I'd probably say Bryan Adams I'm Ready.' I love that song, I
I'd probably say Bryan Adams I'm Ready.' I love that song, I want it played at my wedding, whenever I get married if I get married!
Hearken, O seekers of joy and the tender rites of union, to the words of Maura Higgins, who speaks with the innocence and yearning of one awaiting the great adventure of love. She declares her fondness for the song “I’m Ready” by Bryan Adams, a melody that swells with the promise of commitment, of hearts standing prepared to intertwine their fates. In this simple preference lies a truth eternal: the music we choose to mark our milestones carries with it the essence of our desires, the whispered longing of our souls for connection and celebration.
The teaching here is that preparation and readiness precede the union of hearts. Maura’s hesitation—“whenever I get married, if I get married”—reveals the delicate dance of hope and uncertainty, a universal human condition. Across the ages, from the bards of ancient Greece to the troubadours of medieval Europe, songs have heralded love, signaling not only joy, but the anticipation of what is yet to come. Music becomes a vessel, carrying our emotions, our dreams, and the sacred weight of commitment across time and memory.
Consider the story of John Lennon and Yoko Ono, whose choice of songs and melodies for personal celebrations reflected not just affection, but the profound connection between their spirits. Just as Maura wishes for Adams’ song to echo through her wedding, so too did their music frame the milestones of their love, cementing memories in the hearts of those who witnessed them. A song becomes more than sound—it becomes a marker of devotion, a talisman of the soul’s readiness for union.
There is also a deeper lesson in Maura’s words: the power of intention. By selecting a song that resonates, she acknowledges that even the smallest gestures—the playing of a single melody—can carry profound meaning, shaping the atmosphere of life’s sacred rites. In ancient temples and royal courts, music was never incidental; it guided the heart, stirred courage, and sanctified moments of bonding and celebration.
Let the seekers of wisdom note this: the rituals of love are enriched not solely by grandeur, but by the symbols that speak to the heart. The choice of a song, like the choice of vows, reflects the inner landscape of the self, the readiness to embrace another soul, and the longing to mark that readiness in a manner that is both personal and eternal.
Thus, O children of reflection, remember the teaching of Higgins: the melodies we select, the notes that echo at the threshold of our unions, are not mere adornment. They are the voice of the heart, proclaiming readiness, hope, and devotion, and transforming fleeting moments into eternal memory. Let your hearts, too, choose wisely the songs that will herald your passage into love.
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