I travel around and hear from so many kids. Their parents say
I travel around and hear from so many kids. Their parents say they were always very picky but they watch the show and they want to try stuff. The show is entertainment, but I think it has done so much for the public perception of what food can be.
"I travel around and hear from so many kids. Their parents say they were always very picky but they watch the show and they want to try stuff. The show is entertainment, but I think it has done so much for the public perception of what food can be." Thus spoke Tom Colicchio, chef and teacher of the culinary arts, revealing the deeper meaning behind his craft. For he does not see food only as sustenance, nor television only as amusement, but as a bridge that transforms fear into curiosity, limitation into discovery. In his words is the wisdom that entertainment can awaken the spirit, that even the simple act of tasting something new can open a window into wonder.
The ancients themselves knew the sacred place of food in human life. Did not the Greeks gather around the symposium, where wine and bread became companions of philosophy? Did not the Hebrews mark their history through meals of remembrance, the Passover lamb and unleavened bread? Did not Christ himself teach through the breaking of bread, making the meal a place of revelation? Food is never only material; it is cultural, moral, even spiritual. To expand the public perception of what food can be is to enlarge not only the stomach, but also the imagination and the heart.
Colicchio speaks of children once "picky," now made adventurous through story and spectacle. Here lies a profound truth: the human heart is often timid before the unknown. Yet when the unknown is presented with joy, with play, with artistry, fear melts into curiosity. So it has ever been. The first explorers who crossed seas brought back spices that once seemed strange and dangerous, but in time, became treasures of every kitchen. The show, though meant for amusement, carries the same spirit of exploration—making the strange familiar, and the familiar new again.
History gives us a vivid example: in the 16th century, when the tomato first came to Europe, many feared it as poisonous. For years it grew as decoration, admired but untasted. Yet through persistence and experimentation, it found its place in kitchens, until it became the heart of Italian cuisine, a symbol of joy across the world. What changed was not the fruit itself, but the perception of what food can be. So too, Colicchio’s show teaches the young to see differently: that food is not an enemy, nor a narrow habit, but a universe of possibility.
Children of tomorrow, hear this wisdom: the way you see food shapes the way you see the world. If you shrink from every new flavor, you may also shrink from new people, new places, new ideas. But if you train yourself to taste with courage, to savor with curiosity, you train your soul for greater adventures. Food is a teacher, reminding you that life’s richness lies beyond the borders of habit, waiting for the brave to taste and see.
Practical wisdom lies here. Do not eat only what is familiar; seek out new tastes, not for indulgence but for growth. Encourage children to explore, not through force, but through joy and example. Watch, cook, share, and laugh together, turning meals into moments of courage and communion. And for those who create entertainment, remember that what you make can shape lives—sometimes in ways deeper than you imagine. For even a cooking show can awaken a generation to curiosity, openness, and delight.
Thus the lesson is clear: entertainment can transform perception, and perception can transform life. Tom Colicchio reminds us that food is not only survival but story, not only fuel but fellowship. By changing the way we see food, we change the way we see the world. And so, let us be bold in tasting, bold in sharing, bold in teaching. For from the table rises not only nourishment, but the seeds of peace, curiosity, and joy across all humanity.
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