I pretended to be somebody I wanted to be until finally I became
I pretended to be somebody I wanted to be until finally I became that person. Or he became me.
Host: The theatre was empty except for the echo of its own past. The velvet seats, faded and threadbare, still held the faint ghosts of applause. Dust floated through the beams of a dying projector, catching the pale gold light like confetti from an old dream.
Jack sat in the front row, his suit jacket folded neatly beside him, his hands clasped tight. On the stage, Jeeny stood in the faint glow of a single spotlight, holding a script—its pages wrinkled, corners marked with the fingerprints of years.
Jeeny: “You know what Cary Grant said? ‘I pretended to be somebody I wanted to be until finally I became that person. Or he became me.’”
Jack: “Yeah. I read that once. Sounds like a nice way to lie to yourself with style.”
Host: The light trembled as the old projector flickered to life, playing a silent reel—black-and-white footage of a younger world. Faces smiling, moving, living. A time when pretending was called performance, and masks were art.
Jeeny: “It’s not lying, Jack. It’s creating. Becoming. Sometimes you have to pretend before the truth can catch up.”
Jack: “Or you get lost in the act. You ever think about that? You play the role so long, you forget where the costume ends and you begin.”
Jeeny: “Maybe that’s the point. Maybe who we are isn’t fixed—it’s rehearsal.”
Jack: “That sounds romantic until you realize some people never make it to opening night.”
Host: The air hummed softly with the sound of old film, that rhythmic crackle of time breathing through the machine. The stage smelled faintly of dust, makeup, and the ghosts of a thousand performances.
Jeeny: “You talk like becoming someone new is a crime.”
Jack: “No. I talk like pretending to be someone perfect is a trap. You know what it’s like to wake up one day and not recognize your own reflection? To realize the mask’s grown into your skin?”
Jeeny: “Yes.”
Jack: “Then you know why I stopped acting.”
Jeeny: “But you still act, Jack. Every day. When you smile at clients, when you hide your doubts, when you say you’re fine. We all do.”
Jack: “Difference is—I know it.”
Jeeny: “And knowing it doesn’t make you any more real. It just makes you lonely.”
Host: The spotlight buzzed. Jeeny set down the script, stepping closer to the edge of the stage. Her eyes, deep brown and glimmering, searched him with that quiet ferocity that came when she refused to let him hide.
Jeeny: “When Cary Grant said those words, he wasn’t bragging. He was confessing. Archie Leach—the man he was born as—built Cary Grant like a fortress. But inside, he never stopped wondering if anyone saw the cracks.”
Jack: “You think I care about movie stars?”
Jeeny: “You care about mirrors, Jack. You spend all day trying to polish yours clean.”
Jack: “And what do you do?”
Jeeny: “I look into mine, even when it’s cracked.”
Host: The sound of the projector sputtered, skipping frames, making the film stutter like an old man gasping for air. The faces on the screen blurred into ghosts of glamour—smiling too hard, too bright, too long.
Jack: “You ever think maybe we’re all just acting because the world demands it? You walk into a boardroom, a church, a date—you wear a face for each. Drop the act, and people panic.”
Jeeny: “Then maybe we should let them panic. Maybe the bravest thing we can do is drop the script mid-scene and see who stays to watch.”
Jack: “And if no one stays?”
Jeeny: “Then you finally know who was clapping for you and who was clapping for the mask.”
Host: A soft wind drifted in through the open door, carrying the faint sounds of the street—distant laughter, a saxophone playing somewhere far away. Life, raw and unscripted.
Jack: “You make it sound like truth’s worth the fallout.”
Jeeny: “Isn’t it? Look at you. You’ve built this man—this sharp, confident, bulletproof Jack—but underneath, I see the boy still asking if he’s enough. You didn’t become him, Jack. He swallowed you.”
Jack: “You don’t know what it’s like to have to perform to survive.”
Jeeny: “I know exactly what it’s like. Every woman who’s ever smiled when she wanted to scream, every man who’s said ‘I’m fine’ while falling apart—they all know. But pretending should be a bridge, not a prison.”
Host: The film ran out. The final reel flapped against the wheel, that hollow, rhythmic sound like a heart still trying to beat. The spotlight dimmed, leaving only the pale wash of the moon through the windows.
Jack: “You know what’s funny? When I started in business, I used to wear a cheap suit, talk too loud, act confident. Everyone bought it. The deals came. The respect came. And somewhere along the line, the act became real. I stopped pretending.”
Jeeny: “No. You stopped noticing the difference.”
Jack: “Isn’t that what Cary Grant meant? You keep pretending until it’s real.”
Jeeny: “Maybe. But he also wondered whether he became Cary Grant—or Cary Grant became him. The danger isn’t becoming the dream. It’s forgetting you once dreamed.”
Host: The light shifted, soft and forgiving now. Jeeny stepped down from the stage, her shoes clicking softly against the wood. She stopped beside Jack, close enough that her shadow fell over him like a quiet confession.
Jeeny: “So, who are you tonight, Jack? The man or the mask?”
Jack: “I don’t know anymore.”
Jeeny: “Then maybe it’s time to stop pretending.”
Jack: “And if I don’t like what’s left?”
Jeeny: “Then you keep working until you do. That’s the real becoming—not imitation, but reconciliation.”
Host: Jack leaned back, eyes fixed on the ceiling. Dust drifted down in the half-light like falling memories.
Jack: “You know, it’s strange. When I was younger, I thought success would make me more myself. Turns out, it just made me louder.”
Jeeny: “Maybe you don’t need to be louder, Jack. Maybe you just need to be honest.”
Jack: “You think people can tell the difference?”
Jeeny: “The right ones always can.”
Host: The faint hum of the projector died. The silence that followed was clean—like the air after rain. Jack stood, picking up his jacket, his movements slower now, as though each gesture belonged to him for the first time.
Jack: “You ever think about who you’d be if you’d never had to act?”
Jeeny: “Sometimes. But then I remember—I became her by pretending too. And maybe that’s okay. Maybe pretending is just another word for hoping.”
Jack: “Or becoming.”
Jeeny: “Or forgiving.”
Host: The theatre lights flickered one last time before fading into darkness. The city outside whispered its ordinary poetry—traffic sighing, footsteps echoing, lives continuing.
Jack looked toward the stage one last time. In the dim reflection of the blank screen, he saw both faces—the man he performed and the one quietly watching.
And for the first time, he didn’t flinch.
He simply smiled—small, tired, real.
Jeeny reached for the door handle.
Jeeny: “Ready to go?”
Jack: “Yeah. Curtain’s down.”
Host: As they stepped into the cool night, the moonlight caught their faces—half in shadow, half in truth.
The world, it seemed, wasn’t waiting for actors anymore.
It was waiting for them.
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