If you are worried about what people think of you, you should go

If you are worried about what people think of you, you should go

22/09/2025
31/10/2025

If you are worried about what people think of you, you should go into politics. Real actors take chances.

If you are worried about what people think of you, you should go
If you are worried about what people think of you, you should go
If you are worried about what people think of you, you should go into politics. Real actors take chances.
If you are worried about what people think of you, you should go
If you are worried about what people think of you, you should go into politics. Real actors take chances.
If you are worried about what people think of you, you should go
If you are worried about what people think of you, you should go into politics. Real actors take chances.
If you are worried about what people think of you, you should go
If you are worried about what people think of you, you should go into politics. Real actors take chances.
If you are worried about what people think of you, you should go
If you are worried about what people think of you, you should go into politics. Real actors take chances.
If you are worried about what people think of you, you should go
If you are worried about what people think of you, you should go into politics. Real actors take chances.
If you are worried about what people think of you, you should go
If you are worried about what people think of you, you should go into politics. Real actors take chances.
If you are worried about what people think of you, you should go
If you are worried about what people think of you, you should go into politics. Real actors take chances.
If you are worried about what people think of you, you should go
If you are worried about what people think of you, you should go into politics. Real actors take chances.
If you are worried about what people think of you, you should go
If you are worried about what people think of you, you should go
If you are worried about what people think of you, you should go
If you are worried about what people think of you, you should go
If you are worried about what people think of you, you should go
If you are worried about what people think of you, you should go
If you are worried about what people think of you, you should go
If you are worried about what people think of you, you should go
If you are worried about what people think of you, you should go
If you are worried about what people think of you, you should go

Host: The night was heavy with rain, the kind that painted the streets in trembling reflections of neon and headlights. Inside a small downtown theater, half empty and half alive, the smell of old velvet and dust clung to the air like a forgotten memory. Jack sat in the last row, a shadow among shadows, his arms folded, eyes fixed on the flickering screen where actors chased dreams across forgotten films. Jeeny entered quietly, her coat dripping, her steps soft but certain. She saw him before he turned.

Host: The projector hummed, throwing light across the darkness, and for a moment their faces glowed—two souls caught between illusion and truth.

Jeeny: “You always come here when it rains, don’t you?”

Jack: “It’s the only place where people pretend better than in real life.”

Host: Her smile was faint, almost sad, as she took the seat beside him. The movie flickered out. The silence left behind was deeper than the soundtrack could ever be.

Jeeny: “I read a quote today… Rob Lowe said, ‘If you are worried about what people think of you, you should go into politics. Real actors take chances.’”

Jack: (chuckles) “Trust an actor to think courage is pretending better than everyone else.”

Jeeny: “That’s not what he meant. He meant that art needs risk. You can’t create something real if you’re terrified of being judged.”

Host: Lightning struck outside, its light cutting through the theater like an argument of the gods. Jack’s eyes glimmered, hard and skeptical.

Jack: “Risk? You mean self-indulgence. Everyone wants to be a ‘real artist’ these days. But most are just looking for applause. Politics, acting, influencing—they’re all the same now. Just performance.”

Jeeny: “No, Jack. Performance isn’t the same as truth. A real actor—a real artist—takes a chance on being honest. Even when it costs them their reputation.”

Jack: “You think honesty survives in front of an audience? Tell that to every celebrity who got crucified for saying something real. Look at Chaplin—he mocked power, and America turned on him. Or Marlon Brando, who used his Oscar moment to speak against injustice. They called him arrogant, not brave.”

Jeeny: “Exactly. They took a chance. That’s what Lowe meant. If you care too much about approval, you belong in politics, not in art.”

Host: Her voice trembled, not from anger, but from conviction. The room seemed to tighten around their words, as though the old theater itself was listening.

Jack: “And what about reality, Jeeny? Politics runs the world. It’s not just about approval; it’s about survival. Maybe it’s not so different after all. Everyone’s performing, whether on camera or in Congress.”

