I like Bejoy's style of movie making, and the music is always so

I like Bejoy's style of movie making, and the music is always so

22/09/2025
22/09/2025

I like Bejoy's style of movie making, and the music is always so good in all his movies.

I like Bejoy's style of movie making, and the music is always so
I like Bejoy's style of movie making, and the music is always so
I like Bejoy's style of movie making, and the music is always so good in all his movies.
I like Bejoy's style of movie making, and the music is always so
I like Bejoy's style of movie making, and the music is always so good in all his movies.
I like Bejoy's style of movie making, and the music is always so
I like Bejoy's style of movie making, and the music is always so good in all his movies.
I like Bejoy's style of movie making, and the music is always so
I like Bejoy's style of movie making, and the music is always so good in all his movies.
I like Bejoy's style of movie making, and the music is always so
I like Bejoy's style of movie making, and the music is always so good in all his movies.
I like Bejoy's style of movie making, and the music is always so
I like Bejoy's style of movie making, and the music is always so good in all his movies.
I like Bejoy's style of movie making, and the music is always so
I like Bejoy's style of movie making, and the music is always so good in all his movies.
I like Bejoy's style of movie making, and the music is always so
I like Bejoy's style of movie making, and the music is always so good in all his movies.
I like Bejoy's style of movie making, and the music is always so
I like Bejoy's style of movie making, and the music is always so good in all his movies.
I like Bejoy's style of movie making, and the music is always so
I like Bejoy's style of movie making, and the music is always so
I like Bejoy's style of movie making, and the music is always so
I like Bejoy's style of movie making, and the music is always so
I like Bejoy's style of movie making, and the music is always so
I like Bejoy's style of movie making, and the music is always so
I like Bejoy's style of movie making, and the music is always so
I like Bejoy's style of movie making, and the music is always so
I like Bejoy's style of movie making, and the music is always so
I like Bejoy's style of movie making, and the music is always so

Harshvardhan Rane’s words, "I like Bejoy's style of movie making, and the music is always so good in all his movies," speak to the power of creative collaboration—the artistic marriage of vision and sound. In these words, Rane praises not just the director, Bejoy Nambiar, but the profound connection between storytelling and music. Nambiar’s films, known for their innovative storytelling and distinctive style, are paired with music that transcends mere accompaniment. The music in his films is not just a backdrop; it enriches the narrative, intensifying emotions and elevating the visual experience to something deeper, something that resonates in the soul. This relationship between sound and vision, which Rane acknowledges, has its roots in the ancient practice of artistic synthesis—the blending of different forms of art to create a harmonious whole.

In the ancient world, the idea of artistic unity was revered. The Greek tragedies, for instance, were not just plays, but total experiences that merged music, dance, and drama. In these performances, the chorus sang in unison, guiding the audience through the emotional landscape of the story. Aeschylus, Sophocles, and Euripides used the power of music to give voice to the unspoken, to amplify the emotions that the actors could not express with words alone. In this way, music became an extension of the story—a force that shaped the audience's response and created a deeper understanding of the human condition. Just as these ancient playwrights understood the transformative power of music in storytelling, Bejoy Nambiar’s films use music as a compelling narrative tool, enhancing the emotional depth of each scene.

Consider the legendary composer Ludwig van Beethoven, whose symphonies were designed not just to fill the air but to stir the hearts and minds of his listeners. Beethoven’s work, especially his Ninth Symphony, transcended the mere performance of notes and became an exploration of human triumph and suffering. His music conveyed the deepest of human emotions—long before a single word was spoken. Much like Beethoven’s symphonies, the music in Nambiar’s films serves as a silent actor, its melody and rhythm shaping the emotions of the characters and the trajectory of the narrative. Rane’s admiration for Nambiar’s music is an acknowledgment of the way music breathes life into film, creating a dynamic and immersive experience for the audience.

The ancient epic poetry of Homer also reveals the profound impact that music and poetry had on storytelling. The Iliad and the Odyssey were not simply written texts; they were meant to be sung aloud, with a lyre or other instruments accompanying the recitation. The music added a layer of emotion and depth, making the stories even more compelling and unforgettable. The repetition of certain verses, the rising rhythm of the poetry, and the music’s intertwined connection to the words allowed Homer’s tales to resonate deeply with the listeners. In the same way, Bejoy Nambiar’s films are not simply visual tales but multi-sensory experiences, where music plays a crucial role in shaping the emotional core of the film.

This connection between storytelling and music has long been revered in many cultures. The Ramayana, an epic that has shaped the hearts of millions, often sees its stories sung in devotional hymns, turning the narrative into a living, breathing experience. The music, sung by the devotees or by trained artists, deepens the experience of the story, helping the listener to feel the divine presence of the characters and the moral struggles they face. Music, in this sense, is not just entertainment; it is a vehicle for transformation, a way to connect the audience with the sacred and the profound.

The lesson in Rane’s words is clear: art, in its highest form, is a harmonious blend of vision and sound, where each element enhances the other. Just as Bejoy Nambiar has found a unique way to pair music with his cinematic vision, we too must learn to combine the elements of our lives in ways that amplify and enrich our experiences. Music and storytelling are not just about entertainment—they are about awakening emotions, connecting deeply with others, and creating moments that linger long after the final note or frame. Whether in film, literature, or life, seek to find the balance between different elements, weaving them together to create something that is not just functional but transformative.

In your own life, seek to balance the various elements that shape your existence. Just as a film is more than just its plot, life is more than its surface experiences—it is about the connections we make, the emotions we cultivate, and the artistry with which we approach the mundane. Whether through music, words, or actions, find ways to weave a harmony into your daily life, so that every moment is an opportunity for growth, connection, and expression. In doing so, you will create something that is not just lived but experienced deeply, like the greatest of films or the grandest of ancient epics. Let your life resonate with the depth and beauty of the world around you.

Harshvardhan Rane
Harshvardhan Rane

Indian - Actor Born: December 16, 1983

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