I think what I would say to my younger self, and probably to

I think what I would say to my younger self, and probably to

22/09/2025
18/10/2025

I think what I would say to my younger self, and probably to younger, just starting-out writers is that a lot of times you're just afraid to put yourself out there, and it's uncomfortable because it's working up the courage to do something, to push yourself to do those things.

I think what I would say to my younger self, and probably to
I think what I would say to my younger self, and probably to
I think what I would say to my younger self, and probably to younger, just starting-out writers is that a lot of times you're just afraid to put yourself out there, and it's uncomfortable because it's working up the courage to do something, to push yourself to do those things.
I think what I would say to my younger self, and probably to
I think what I would say to my younger self, and probably to younger, just starting-out writers is that a lot of times you're just afraid to put yourself out there, and it's uncomfortable because it's working up the courage to do something, to push yourself to do those things.
I think what I would say to my younger self, and probably to
I think what I would say to my younger self, and probably to younger, just starting-out writers is that a lot of times you're just afraid to put yourself out there, and it's uncomfortable because it's working up the courage to do something, to push yourself to do those things.
I think what I would say to my younger self, and probably to
I think what I would say to my younger self, and probably to younger, just starting-out writers is that a lot of times you're just afraid to put yourself out there, and it's uncomfortable because it's working up the courage to do something, to push yourself to do those things.
I think what I would say to my younger self, and probably to
I think what I would say to my younger self, and probably to younger, just starting-out writers is that a lot of times you're just afraid to put yourself out there, and it's uncomfortable because it's working up the courage to do something, to push yourself to do those things.
I think what I would say to my younger self, and probably to
I think what I would say to my younger self, and probably to younger, just starting-out writers is that a lot of times you're just afraid to put yourself out there, and it's uncomfortable because it's working up the courage to do something, to push yourself to do those things.
I think what I would say to my younger self, and probably to
I think what I would say to my younger self, and probably to younger, just starting-out writers is that a lot of times you're just afraid to put yourself out there, and it's uncomfortable because it's working up the courage to do something, to push yourself to do those things.
I think what I would say to my younger self, and probably to
I think what I would say to my younger self, and probably to younger, just starting-out writers is that a lot of times you're just afraid to put yourself out there, and it's uncomfortable because it's working up the courage to do something, to push yourself to do those things.
I think what I would say to my younger self, and probably to
I think what I would say to my younger self, and probably to younger, just starting-out writers is that a lot of times you're just afraid to put yourself out there, and it's uncomfortable because it's working up the courage to do something, to push yourself to do those things.
I think what I would say to my younger self, and probably to
I think what I would say to my younger self, and probably to
I think what I would say to my younger self, and probably to
I think what I would say to my younger self, and probably to
I think what I would say to my younger self, and probably to
I think what I would say to my younger self, and probably to
I think what I would say to my younger self, and probably to
I think what I would say to my younger self, and probably to
I think what I would say to my younger self, and probably to
I think what I would say to my younger self, and probably to

Host: The studio was a small, dimly lit room, filled with the smell of coffee, paint, and unfinished ideas. The kind of space that carried the ghosts of courage — the echoes of things almost said, almost made. A single lamp stood in the corner, its light pooling over scattered papers, drafts, and old notebooks marked with red and blue ink.

Outside, the rain tapped against the glass with the patience of someone waiting to be let in. Inside, the air was thick with hesitation and memory.

Jack sat at the old wooden desk, his hands stained faintly with graphite and time, staring at a blank sheet of paper as if it were an open wound. Jeeny sat cross-legged on the floor, her back against the wall, surrounded by scraps of torn pages. Her eyes — deep, alive, steady — followed him with quiet understanding.

Pinned on the corkboard above the desk was a quote written in uneven handwriting, slightly smudged by a coffee ring:

“I think what I would say to my younger self, and probably to younger, just starting-out writers is that a lot of times you’re just afraid to put yourself out there, and it’s uncomfortable because it’s working up the courage to do something, to push yourself to do those things.”
— Carol Leifer

Host: The words seemed to hum in the air — an invisible pulse between fear and creation. The lamp flickered once, briefly, as if nodding in agreement.

Jack: (exhales slowly) Courage. It’s always courage, isn’t it? Every artist thinks fear is the enemy, but maybe it’s the only thing keeping us honest.

Jeeny: (softly) Fear and honesty are siblings. You can’t find one without tripping over the other.

Jack: (half-smiles) You sound like you’ve rehearsed that.

Jeeny: (shrugs) I’ve lived it. We all have — anyone who’s ever had something to say and wondered if the world deserved to hear it.

Host: The rain grew heavier, drumming gently against the windowpane, a steady rhythm like an anxious heartbeat. Jack leaned forward, his elbows resting on the desk, his face half-lit by the lamp’s golden glow.

Jack: (quietly) When I was younger, I thought courage was the absence of fear. Now I think it’s just exhaustion with excuses.

Jeeny: (smiles faintly) That’s not exhaustion. That’s awakening.

Host: The room held its breath. Somewhere outside, thunder murmured distantly, low and thoughtful.

