
I would like to do another piece of fiction dealing with a
I would like to do another piece of fiction dealing with a number of issues: Lesbian parenting, the 1960's, and interracial relationships in the Lesbian and Gay community.






The words of Audre Lorde, poet-warrior and truth-teller, resound with both courage and vision: “I would like to do another piece of fiction dealing with a number of issues: Lesbian parenting, the 1960’s, and interracial relationships in the Lesbian and Gay community.” In this utterance, she reveals her intent not merely to write, but to bear witness—to inscribe upon the page the struggles and triumphs of those whose lives have too often been silenced or erased. For Lorde, fiction was never escape; it was a battlefield of memory, identity, and liberation.
To speak of Lesbian parenting in her time was an act of defiance. For centuries, the power of nurturing and the sacred act of raising children were confined to rigid traditions. Yet Lorde sought to show that love, no matter its form, could build families and shape futures. In lifting up the image of women loving women and raising children together, she shattered the illusion that family must be bound only by the rules of patriarchy. She reclaimed parenting as an act of love, not of conformity.
She also invoked the spirit of the 1960’s, an era when the world seemed to tremble with change. It was the age of marches and protests, of voices demanding to be heard. Civil rights, women’s liberation, and the stirrings of the gay rights movement collided in those turbulent years. Lorde, as a Black lesbian woman, carried all these identities within herself, and so she sought to weave them into her art. In doing so, she reminded us that history is not abstract—it is lived in the bodies and hearts of those who dare to resist.
The mention of interracial relationships in the Lesbian and Gay community calls forth another layer of truth. For even within movements of liberation, prejudice and division sometimes lingered. Lorde knew that freedom could not be partial, that justice divided by race or identity was no justice at all. By giving voice to interracial love, she proclaimed that the human heart cannot be confined by boundaries of color, and that solidarity must be as broad as the human family itself.
History offers a living reflection of Lorde’s vision. In the Stonewall Uprising of 1969, it was not the privileged or the powerful who sparked change, but those at the margins: transgender women of color like Marsha P. Johnson, drag queens, gay youth, and lesbians who fought back against oppression. Their unity across lines of race and identity ignited a movement that spread across the world. Lorde’s words echo this truth: that liberation is always strongest when it honors diversity, when it embraces every voice.
The lesson in Lorde’s words is profound: storytelling is not merely art, but resistance. To write about Lesbian parenting, about the struggles of the 1960’s, about the bonds of interracial love, is to ensure that future generations remember what was once hidden. It is to remind us that love, in its many forms, is both revolutionary and sacred. For families built on courage, communities built on solidarity, and hearts bound across divides are the true foundation of freedom.
Practically, this means we must listen to stories beyond our own, and honor voices that challenge the limits of our understanding. Support those who parent in nontraditional ways. Build communities where difference is not feared but celebrated. And when telling stories—whether in art, in conversation, or in teaching—speak not only of victories, but of struggles, for in those struggles the seeds of tomorrow’s freedom are sown.
Thus, Audre Lorde’s vision becomes both command and gift: use the power of words to reveal, to heal, to unite. For in writing, in remembering, in bearing witness, we shape a world where no form of love, no act of parenting, no bond of solidarity is hidden in shadow. And when such truths are spoken, they become eternal, passed from voice to voice like fire in the dark.
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