I guess there are all these women with a big secret - they're
I guess there are all these women with a big secret - they're hiding men they are ashamed of. They come up to me and say: 'I've been dating this guy for six months in secret but none of my friends know. I can't give him up even though he's embarrassing.'
In the marketplace of hearts, where appearances jostle like bright wares, a hard saying is whispered: “There are all these women with a big secret—they’re hiding men they are ashamed of… ‘I’ve been dating this guy for six months in secret… my friends don’t know. I can’t give him up even though he’s embarrassing.’” Beneath the light banter lies an old, somber music: the conflict between the face we show the crowd and the vow we murmur in the dark. The ancients would have recognized the struggle—honor versus appetite, reputation versus attachment, the public drum against the private flute. Here, shame becomes a veil, and secrecy its pin.
To keep a big secret is to split the self. One part dines with friends, laughing, polished; the other part slips away to the hidden room where the embarrassing beloved waits. Such division breeds fever. The hidden chamber grows heavy with borrowed air: excuses, rationalizations, stories told to the mirror. Yet the pulse persists—“I can’t give him up.” This is not only folly; it is the mystery of human binding. Intermittent tenderness can fasten tighter than steady warmth; the scarce crumb can addict more fiercely than the daily loaf. Thus the heart mistakes a hook for a harbor.
We should not mock these women; we should study the trap. Shame is a clever gaoler. It promises safety—“hide him, and your standing remains”—but it also deepens dependence. The more one conceals, the more one invests in the concealment; the more one edits the tale for others, the harder it becomes to edit it for oneself. What begins as a discreet silence becomes a shrine to denial. In time, the lover’s unworthiness is lacquered over with ritual: secret calls, coded texts, corridors of avoidance. The relationship survives not because it nourishes, but because the secrecy itself has become the meal.
Consider an older story from the cloisters and lecture halls of twelfth-century Paris: Héloïse and Abelard. Their bond, brilliant and forbidden, retreated into shadows—letters furtive as footfalls, a secret marriage to shield reputations. Though their tale differs in cause from the jest of modern dating, it bears the same anatomy of divided life: a love that could not be paraded before the city, choices defended in darkness, consequences borne in silence. Even genius staggered under secrecy’s weight; even the most eloquent found that hidden vows corrode the vessel that holds them. The lesson is not that love must always be public, but that love unfit for light often sickens under its own concealment.
There is another, humbler parable from the theater wings. A young actress kept a lover whom she never brought to opening nights. He drank, heckled her success, and sneered at rehearsal hours. When asked about her weekend, she smiled away the question; she feared her cast’s clear eyes. Months turned to the specified six months, then more, and her craft dimmed. One evening, a stagehand—rough, kind—asked a simple thing: “If he were a role, would you audition him again?” The spell of secrecy cracked. She carried the question to dawn and left the man by noon. Her talent quickened; her laughter returned. The hidden life had been a room with no windows; truth was the key.
The quote’s sting is doubled because it names a fear and an ache. The fear: to be seen choosing poorly. The ache: to part with the familiar, even when it wounds. Yet wisdom says the soul is not a museum for shabby idols; it is a temple for living fire. If a bond must be kept from those who wish your flourishing—wise kin, honest friends, mentors whose loyalty is proved—ask whether you are guarding love or simply guarding shame. Love that cannot breathe the open air may not be love; it may be loneliness wearing a lover’s coat.
Take, then, the teaching and its rites. (1) Hold a “light test”: describe the relationship plainly to one trusted elder; if your own words scorch, heed the burn. (2) Keep a ledger of behaviors, not feelings: respect shown, promises kept, apologies made and mended—let this weigh more than chemistry. (3) Set a calendar of courage: by a set date, end the secret or end the bond; secrecy must not be a lifestyle. (4) Replace the ritual of hiding with a ritual of truth—weekly counsel, boundaries named aloud, a plan for safety if harm appears. (5) Practice mercy for yourself; shame loosens when named without self-contempt. Thus shall you learn to choose companions who can walk in daylight, and to refuse the chains that masquerade as embraces.
Finally, remember: the heart is a garden, not a cellar. Do not keep love among the boxes and fumes. Bring it to sun, to soil, to water and watchful eyes. If it withers there, let it go. If it grows, bless it. And let the laughter of your friends be the wind that tests your branches; let their clear counsel be the fence that keeps out wolves. In this way you will not be slave to a big secret, nor captive to an embarrassing shadow, but steward of a life lived whole—seen, steady, and free.
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