Jeeny: (after a pause) Carol Leifer was right — most of us aren’t stopped by failure. We’re stopped by discomfort. That tightness in your chest before you hit “send,” before you walk on stage, before you say something that might change you forever.

Jack: (grimly) Discomfort’s a polite word for terror.

Jeeny: (nods) Maybe. But it’s also the threshold between who you are and who you could be.

Jack: (leans back, staring at the ceiling) You make it sound poetic.

Jeeny: (softly) Everything is poetic when it scares you enough to matter.

Host: The lamp’s light cast long shadows across the walls — the kind of shadows that looked like ghosts of former selves. Jack glanced at one, half-expecting to see a younger version of himself staring back — bold, foolish, unafraid.

Jack: (murmurs) My younger self would laugh at me now. He had courage. He had fire.

Jeeny: (gently) He had ignorance. Sometimes that’s mistaken for courage.

Jack: (chuckles) Fair enough.

Jeeny: (smiling) But he also had belief. And belief is what you’ve let get quiet.

Host: The clock on the desk ticked — slow, deliberate. The rain softened into a steady whisper.

Jack: (after a long pause) You think courage comes back once it’s gone?

Jeeny: (nods slowly) Yes. But it doesn’t return the same way. It grows up. It stops needing applause.

Jack: (quietly) Maybe that’s the problem. I used to write like the world was listening. Now I write like it’s already turned away.

Jeeny: (softly) Then write louder.

Host: The words landed like a match striking flint. Jack looked up, caught off guard by the sharpness of her tone. Jeeny’s eyes held no pity — only truth.

Jack: (after a beat) You really think it’s that simple? Just... push through?

Jeeny: (gently) No. I think it’s that hard. Courage isn’t the absence of fear — it’s action in spite of it.

Host: The light above them flickered again. This time, it stayed steady — a fragile, glowing defiance against the dark.

Jack: (quietly) When I was young, I thought success would feel like peace. That once I made something good, something true, the fear would vanish.

Jeeny: (softly) It never vanishes. It just changes its name.

Jack: (bitterly) Into what?

Jeeny: (pauses) Into responsibility. Once you know your voice matters, silence becomes cowardice.

Host: The rain slowed to a faint drizzle. The sound was gentler now, more like applause than warning. Jack stared at the blank page again, then at the pencil in his hand — a small weapon against the void.

Jack: (low) You ever wonder if we push ourselves too much? If courage just becomes another word for punishment?

Jeeny: (softly) Only when we forget what we’re fighting for.

Jack: (sighs) And what are you fighting for, Jeeny?

Jeeny: (looks down, thoughtful) Truth. Not the grand kind — just the kind that stops pretending.

Host: A flicker of lightning illuminated her face for an instant — serene, resolute. Jack felt something shift inside him, something small but vital, like a lock turning.

Jack: (after a moment) You know, the older I get, the more I realize courage doesn’t feel heroic. It feels like nausea.

Jeeny: (laughs softly) Exactly. That’s how you know you’re on the right path — when you’re terrified but still moving.

Jack: (smiles faintly) You make it sound like courage is a muscle.

Jeeny: (nods) It is. And fear is just the weight it lifts.

Host: The room seemed warmer now, the light deeper, the silence alive. Jack picked up the pencil. The scratch of graphite against paper broke the hush — tentative, hesitant, but real.

Jeeny: (watching him) There it is. The first line is always the hardest.

Jack: (without looking up) Feels like confession.

Jeeny: (softly) It always is.

Host: The rain had stopped completely now. The air was still, the world outside suspended. Time itself seemed to lean closer to listen.

Jack: (pauses, then softly) Maybe that’s what Leifer meant — not that courage is comfortable, but that it’s sacred because it isn’t.

Jeeny: (nodding) Exactly. Courage is the soul’s way of proving it’s still alive.

Jack: (smiles faintly) And fear?

Jeeny: (smiles back) Fear’s the test. Without it, bravery means nothing.

Host: He wrote another line, slower this time, his hand steadier. The room, once heavy with silence, now hummed with quiet purpose — that fragile balance between doubt and creation.

Jack: (after a pause) You know, I used to think courage was meant to silence fear. But maybe courage is the sound we make through it.

Jeeny: (smiling softly) Now that sounds like something worth writing.

Host: The lamp hummed faintly, its light spilling across the desk like dawn beginning to break. Jack set the pencil down and looked at her, a small, true smile tugging at his lips — the kind that meant the wall had finally cracked.

Jack: (quietly) I think my younger self would be proud. Not of what I’ve written — but that I finally dared to start again.

Jeeny: (whispers) Then you’ve already won.

Host: The window reflected the faint silver of the moon now, calm after the storm. The world outside was washed clean. Inside, Jack’s page was no longer empty.

Host: And in that fragile stillness — between fear and faith, between silence and speech — they both knew:

Host: Courage isn’t comfort. It’s creation. And every time we push through fear, we don’t just write — we resurrect.

Host: The lamp glowed softly, the first draft of light against the darkness, as the night whispered its quiet applause.

Carol Leifer
Carol Leifer

American - Comedian Born: July 27, 1956

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