I love my children. That will never change. I have prayed to them
I love my children. That will never change. I have prayed to them for forgiveness and hope that they will forgive me. I never meant to hurt them!!
Host: The night hung heavy over the small southern town, the kind of darkness that seems to carry its own weight of guilt. Cicadas hummed in the distance, their steady rhythm like a heartbeat buried beneath sorrow. A porch light flickered over peeling white paint, and a swing creaked gently, moving without a breeze — as if haunted by motion itself.
Jack sat on the swing, hands clasped, his grey eyes distant. The moonlight cut sharp angles across his face, revealing a man caught between thought and repentance. Jeeny stood by the porch rail, arms folded, her eyes filled with the quiet empathy that never came easily — the kind that sees darkness and still stays.
Jeeny: “Susan Smith once said, ‘I love my children. That will never change. I have prayed to them for forgiveness and hope that they will forgive me. I never meant to hurt them.’”
Jack: (after a long pause) “A confession masquerading as prayer. The kind of sentence that tries to mend a wound after the bleeding’s already stopped.”
Host: His voice was low, almost brittle. The sound of crickets filled the silence that followed, steady, unyielding — the chorus of a world that had seen too much and forgiven too little.
Jeeny: “She was broken, Jack. Maybe she didn’t know how to hold love without it turning into pain. There’s tragedy in that — not just horror.”
Jack: “Tragedy?” (his tone sharpens) “Jeeny, she drowned her children. That’s not confusion. That’s damnation. There are things the world should never forgive.”
Host: The swing creaked again, louder this time, as if echoing his words — a wooden voice mourning what cannot be undone.
Jeeny: “And yet, forgiveness isn’t about the world. It’s about the soul that can’t live with what it’s done. You heard her words — she still called out to them. Even after everything.”
Jack: (bitterly) “Words mean nothing after the act. Anyone can pray when the devil’s already eaten the heart.”
Jeeny: (softly) “Then why do you think we still pray, Jack? Why do we keep whispering to the void, even when we know the answer won’t come?”
Host: Her question hung there, fragile as a thread of smoke. Jack looked at her — then away, as if afraid to let his own soul be seen.
Jack: “Maybe because silence is worse. Because guilt, left alone, becomes a kind of ghost that never stops following you.”
Jeeny: “Exactly. And that’s what this was — a haunting. Her love didn’t die with her sin. It became something unbearable. So she begged her children for what God might refuse.”
Host: A dog barked in the distance. The moonlight shifted, casting the two of them in a dim silver glow, as though time itself was eavesdropping.
Jack: “You sound like you pity her.”
Jeeny: “I pity anyone who destroys what they love and still can’t stop loving it. That’s the purest form of punishment — to wake every day knowing your love didn’t save them.”
Host: Her words softened the night. Even the cicadas seemed to pause, their song thinning into quiet.
Jack: “You think forgiveness is possible for something like that?”
Jeeny: “Not from the world. But maybe from the children. Maybe love doesn’t die even when the body does. Maybe in whatever place souls go, they see her as broken, not monstrous.”
Jack: “That’s faith talking. The world doesn’t work that way. Some acts define you forever.”
Jeeny: “Maybe. But I believe redemption exists in the attempt. Even if she can’t be forgiven, the reaching matters.”
Host: The wind stirred, rustling the trees — a gentle sigh, a sound like regret woven through branches.
Jack: “You ever hurt someone so deeply that you prayed for their forgiveness?”
Jeeny: (quietly) “Yes.”
Jack: (after a moment) “And did they forgive you?”
Jeeny: “Not yet. But I still talk to them in my prayers. Because sometimes, prayer isn’t for God. It’s for the echo — to hear that you’re still capable of saying ‘I’m sorry.’”
Host: The silence between them grew tender, raw. Jack leaned forward, elbows on his knees, the moonlight carving his outline in still silver.
Jack: “You know what I think’s the saddest part of what she said? Not the guilt. Not the plea. It’s that she still loved them. That even after doing the unthinkable, she couldn’t stop being their mother.”
Jeeny: “And that’s why it’s tragedy, Jack. Not because she was innocent, but because love survived where it shouldn’t have.”
Host: Her voice trembled, not from fear, but compassion — the dangerous kind that dares to see humanity in monsters.
Jack: “You believe even the unforgivable deserve grace?”
Jeeny: “I believe the unforgivable is what tests the limits of grace. If love and faith stop there, then they were never divine to begin with.”
Host: The rain began again, soft and cold, dotting the porch steps like tiny blessings. Jack looked up, his eyes reflecting the wet light, his expression unreadable.
Jack: “You really think the children would forgive her?”
Jeeny: “Children forgive more easily than God does. Maybe that’s why heaven belongs to them.”
Host: For a long while, neither spoke. The world was reduced to rain and breath — two fragile constants of being alive.
Jack: (finally) “You know… maybe what she said wasn’t about justification. Maybe it was just the last thing she could do — to confess love in a place where love had already turned to ashes.”
Jeeny: “Yes. And in that, she became both sinner and mourner. Her crime destroyed life — but her remorse tried to resurrect meaning.”
Host: A thunderclap sounded in the distance, long and low, like the world remembering pain it could never forget. Jeeny stepped closer to him, her voice quiet, almost a prayer.
Jeeny: “Forgiveness isn’t absolution, Jack. It’s acknowledgment. It says, ‘You hurt me, but I refuse to let that hurt become all that you are.’ Maybe that’s what her children — wherever they are — have already done.”
Jack: “And what about us? Do we get that kind of grace?”
Jeeny: (smiling faintly) “Only if we’re willing to give it.”
Host: The camera pulled back, showing the two figures on the porch, the rain falling softly around them — two silhouettes caught between grief and grace, between what the world condemns and what the soul still dares to love.
The swing creaked again, gently, endlessly — the motion of remorse and remembrance entwined.
And as the scene faded, Susan Smith’s words lingered like a ghost in prayer:
that love — even tainted by the worst of human failing —
still reaches across the abyss,
still whispers for forgiveness,
and still, somehow,
never stops calling itself love.
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