I wanted very much to do Traffic and at one point it looked like
I wanted very much to do Traffic and at one point it looked like I was going to work on it. And then, of course, Catherine Zeta-Jones had her relationship with Michael Douglas and it suddenly didn't happen.
Hear the words of Kevin Costner, who revealed with candor the twists of fate in the realm of art: “I wanted very much to do Traffic and at one point it looked like I was going to work on it. And then, of course, Catherine Zeta-Jones had her relationship with Michael Douglas and it suddenly didn't happen.” In this tale lies the ancient truth of destiny—that the path of one soul is often altered by the choices, fortunes, and ties of another.
The desire to labor upon Traffic was born of Costner’s yearning to shape a story of weight and depth. Yet he shows us that even in the world of mastery and craft, the hand of fate moves unseen. The relationship between Zeta-Jones and Douglas, a bond of the heart, shifted the balance of opportunity, and in that shifting, doors once open were closed. Thus the saying reminds us: no effort, however great, can wholly escape the influence of others’ lives.
Here we are taught the lesson of impermanence: that what seems within reach may vanish in an instant. Not by lack of will, nor by failure of skill, but by the intricate web of human connections. In this web, triumph and disappointment are bound together, and often the course of one’s journey is steered by the unseen winds of another’s fortune.
Yet there is also wisdom in acceptance. Costner does not rage against this turning but names it as it is—an event shaped by circumstance, by love, by human choice. To recognize this truth is to see that life is not a straight road but a shifting river, carrying us to places we did not intend, yet which may hold lessons we could not foresee.
Thus let the teaching endure: ambition is noble, but the world is vast, and many threads intertwine beyond our control. One must strive, yet also yield; pursue, yet also accept. For though one project may slip away, another shall rise, and in the grand weaving of destiny, no effort is wasted. The wise know this, and so they labor with courage but walk with humility before the mysteries of fate.
LLLing Ling
Kevin Costner’s comment brings to light the unpredictability of life. It’s not just about skill and talent; external factors, like relationships or unforeseen events, play a significant role. Do you think we rely too heavily on luck in the entertainment industry, or is it more about resilience and persistence, even when things don’t go as planned?
KDKhanh Doan
I find Kevin Costner’s perspective on missed opportunities interesting. It makes me think about how much personal relationships, even those of others, can influence the professional world. How much control do we really have over our careers? Do you think having a solid network of connections could help prevent such changes, or is it just about being in the right place at the right time?
TU44 Tran Le Tu Uyen
This quote shows how complex and unpredictable the entertainment industry can be. It's fascinating that a relationship, like Catherine Zeta-Jones and Michael Douglas' one, could have such a big influence. But, I wonder—does this kind of situation happen often in Hollywood? Do other actors or professionals face similar unexpected changes due to personal lives affecting their careers?
PLHa Phuong Linh
Kevin Costner’s story is a reminder that timing and external circumstances can heavily impact career trajectories. It makes me think—how often do people miss out on opportunities because of events outside their control? Can we ever truly plan for every outcome, or is success sometimes just a matter of luck and timing? How do you deal with situations when things don't go as planned?
Aanhquanly
It's interesting how Kevin Costner reflects on the twists and turns of his career, especially how something as personal as Catherine Zeta-Jones' relationship influenced his opportunity to work on 'Traffic.' Do you think the entertainment industry is more vulnerable to these kinds of disruptions than other fields? How do actors navigate these shifting dynamics, and does it affect their professional choices and relationships?