off and on from college graduation in
I did freelance cartooning off and on from college graduation in
I did freelance cartooning off and on from college graduation in
I did freelance cartooning off and on from college graduation in
I did freelance cartooning off and on from college graduation in
I did freelance cartooning off and on from college graduation in

In the words, “I did freelance cartooning off and on from college graduation in 1991 through ABC News hiring me in 2003. I did a weekly comic strip for ‘Roll Call’ for about nine years. I sold cartoons and caricatures to ‘The Los Angeles Times’ and ‘The Washington Post.’ I drew as much as I could. It’s really tough to make a living doing it,Jake Tapper speaks of the long and lonely road between passion and livelihood — a road that every creator, dreamer, and craftsman must walk. This quote is not merely the story of a journalist’s early struggle; it is the testimony of a man who learned that art, discipline, and persistence must coexist in the furnace of reality. It is a hymn to endurance, sung softly by those who labor in obscurity for the love of their craft.

Tapper’s words recall an era before fame, before networks and recognition — a time when he was a freelance cartoonist, drawing for small publications, selling caricatures piece by piece, fighting for each commission as if it were a spark of survival. From 1991 to 2003, he lived in that in-between world, where talent meets rejection, and creativity struggles to pay the rent. It is a story ancient as time itself: the artist who gives his heart to the canvas, yet finds the world slow to reward sincerity. The ancients would have called this the Trial of the Artisan, a sacred test of patience and faith before the gates of mastery.

What shines through his recollection is not bitterness, but quiet resilience. “I drew as much as I could,” he says — words of sacred endurance. In those seven syllables lies the soul of every maker who refuses to yield. To draw, to write, to create when the world turns indifferent — that is to live in truth. Tapper’s relentless devotion echoes the spirit of Vincent van Gogh, who painted in poverty and obscurity, writing to his brother, “I am seeking, I am striving, I am in it with all my heart.” Like van Gogh, Tapper’s struggle was not in vain; each line, each sketch, each caricature was a stroke of discipline that would one day prepare him for the eloquence and insight of journalism.

The origin of Tapper’s persistence lies in his understanding that mastery does not bloom in comfort. Between 1991 and 2003 — twelve years of uncertain income — he endured the grind that breaks many spirits. Yet this endurance honed not only his hand but his voice. The artist who once sketched with ink learned to paint truth with words, becoming one of America’s most respected journalists. Thus, what began as cartooning — an art of observation and satire — became the foundation for reporting with depth and humanity. The lesson is clear: no effort, however humble, is ever wasted when it is born from passion and diligence.

Let us remember the story of Walt Disney, who, before creating his empire, was once a struggling artist drawing small advertisements and sleeping in his studio. He too faced hunger and rejection, yet never abandoned his dream of giving life to imagination. Like Tapper, Disney’s journey through hardship was not failure, but refinement — the tempering of spirit in the fire of difficulty. The ancients knew this truth well: “Only what is tested by struggle becomes strong enough to endure.”

Beneath Tapper’s reflection lies another truth: that art and meaning often begin in solitude and persistence, not applause. The world may not pay fairly for passion, but passion, if steadfast, eventually pays in the currency of fulfillment and destiny. Those who endure the lean years with integrity find that their craft becomes not only their livelihood but their legacy. What matters is not the applause of the moment, but the quiet accumulation of excellence across time.

The lesson, then, is this: work faithfully even when no one watches, for the unseen years are the foundation of all greatness. Do not measure your worth by the ease of reward, but by the truth of your effort. Every stroke of practice, every late night, every humble job is a brick in the cathedral of your destiny. Persevere as Tapper did — draw as much as you can, write as much as you can, labor as much as you can. For the world may not see you now, but destiny is already sketching your name among the enduring ones.

And the practical action is this: devote yourself to your craft not for recognition, but for mastery. Set aside envy, and embrace the grind. When the road feels long, remember that every master was once an unknown apprentice. Let your patience be your proof, your work your prayer, and your perseverance your art. Then one day, as it did for Jake Tapper, your years of unseen effort will blossom into a harvest no storm can undo.

Jake Tapper
Jake Tapper

American - Journalist Born: March 12, 1969

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