I didn't really want to live, so anything that was an investment
I didn't really want to live, so anything that was an investment in time made me angry... but also I just felt sad. When the hopelessness is hurting you, it's the fixtures and fittings that finish you off.
Angelina Jolie once laid bare a truth as raw as stone broken open by fire: “I didn’t really want to live, so anything that was an investment in time made me angry… but also I just felt sad. When the hopelessness is hurting you, it’s the fixtures and fittings that finish you off.” These words are not crafted for elegance, but for survival. They reveal the weight of despair, how it crushes not only through great sorrows, but through the small, ordinary burdens of life—the endless little tasks that become unbearable when the heart has lost its reason to continue.
This truth has echoed across centuries. The ancients knew despair as the dark night of the soul, when even the rising of the sun feels like mockery, when what should be simple becomes unbearable. In Jolie’s confession, we see that it is not always the grand tragedies that break a person, but the endless, suffocating details of existence—forms to fill, chores to endure, the “fixtures and fittings” of daily life. These things, when weighed against hopelessness, feel like stones tied to the drowning.
History bears witness to this struggle. Consider the Roman philosopher Seneca, who wrote of men who took their own lives not because of war or plague, but because of the endless burden of daily obligations, of life stripped of meaning. “It is not the great storm that kills the sailor,” he observed, “but the unceasing drip of water upon his head.” Here, Jolie speaks the same truth: when one no longer wishes to live, the ordinary becomes unbearable punishment, each demand for time a wound that deepens the despair.
Yet within her words is also the courage of revelation. To speak of hopelessness is to strip away the mask that so many wear. She gives voice to those who have suffered in silence, showing that despair is not weakness but part of the human condition. And in this honesty, she transforms her own pain into a beacon for others who walk in the dark. For even when she felt no reason to continue, she survived, and by surviving, she has given others a reason to hope.
The meaning here is profound: that life’s heaviest chains are not always visible. A person may seem surrounded by comfort, yet crushed by the weight of existence. The “fixtures and fittings” Jolie describes are symbols of the countless trivialities that torment the weary soul. To understand this is to learn compassion, to see that battles are often fought in silence, and that kindness may be the spark that lifts another from despair.
The lesson for us is thus: do not measure another’s struggle by your own strength. The greatest gift you can offer is not judgment, but mercy. Reach out to those who seem weary, listen to their silence, honor their pain. And when hopelessness comes to you—as it comes to many—remember that even in the deepest shadow, survival itself is defiance. To breathe one more day, to endure one more hour, is to declare that despair has not claimed you fully.
Practically, we must learn to lighten the burdens of daily life, both for ourselves and for others. Simplify where you can; offer help where you see need. If you feel the crushing weight of time, speak it aloud, seek the counsel of others, and remember that the burden can be shared. And if you see another faltering under the weight of the ordinary, offer them patience and gentleness, for you may be the hand that steadies them until they find their strength again.
Thus, Angelina Jolie’s words are not merely a confession of past despair, but a testimony of survival. They teach us that even when the sadness is vast and the fixtures and fittings threaten to undo us, the act of enduring, of continuing, becomes its own kind of victory. And in that endurance lies the possibility of healing, of renewal, and of one day finding joy again.
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