Jeeny: “Then maybe it’s the intention that matters. One performs to deceive, the other to reveal.”

Host: The air thickened. Jack’s jaw tensed, his hands gripping the armrest until his knuckles whitened.

Jack: “Do you really think an actor reveals anything? They’re hiding, Jeeny. Behind a script, behind a character, behind makeup and lighting. They’re just liars we admire.”

Jeeny: “And yet their lies make us feel. Isn’t that a kind of truth? When you watched Heath Ledger as the Joker, didn’t you feel the chaos, the loneliness, the madness of our age? That’s not a lie, Jack. That’s a mirror.”

Host: Her eyes were wet, reflecting the faint light from the exit sign, like tiny embers of belief.

Jack: “Maybe. But look what it cost him. The industry, the pressure, the constant need to ‘take chances.’ It killed him. Maybe real actors don’t take chances—maybe they’re just taken by them.”

Jeeny: “Or maybe that’s the price of truth—to give a part of your soul for others to see theirs.”

Host: A long silence stretched between them. The rain outside became gentler, like a curtain being lowered on their anger.

Jack: “You really think art changes people?”

Jeeny: “It changed you once. Remember the first time we saw ‘Dead Poets Society’? You wouldn’t stop quoting Keating for weeks.”

Jack: (smiles faintly) “That was before I realized most of the world doesn’t stand on desks, Jeeny. They just sit and follow the syllabus.”

Jeeny: “Then maybe that’s why actors must keep taking chances—to remind the world it still can.”

Host: Jack leaned back, his laugh soft, almost regretful. The projector flickered to life again, replaying an old scene—two lovers under a streetlight, their faces half in shadow.

Jack: “You know, maybe I’ve been in the wrong business. Maybe I should have gone into politics after all. At least there, when you lie, you get votes.”

Jeeny: “And when you tell the truth, you lose everything. Isn’t that the same thing you just accused the actors of?”

Jack: “Touché.”

Host: A faint smile crossed her lips, but her eyes stayed serious. The film rolled on, casting moving light across their faces—a dance of truths and deceptions.

Jeeny: “You think it’s all a performance, Jack. But what if life itself is? Maybe the only real freedom is in how fearlessly we perform it.”

Jack: “Then maybe the politicians are the best actors of all.”

Jeeny: “No. They act to hide. Real actors act to uncover. There’s a difference.”

Host: The clock on the wall ticked, its sound sharp in the quiet. The rain began again, softly, like applause fading after the last scene.

Jack: “So what you’re saying is—if I ever want to stop worrying about what people think, I should start taking chances?”

Jeeny: “Exactly. Stop trying to be liked, Jack. Be true. That’s what real acting—real living—demands.”

Host: He turned to her then, his grey eyes searching her face for something he had long forgottenbelief. The movie ended, and the credits rolled in slow white letters across a black screen.

Jack: “Maybe I’ve been too safe. Too careful.”

Jeeny: “Then you’re already halfway to politics.”

Host: They both laughed, the sound small but human, echoing off the walls like an old song rediscovered. The lights came up, pale and forgiving. Jack stood, pulling his coat close.

Jack: “You know, Jeeny… maybe real actors aren’t just on stages or screens. Maybe they’re the ones who still risk being misunderstood.”

Jeeny: “Then take the chance, Jack. Play your part—just don’t forget it’s yours.”

Host: Outside, the rain had stopped. The city shimmered under streetlights, its pavement slick with reflection, as if the world itself had been washed clean. Jack and Jeeny stepped into the night, their breath visible in the cold, their steps slow but certain.

Host: In the distance, a new movie began somewhere—an audience waiting, lights dimming, dreams flickering to life once more. And for a brief moment, under that endless sky, the actors and the politicians, the truths and the illusions, all blurred into one living, breathing, scene.

Rob Lowe
Rob Lowe

American - Actor Born: March 17, 1964

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