I'm definitely guilty of thinking something is funny but thinking

I'm definitely guilty of thinking something is funny but thinking

22/09/2025
14/10/2025

I'm definitely guilty of thinking something is funny but thinking the audience won't. Then three years later I will finally try it and it'll kill them. I got to give them more credit.

I'm definitely guilty of thinking something is funny but thinking
I'm definitely guilty of thinking something is funny but thinking
I'm definitely guilty of thinking something is funny but thinking the audience won't. Then three years later I will finally try it and it'll kill them. I got to give them more credit.
I'm definitely guilty of thinking something is funny but thinking
I'm definitely guilty of thinking something is funny but thinking the audience won't. Then three years later I will finally try it and it'll kill them. I got to give them more credit.
I'm definitely guilty of thinking something is funny but thinking
I'm definitely guilty of thinking something is funny but thinking the audience won't. Then three years later I will finally try it and it'll kill them. I got to give them more credit.
I'm definitely guilty of thinking something is funny but thinking
I'm definitely guilty of thinking something is funny but thinking the audience won't. Then three years later I will finally try it and it'll kill them. I got to give them more credit.
I'm definitely guilty of thinking something is funny but thinking
I'm definitely guilty of thinking something is funny but thinking the audience won't. Then three years later I will finally try it and it'll kill them. I got to give them more credit.
I'm definitely guilty of thinking something is funny but thinking
I'm definitely guilty of thinking something is funny but thinking the audience won't. Then three years later I will finally try it and it'll kill them. I got to give them more credit.
I'm definitely guilty of thinking something is funny but thinking
I'm definitely guilty of thinking something is funny but thinking the audience won't. Then three years later I will finally try it and it'll kill them. I got to give them more credit.
I'm definitely guilty of thinking something is funny but thinking
I'm definitely guilty of thinking something is funny but thinking the audience won't. Then three years later I will finally try it and it'll kill them. I got to give them more credit.
I'm definitely guilty of thinking something is funny but thinking
I'm definitely guilty of thinking something is funny but thinking the audience won't. Then three years later I will finally try it and it'll kill them. I got to give them more credit.
I'm definitely guilty of thinking something is funny but thinking
I'm definitely guilty of thinking something is funny but thinking
I'm definitely guilty of thinking something is funny but thinking
I'm definitely guilty of thinking something is funny but thinking
I'm definitely guilty of thinking something is funny but thinking
I'm definitely guilty of thinking something is funny but thinking
I'm definitely guilty of thinking something is funny but thinking
I'm definitely guilty of thinking something is funny but thinking
I'm definitely guilty of thinking something is funny but thinking
I'm definitely guilty of thinking something is funny but thinking

When Ron White confessed, “I’m definitely guilty of thinking something is funny but thinking the audience won’t. Then three years later I will finally try it and it’ll kill them. I got to give them more credit,” he was not merely speaking of comedy — he was revealing one of the oldest lessons of creation: that fear of misunderstanding is often the only thing that keeps truth from being spoken. His words carry the quiet wisdom of one who has wrestled with doubt, who has learned that the artist’s hesitation can blind him to the beauty that others are ready to receive. For in the heart of every creator lies this tension — between what he feels and what he dares to share.

In the art of comedy, timing is everything — not only the rhythm of a joke, but the timing of courage itself. White admits that there were truths, insights, or simple moments of humor that he kept hidden, believing the world would not understand. Yet when, years later, he finally shared them, the audience rejoiced. It is a moment every artist knows: the discovery that the world is often more generous, more perceptive, than we give it credit for. In this way, his quote is not about laughter alone; it is about the bridge between self and others — the courage to trust that what stirs the soul in private will resonate in the hearts of many.

The ancients spoke of this same truth in their own tongue. When Aesop told his fables, his tales of animals speaking and behaving like men were first dismissed as childish diversions. Yet within those simple stories lay the wisdom of nations. Only later did the people realize that the fox, the lion, and the crow were reflections of their own nature. Aesop, too, had to give his audience more credit — to believe that they could find meaning beneath the laughter. For laughter has always been the disguise of wisdom, and the wise fool has always been the teacher of kings.

Ron White’s confession also speaks to the deeper humility of the artist — that he, too, can misjudge the heart of his audience. In every craft, whether it be comedy, art, or leadership, there is a temptation to assume others cannot understand what we see. But the world, though flawed, is filled with seekers of truth. When the artist finally dares to reveal what he has long hidden — when he shares the joke, the story, the invention, the song — he discovers what White discovered: that people were ready all along. The only barrier was his own doubt.

There is power in this recognition, for it transforms both artist and audience. When a comedian steps onto the stage, he does not merely deliver jokes — he delivers connection. The laughter that follows is not just amusement; it is recognition, a shared moment of humanity. To “give them more credit” is to see the divine spark in others, to trust that they too hunger for meaning, that they too can understand what is heartfelt, subtle, or strange. It is the rediscovery of faith — not in oneself alone, but in the collective soul of humankind.

Consider Galileo, who saw the stars through his telescope and trembled before the beauty of what he found. He feared his truth would be mocked or condemned — and in his time, it was. Yet centuries later, the world came to see what he saw. The lesson is the same: the truth, whether wrapped in science or in humor, will always find its time. The artist’s duty is not to predict what the world will accept, but to speak what is true when his heart commands it. For truth delayed is not truth denied — it is simply waiting for courage to catch up.

So let this wisdom take root in your soul, O reader: trust the audience of life. Speak the ideas that burn within you, share the laughter you hold back, express the beauty you fear will be misunderstood. The world may surprise you. The people you think will not understand may be the very ones who need to hear it most. As Ron White discovered, your hesitation is often misplaced — and the audience, the listener, the friend, the stranger, are all more capable of joy, insight, and empathy than you imagine.

Therefore, live boldly. Give others more credit. The truths you guard in silence, the art you delay, the laughter you suppress — these are not meant to stay within you. The timing of courage, like the timing of a perfect joke, comes only once: when you stop doubting and finally share. And when you do, the world will answer — perhaps not with mockery, but with the thunder of understanding, the roar of laughter, the music of human connection. For the soul that dares to speak its truth discovers, as Ron White did, that we are all waiting to laugh — not just at the joke, but at the joy of being understood.

Ron White
Ron White

American - Comedian Born: December 18, 1956

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