I wrote small stories here and there, then bigger ones. Some were

I wrote small stories here and there, then bigger ones. Some were

22/09/2025
22/09/2025

I wrote small stories here and there, then bigger ones. Some were even written for money. I signed up for a writing class and snuck my first assignment on a yellow legal pad in a partner's office while he read through my memo.

I wrote small stories here and there, then bigger ones. Some were
I wrote small stories here and there, then bigger ones. Some were
I wrote small stories here and there, then bigger ones. Some were even written for money. I signed up for a writing class and snuck my first assignment on a yellow legal pad in a partner's office while he read through my memo.
I wrote small stories here and there, then bigger ones. Some were
I wrote small stories here and there, then bigger ones. Some were even written for money. I signed up for a writing class and snuck my first assignment on a yellow legal pad in a partner's office while he read through my memo.
I wrote small stories here and there, then bigger ones. Some were
I wrote small stories here and there, then bigger ones. Some were even written for money. I signed up for a writing class and snuck my first assignment on a yellow legal pad in a partner's office while he read through my memo.
I wrote small stories here and there, then bigger ones. Some were
I wrote small stories here and there, then bigger ones. Some were even written for money. I signed up for a writing class and snuck my first assignment on a yellow legal pad in a partner's office while he read through my memo.
I wrote small stories here and there, then bigger ones. Some were
I wrote small stories here and there, then bigger ones. Some were even written for money. I signed up for a writing class and snuck my first assignment on a yellow legal pad in a partner's office while he read through my memo.
I wrote small stories here and there, then bigger ones. Some were
I wrote small stories here and there, then bigger ones. Some were even written for money. I signed up for a writing class and snuck my first assignment on a yellow legal pad in a partner's office while he read through my memo.
I wrote small stories here and there, then bigger ones. Some were
I wrote small stories here and there, then bigger ones. Some were even written for money. I signed up for a writing class and snuck my first assignment on a yellow legal pad in a partner's office while he read through my memo.
I wrote small stories here and there, then bigger ones. Some were
I wrote small stories here and there, then bigger ones. Some were even written for money. I signed up for a writing class and snuck my first assignment on a yellow legal pad in a partner's office while he read through my memo.
I wrote small stories here and there, then bigger ones. Some were
I wrote small stories here and there, then bigger ones. Some were even written for money. I signed up for a writing class and snuck my first assignment on a yellow legal pad in a partner's office while he read through my memo.
I wrote small stories here and there, then bigger ones. Some were
I wrote small stories here and there, then bigger ones. Some were
I wrote small stories here and there, then bigger ones. Some were
I wrote small stories here and there, then bigger ones. Some were
I wrote small stories here and there, then bigger ones. Some were
I wrote small stories here and there, then bigger ones. Some were
I wrote small stories here and there, then bigger ones. Some were
I wrote small stories here and there, then bigger ones. Some were
I wrote small stories here and there, then bigger ones. Some were
I wrote small stories here and there, then bigger ones. Some were

In the chronicles of human ambition, there lies a timeless truth: the pursuit of mastery begins in the quiet, unassuming spaces of persistence and ingenuity. Rachel Sklar’s words, “I wrote small stories here and there, then bigger ones. Some were even written for money. I signed up for a writing class and snuck my first assignment on a yellow legal pad in a partner's office while he read through my memo,” illuminate the intimate, sometimes clandestine, labor of creation. Here is a meditation on ingenuity, courage, and the incremental cultivation of skill, a reflection that resonates with the ancients who prized diligence and initiative as the foundation of enduring achievement.

From the scribes of Egypt to the apprentices of Renaissance Europe, those who sought to craft words, ideas, or art often began modestly, in small increments, before attempting the grander compositions that would define their legacy. Sklar’s practice of writing small stories first, then larger ones, mirrors this ancient rhythm: mastery is rarely immediate, but emerges from the careful accumulation of effort, observation, and experimentation. Each story is a stepping stone, each note a brick in the edifice of expertise.

History provides vivid illustration. In 18th-century France, Voltaire began his career writing pamphlets and satirical essays, some published surreptitiously, before achieving recognition for his larger philosophical works. Similarly, Sklar’s experience of writing for money or in secret, sneaking an assignment into a partner’s office, demonstrates that the pursuit of craft often demands courage, subtlety, and clever navigation of circumstance. The act of creation is both personal and strategic, a balance of passion and pragmatism.

The philosophical resonance of Sklar’s words lies in her willingness to seize opportunities wherever they appear. Even in the midst of professional duties, she cultivated her own art, demonstrating that diligence and creativity are not confined to formal spaces but inhabit every corner of life. In this, her practice mirrors that of countless historical figures who wrote, painted, or studied in hidden corners, after hours, or under conditions less than ideal, yet whose persistence shaped entire disciplines.

Consider the story of Jane Austen, who composed early drafts of her novels in the quiet of family rooms, often amidst the bustle of domestic obligations. Her manuscripts were small beginnings, quietly cultivated, before emerging as enduring works of literature. Sklar’s yellow legal pad is a modern echo of this method: a humble surface on which ambition, courage, and imagination converge. The physical act of writing, even in unconventional settings, symbolizes commitment and the bridging of personal desire with practical opportunity.

The lesson extends beyond literary creation. Progress often begins with modest acts executed with consistency and ingenuity. One must embrace the small stories, the incremental steps, and the hidden efforts that accumulate over time. Opportunities may be seized in unexpected ways, and daring—tempered by respect for circumstance—can transform ordinary moments into pivotal milestones.

Practically, this teaching calls for engagement, persistence, and resourcefulness. Write, create, or study wherever and whenever possible; experiment, submit work even when conditions are imperfect; pursue both passion and practicality. By embracing these principles, one cultivates skill, builds resilience, and opens doors that might otherwise remain closed. The path to mastery is paved with both small acts and bold initiatives.

Thus, Rachel Sklar’s words resonate as a timeless meditation: creativity thrives in the everyday, the hidden, and the persistent. Let this reflection guide all who aspire to craft, to innovate, or to contribute meaningfully: mastery is the sum of small efforts, daring, and resourcefulness, quietly nurtured until the work itself demands recognition. In the act of writing on a yellow legal pad, one discovers not only stories, but the enduring power of initiative, courage, and disciplined imagination.

Rachel Sklar
Rachel Sklar

Canadian - Lawyer Born: December 8, 1972

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