I put the copy of 'A Christmas Carol' that my grandfather had

I put the copy of 'A Christmas Carol' that my grandfather had

22/09/2025
22/10/2025

I put the copy of 'A Christmas Carol' that my grandfather had first read to me 60 years ago on my desk, and I began to write. The result, for better or for worse, is the 'Christmas Spirits.' I plan to read it to my grandson.

I put the copy of 'A Christmas Carol' that my grandfather had
I put the copy of 'A Christmas Carol' that my grandfather had
I put the copy of 'A Christmas Carol' that my grandfather had first read to me 60 years ago on my desk, and I began to write. The result, for better or for worse, is the 'Christmas Spirits.' I plan to read it to my grandson.
I put the copy of 'A Christmas Carol' that my grandfather had
I put the copy of 'A Christmas Carol' that my grandfather had first read to me 60 years ago on my desk, and I began to write. The result, for better or for worse, is the 'Christmas Spirits.' I plan to read it to my grandson.
I put the copy of 'A Christmas Carol' that my grandfather had
I put the copy of 'A Christmas Carol' that my grandfather had first read to me 60 years ago on my desk, and I began to write. The result, for better or for worse, is the 'Christmas Spirits.' I plan to read it to my grandson.
I put the copy of 'A Christmas Carol' that my grandfather had
I put the copy of 'A Christmas Carol' that my grandfather had first read to me 60 years ago on my desk, and I began to write. The result, for better or for worse, is the 'Christmas Spirits.' I plan to read it to my grandson.
I put the copy of 'A Christmas Carol' that my grandfather had
I put the copy of 'A Christmas Carol' that my grandfather had first read to me 60 years ago on my desk, and I began to write. The result, for better or for worse, is the 'Christmas Spirits.' I plan to read it to my grandson.
I put the copy of 'A Christmas Carol' that my grandfather had
I put the copy of 'A Christmas Carol' that my grandfather had first read to me 60 years ago on my desk, and I began to write. The result, for better or for worse, is the 'Christmas Spirits.' I plan to read it to my grandson.
I put the copy of 'A Christmas Carol' that my grandfather had
I put the copy of 'A Christmas Carol' that my grandfather had first read to me 60 years ago on my desk, and I began to write. The result, for better or for worse, is the 'Christmas Spirits.' I plan to read it to my grandson.
I put the copy of 'A Christmas Carol' that my grandfather had
I put the copy of 'A Christmas Carol' that my grandfather had first read to me 60 years ago on my desk, and I began to write. The result, for better or for worse, is the 'Christmas Spirits.' I plan to read it to my grandson.
I put the copy of 'A Christmas Carol' that my grandfather had
I put the copy of 'A Christmas Carol' that my grandfather had first read to me 60 years ago on my desk, and I began to write. The result, for better or for worse, is the 'Christmas Spirits.' I plan to read it to my grandson.
I put the copy of 'A Christmas Carol' that my grandfather had
I put the copy of 'A Christmas Carol' that my grandfather had
I put the copy of 'A Christmas Carol' that my grandfather had
I put the copy of 'A Christmas Carol' that my grandfather had
I put the copy of 'A Christmas Carol' that my grandfather had
I put the copy of 'A Christmas Carol' that my grandfather had
I put the copy of 'A Christmas Carol' that my grandfather had
I put the copy of 'A Christmas Carol' that my grandfather had
I put the copy of 'A Christmas Carol' that my grandfather had
I put the copy of 'A Christmas Carol' that my grandfather had

Host: The soft light of the early morning crept through the blinds, casting thin lines on the worn wooden floor. The warmth of a fresh cup of coffee sat between them, its steam twisting into the cool air. Jack sat stiffly, his hands folded in front of him, the grey light accentuating his sharp features. Jeeny, on the other hand, traced the rim of her cup, her dark eyes distant, as if lost in a thought too deep to voice. A quiet tension hung between them, unspoken yet felt.

Jack: (breaking the silence, voice low) "Sixty years... He puts a book on his desk, and suddenly, it all comes pouring out? That’s a nice little fairytale. But it’s just that — a story. No different from any other. The sentiment's nice, but it doesn't change the facts. You really believe that by holding a piece of nostalgia, you can write something meaningful?"

