I liked the way they treated the first, second, and third place
I liked the way they treated the first, second, and third place finishers equally. It was an amazing year. I only entered two song contests this year; I won one and placed second in the other. And I entered each of them a day or two before the deadline.
Host: The radio station was quiet — the kind of quiet that buzzes faintly with memory. A single red “ON AIR” light glowed above the glass booth, though the microphones were long cold. The smell of dust and coffee lingered in the air — a mixture of the old and the eternal. Pinned to the corkboard behind the console were yellowed clippings, song contest posters from a different age, their edges curling like aging applause.
Jack sat in front of one of the old mics, running his fingers along its metal mesh like a relic of faith. Jeeny stood by the window, looking out at the city’s slow dawn — a skyline of antennas and forgotten stations.
Jeeny: “Arthur Godfrey once said, ‘I liked the way they treated the first, second, and third place finishers equally. It was an amazing year. I only entered two song contests this year; I won one and placed second in the other. And I entered each of them a day or two before the deadline.’”
Host: Jack chuckled — low, warm, nostalgic.
Jack: “Now that’s a man who understood humility in victory. Or maybe — the calm arrogance of someone who didn’t take glory too seriously.”
Jeeny: “It’s rare, isn’t it? Someone who can win and still sound amused by the whole idea of winning.”
Jack: “Yeah. There’s no gloating there. Just… joy. The simplicity of doing something well because you loved it — not because you planned to conquer.”
Jeeny: “And that line — ‘I liked the way they treated the first, second, and third place finishers equally’ — that’s the heart of it. It’s not about competition. It’s about camaraderie.”
Jack: “Exactly. Back then, contests were celebrations, not scoreboards. Music wasn’t war. It was fellowship.”
Host: A faint hum came from the overhead light — a soft flicker that filled the silence. Outside, the first rays of morning sunlight brushed the recording booth glass, and for a moment, it caught the dust in midair, like tiny stars frozen in applause.
Jeeny: “You know, there’s something poetic about how he says, ‘I entered each of them a day or two before the deadline.’ It’s as if he’s saying, ‘I didn’t chase the moment — I just showed up for it.’”
Jack: “Right. No grand strategy, no overthinking. Just confidence in the craft. That quiet kind of readiness that only comes from a lifetime of loving what you do.”
Jeeny: “Or maybe the humility of not expecting too much. Entering for the joy, not the validation.”
Jack: “That’s what makes his tone so rare. There’s no sense of ego. Just gratitude — and a hint of disbelief that life could be so kind.”
Host: The old phonograph in the corner suddenly clicked to life as Jack turned the dial — static at first, then a crackling melody. A big-band tune filled the room, wobbly but beautiful, like time itself humming along.
Jeeny: “You think it’s possible to live like that now? To compete without the hunger to crush someone else?”
Jack: “It’s harder. The world’s noisier. Everyone’s chasing visibility instead of meaning.”
Jeeny: “But there’s something eternal about what he said — the idea that the joy should come from participation, not hierarchy.”
Jack: “Exactly. That’s the difference between art and ambition. Ambition demands trophies. Art just wants to be heard.”
Jeeny: “And he was an artist of joy. You can tell. He wasn’t marveling at his own success — he was marveling at the experience. That it happened at all.”
Jack: “That’s the part that hits me. When he says, ‘It was an amazing year,’ it’s not about the prizes. It’s about the feeling. The sense that life had rhythm again, that maybe music still mattered in a world full of noise.”
Jeeny: “And that people could still treat each other as equals — even when the scoreboard didn’t.”
Jack: “That’s the soul of decency. To win without needing to be more.”
Host: The music faded, leaving only the soft static, like a heartbeat beneath the quiet. Jack’s eyes drifted toward the old contest poster on the wall: “Radio Song Contest, 1954 — Everyone Welcome.”
Jeeny: “You know, the way he describes it — that amazement — it’s almost spiritual. Like he’s surprised that fairness still existed.”
Jack: “Fairness always amazes us because it’s so rare. Especially in art.”
Jeeny: “Exactly. And yet, in that one line, you can feel it — the sense of belonging, not competition.”
Jack: “And maybe that’s what’s missing today. That kind of grace.”
Jeeny: “The grace to celebrate others even when you win.”
Jack: “Or to celebrate yourself even when you don’t.”
Host: The sunlight grew stronger, painting long gold lines across the microphones and sheet music scattered across the desk.
Jeeny: “There’s also something quietly rebellious in the way he entered those contests — last minute, no anxiety, no preparation. Just trust.”
Jack: “That’s confidence born from honesty. When your art comes from truth, you don’t need time to dress it up.”
Jeeny: “Or fear to polish it.”
Jack: “He entered because he had something to share — not something to prove.”
Host: The clock ticked softly, marking a rhythm that matched their tone — slow, reflective, deliberate.
Jeeny: “It’s amazing, isn’t it? How one small memory — a man recalling a contest — can tell you everything about his character.”
Jack: “About an era, too. When winning wasn’t about headlines, but harmony.”
Jeeny: “And when humility was still fashionable.”
Jack: smiling faintly “You think we could ever bring that back?”
Jeeny: “Maybe not. But we can still remember it.”
Jack: “And maybe that’s enough.”
Host: The static faded. The record stopped. Only the sound of the rain gutters outside filled the space — soft, rhythmic, like applause from the past.
Jeeny: “You know, I think the most beautiful thing about his words is how unremarkable they are — and how that’s what makes them extraordinary. Just an honest man, in an honest moment, grateful to have participated in something that made the world sing.”
Jack: “That’s the quiet magic of a real artist — the ability to make humility sound like triumph.”
Jeeny: “And to make decency sound like wonder.”
Host: Jack stood, turning off the old microphone, his reflection faint in the glass — like the shadow of every voice that once spoke into it.
Jeeny closed her notebook.
Jeeny: “It really was an amazing year, wasn’t it?”
Jack: “Every year is, if you’re still grateful.”
Host: The red ON AIR light flickered once, then dimmed — the station resting, history breathing softly through its walls.
And as the morning sun filled the room, Arthur Godfrey’s words seemed to shimmer across the stillness —
that the truly amazing victories in life
are not in being first,
but in being fair;
that grace is not in preparation,
but in presence;
and that sometimes, the best music we make
is not the one that wins —
but the one we were brave enough to share
just before the deadline.
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