I try to make the readers feel they've lived the events of the

I try to make the readers feel they've lived the events of the

George R. R. Martin
22/09/2025
22/09/2025

I try to make the readers feel they've lived the events of the book. Just as you grieve if a friend is killed, you should grieve if a fictional character is killed. You should care. If somebody dies and you just go get more popcorn, it's a superficial experience isn't it?

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I try to make the readers feel they've lived the events of the
I try to make the readers feel they've lived the events of the
I try to make the readers feel they've lived the events of the book. Just as you grieve if a friend is killed, you should grieve if a fictional character is killed. You should care. If somebody dies and you just go get more popcorn, it's a superficial experience isn't it?
I try to make the readers feel they've lived the events of the
I try to make the readers feel they've lived the events of the book. Just as you grieve if a friend is killed, you should grieve if a fictional character is killed. You should care. If somebody dies and you just go get more popcorn, it's a superficial experience isn't it?
I try to make the readers feel they've lived the events of the
I try to make the readers feel they've lived the events of the book. Just as you grieve if a friend is killed, you should grieve if a fictional character is killed. You should care. If somebody dies and you just go get more popcorn, it's a superficial experience isn't it?
I try to make the readers feel they've lived the events of the
I try to make the readers feel they've lived the events of the book. Just as you grieve if a friend is killed, you should grieve if a fictional character is killed. You should care. If somebody dies and you just go get more popcorn, it's a superficial experience isn't it?
I try to make the readers feel they've lived the events of the
I try to make the readers feel they've lived the events of the book. Just as you grieve if a friend is killed, you should grieve if a fictional character is killed. You should care. If somebody dies and you just go get more popcorn, it's a superficial experience isn't it?
I try to make the readers feel they've lived the events of the
I try to make the readers feel they've lived the events of the book. Just as you grieve if a friend is killed, you should grieve if a fictional character is killed. You should care. If somebody dies and you just go get more popcorn, it's a superficial experience isn't it?
I try to make the readers feel they've lived the events of the
I try to make the readers feel they've lived the events of the book. Just as you grieve if a friend is killed, you should grieve if a fictional character is killed. You should care. If somebody dies and you just go get more popcorn, it's a superficial experience isn't it?
I try to make the readers feel they've lived the events of the
I try to make the readers feel they've lived the events of the book. Just as you grieve if a friend is killed, you should grieve if a fictional character is killed. You should care. If somebody dies and you just go get more popcorn, it's a superficial experience isn't it?
I try to make the readers feel they've lived the events of the
I try to make the readers feel they've lived the events of the book. Just as you grieve if a friend is killed, you should grieve if a fictional character is killed. You should care. If somebody dies and you just go get more popcorn, it's a superficial experience isn't it?
I try to make the readers feel they've lived the events of the
I try to make the readers feel they've lived the events of the
I try to make the readers feel they've lived the events of the
I try to make the readers feel they've lived the events of the
I try to make the readers feel they've lived the events of the
I try to make the readers feel they've lived the events of the
I try to make the readers feel they've lived the events of the
I try to make the readers feel they've lived the events of the
I try to make the readers feel they've lived the events of the
I try to make the readers feel they've lived the events of the
George R. R. Martin
George R. R. Martin

American - Author Born: September 20, 1948

With the author

You can have the power to destroy, but it doesn't give you the power to reform, or improve, or build.

George R. R. Martin

Fiction is lies; we're writing about people who never existed and events that never happened when we write fiction, whether its science fiction or fantasy or western mystery stories or so-called literary stories. All those things are essentially untrue. But it has to have a truth at the core of it.

George R. R. Martin

I don't know if I have any particular views about women in positions of power, though I do think it's more difficult for women, particularly in a Medieval setting. They have the additional problem that they're a woman and people don't want them in a position of power in an essentially patriarchal society.

George R. R. Martin

I had this desire to see the world. I couldn't see any of it, but I saw it in my imagination, and that's why I always read books, and I could go to Mars or Middle Earth or the Hyborian age.

George R. R. Martin

If you're going to write about war, which my books are about, wars are nasty things. I think it's sort of a cheap, easy way out to write a war story in which no one ultimately dies.

George R. R. Martin

Same category

Performing is an experience, for me, that is as humbling as it is energizing.

Charley Pride

The kind of improv that I'm particularly addicted to is the kind that... aims at creating a momentary, fragmentary experience that has a totality to it. It's kind of like fireworks. It's the more ephemeral of art forms - once it's gone, it's gone, baby.

Del Close

European nations began World War I with a glamorous vision of war, only to be psychologically shattered by the realities of the trenches. The experience changed the way people referred to the glamour of battle; they treated it no longer as a positive quality but as a dangerous illusion.

Virginia Postrel

My stated goal as a filmmaker is to feel something. Is to have a palpable emotion in my life, carry it through the gauntlet of the filmmaking process and try and have it land for an audience at some point during the viewing experience. That to me is successful filmmaking.

Jeff Nichols

School was not a good experience. I would get bullied. It was really hard for me to get along with people who didn't have the same goals, so I just wanted to get to California.

Ava Max

It was a given at UCSB that if there was a role that called for a person of color, it was going to be handed to me. There were certain times when maybe I didn't try as hard. Going to Yale was a way more diverse experience.

I knew I had to write about Canada. I just could not find in literature any examples of the immigrant experience that I've had.

Every new experience will trigger melodies in my head.

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