Jeeny: (gently, almost wistfully) "It’s not about nostalgia, Jack. It’s about connection. His grandfather read him that book. That’s more than just a memory; it’s a thread through time. The words, the emotion, they’re part of a legacy. We carry that history with us, whether we want to or not."

Jack: (raising an eyebrow) "A legacy? Please. It’s just a cop-out for the weak. People like to think their past gives them some kind of direction. But at the end of the day, history doesn’t change your present. You’ve got to face the now, Jeeny. Not cling to something that’s long gone."

Jeeny: (sharply) "The present is built on the past, Jack! Everything we are — our decisions, our values, even our mistakes — they come from somewhere. We can’t erase that, no matter how hard we try. What you call a ‘cop-out,’ I call truth. There’s meaning in the connections we make, even if you can’t see it."

Host: The light in the room seems to shift, the tension tightening. Jack leans forward, his grey eyes sharp, cutting through her words.

Jack: (laughing coldly) "You make it sound like there's some kind of fate woven into everything. Like every little memory is a thread that leads to some higher purpose. But you can’t tell me that when people die, they leave behind some magical force. They’re gone. That’s it. All the nostalgia in the world won’t bring them back."

Jeeny: (softly, but firm) "That’s the difference between you and me. You see death as the end of everything. I see it as part of the cycle. People may leave, but they leave something behind. A lesson, a gift, a part of themselves. Don’t tell me that his grandfather’s love for that book didn’t shape who he became. You think that moment didn’t change something in him? In the way he writes? In the way he feels?"

Jack: (slamming his fist on the table) "So what? That means we all have to become slaves to our past? Just march along like good little soldiers, tied to the ghosts of yesterday? You think that’s how people move forward? Because that’s not how I see it. People make their own choices, Jeeny. They carve their own paths. You can’t just sit around waiting for the past to guide you."

Jeeny: (eyes flashing, leaning in) "I’m not talking about waiting, Jack. I’m talking about acknowledging the foundation. We don’t have to be slaves to it, but we can’t ignore it either. The past shapes us, whether we admit it or not. And if we’re too blind to see it, we risk making the same mistakes over and over. History is a teacher, if we listen. If we’re humble enough to learn."

Host: The air between them crackles with emotion, a spark on the edge of igniting. Jack's fingers twitch, his jaw tightening as if to hold back the words ready to explode.

Jack: (voice rising, frustration boiling) "And what about the future? Huh? Do we just throw it all away because of some sentimental attachment to a memory? What if the world has moved on? What if people don’t have the luxury of clinging to their past?"

Jeeny: (voice breaking, passion seeping through) "The future doesn’t mean anything if we’ve forgotten how to feel! What’s the point of all that progress, Jack, if we don’t have connection? If we don’t know why we do what we do? You’re so obsessed with the future that you’re willing to lose everything that makes us human."

Host: The room feels like it’s closing in on them. Jack’s breathing is shallow, his hand shaking as he pushes the cup aside. Jeeny’s gaze remains steady, full of quiet determination.

Jack: (quietly, almost to himself) "And yet… that connection doesn’t stop the inevitable, does it? Doesn’t stop the pain that comes with losing someone. Doesn’t make it any easier to let go."

Jeeny: (softly) "No. But it gives us a reason to hold on. A reason to remember, to honor. That’s what keeps us going. That’s what makes life worth something."

Host: The silence stretches between them, thick with unspoken thoughts. The world outside continues its slow, steady pulse — a reminder that no matter how deep the debate, the world will never stop turning.

Jack: (sighs, leaning back) "I don’t know, Jeeny. Maybe you're right. Maybe I’ve been too focused on the now, and missed what was right in front of me."

Jeeny: (soft smile) "And maybe, Jack, you don’t have to choose between the past and the future. Maybe there’s balance in both."

Host: As the sun climbs higher in the sky, the room grows warmer, the tension slowly lifting, but not entirely gone. There’s a shift in the air, an understanding that hasn’t yet fully taken root, but it lingers between them, as the light outside deepens into the full brilliance of midday.

Jack and Jeeny, each carrying their own truth, sit in a stillness that speaks louder than words ever could.

Whitley Strieber
Whitley Strieber

American - Writer Born: June 13, 1945

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