If an artist is driven primarily by social responsibility, I

If an artist is driven primarily by social responsibility, I

Billy Collins
22/09/2025
22/09/2025

If an artist is driven primarily by social responsibility, I think the art probably suffers because, again, just as leadership has a rather defined end point or purpose, social responsibility would seem to have a very clear moral context.

(1 evaluate)
If an artist is driven primarily by social responsibility, I
If an artist is driven primarily by social responsibility, I
If an artist is driven primarily by social responsibility, I think the art probably suffers because, again, just as leadership has a rather defined end point or purpose, social responsibility would seem to have a very clear moral context.
If an artist is driven primarily by social responsibility, I
If an artist is driven primarily by social responsibility, I think the art probably suffers because, again, just as leadership has a rather defined end point or purpose, social responsibility would seem to have a very clear moral context.
If an artist is driven primarily by social responsibility, I
If an artist is driven primarily by social responsibility, I think the art probably suffers because, again, just as leadership has a rather defined end point or purpose, social responsibility would seem to have a very clear moral context.
If an artist is driven primarily by social responsibility, I
If an artist is driven primarily by social responsibility, I think the art probably suffers because, again, just as leadership has a rather defined end point or purpose, social responsibility would seem to have a very clear moral context.
If an artist is driven primarily by social responsibility, I
If an artist is driven primarily by social responsibility, I think the art probably suffers because, again, just as leadership has a rather defined end point or purpose, social responsibility would seem to have a very clear moral context.
If an artist is driven primarily by social responsibility, I
If an artist is driven primarily by social responsibility, I think the art probably suffers because, again, just as leadership has a rather defined end point or purpose, social responsibility would seem to have a very clear moral context.
If an artist is driven primarily by social responsibility, I
If an artist is driven primarily by social responsibility, I think the art probably suffers because, again, just as leadership has a rather defined end point or purpose, social responsibility would seem to have a very clear moral context.
If an artist is driven primarily by social responsibility, I
If an artist is driven primarily by social responsibility, I think the art probably suffers because, again, just as leadership has a rather defined end point or purpose, social responsibility would seem to have a very clear moral context.
If an artist is driven primarily by social responsibility, I
If an artist is driven primarily by social responsibility, I think the art probably suffers because, again, just as leadership has a rather defined end point or purpose, social responsibility would seem to have a very clear moral context.
If an artist is driven primarily by social responsibility, I
If an artist is driven primarily by social responsibility, I
If an artist is driven primarily by social responsibility, I
If an artist is driven primarily by social responsibility, I
If an artist is driven primarily by social responsibility, I
If an artist is driven primarily by social responsibility, I
If an artist is driven primarily by social responsibility, I
If an artist is driven primarily by social responsibility, I
If an artist is driven primarily by social responsibility, I
If an artist is driven primarily by social responsibility, I
Billy Collins
Billy Collins

American - Poet Born: March 22, 1941

With the author

The poem is not, as someone put it, deflective of entry. But the real question is, 'What happens to the reader once he or she gets inside the poem?' That's the real question for me, is getting the reader into the poem and then taking the reader somewhere, because I think of poetry as a kind of form of travel writing.

Billy Collins

The life of Edward Estlin Cummings began with a childhood in Cambridge, Mass., that he described as happy, but he struggled in both his artistic and romantic exploits against the piousness of his father, an esteemed Harvard professor.

Billy Collins

The first line is the DNA of the poem; the rest of the poem is constructed out of that first line. A lot of it has to do with tone because tone is the key signature for the poem. The basis of trust for a reader used to be meter and end-rhyme.

Billy Collins

Humor, for me, is really a gate of departure. It's a way of enticing a reader into a poem so that less funny things can take place later. It really is not an end in itself, but a means to an end.

Billy Collins

I'm all for poetry catching up with technology, and just as there are iTunes, I think we should have iPoems. I mean, people should be able to walk around with their earbuds in and listening to poems on their iPod.

Billy Collins

Poetry is my cheap means of transportation. By the end of the poem the reader should be in a different place from where he started. I would like him to be slightly disoriented at the end, like I drove him outside of town at night and dropped him off in a cornfield.

Billy Collins

I'm trying to write poems that involve beginning at a known place, and ending up at a slightly different place. I'm trying to take a little journey from one place to another, and it's usually from a realistic place, to a place in the imagination.

Billy Collins

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