I'm going to take the kids away over Christmas but I don't, I've

I'm going to take the kids away over Christmas but I don't, I've

22/09/2025
23/10/2025

I'm going to take the kids away over Christmas but I don't, I've written 14 musicals now, I don't want to rush into doing something just for the sake of doing it. I want to do it when I find a story.

I'm going to take the kids away over Christmas but I don't, I've
I'm going to take the kids away over Christmas but I don't, I've
I'm going to take the kids away over Christmas but I don't, I've written 14 musicals now, I don't want to rush into doing something just for the sake of doing it. I want to do it when I find a story.
I'm going to take the kids away over Christmas but I don't, I've
I'm going to take the kids away over Christmas but I don't, I've written 14 musicals now, I don't want to rush into doing something just for the sake of doing it. I want to do it when I find a story.
I'm going to take the kids away over Christmas but I don't, I've
I'm going to take the kids away over Christmas but I don't, I've written 14 musicals now, I don't want to rush into doing something just for the sake of doing it. I want to do it when I find a story.
I'm going to take the kids away over Christmas but I don't, I've
I'm going to take the kids away over Christmas but I don't, I've written 14 musicals now, I don't want to rush into doing something just for the sake of doing it. I want to do it when I find a story.
I'm going to take the kids away over Christmas but I don't, I've
I'm going to take the kids away over Christmas but I don't, I've written 14 musicals now, I don't want to rush into doing something just for the sake of doing it. I want to do it when I find a story.
I'm going to take the kids away over Christmas but I don't, I've
I'm going to take the kids away over Christmas but I don't, I've written 14 musicals now, I don't want to rush into doing something just for the sake of doing it. I want to do it when I find a story.
I'm going to take the kids away over Christmas but I don't, I've
I'm going to take the kids away over Christmas but I don't, I've written 14 musicals now, I don't want to rush into doing something just for the sake of doing it. I want to do it when I find a story.
I'm going to take the kids away over Christmas but I don't, I've
I'm going to take the kids away over Christmas but I don't, I've written 14 musicals now, I don't want to rush into doing something just for the sake of doing it. I want to do it when I find a story.
I'm going to take the kids away over Christmas but I don't, I've
I'm going to take the kids away over Christmas but I don't, I've written 14 musicals now, I don't want to rush into doing something just for the sake of doing it. I want to do it when I find a story.
I'm going to take the kids away over Christmas but I don't, I've
I'm going to take the kids away over Christmas but I don't, I've
I'm going to take the kids away over Christmas but I don't, I've
I'm going to take the kids away over Christmas but I don't, I've
I'm going to take the kids away over Christmas but I don't, I've
I'm going to take the kids away over Christmas but I don't, I've
I'm going to take the kids away over Christmas but I don't, I've
I'm going to take the kids away over Christmas but I don't, I've
I'm going to take the kids away over Christmas but I don't, I've
I'm going to take the kids away over Christmas but I don't, I've

Opening Scene – Narrated by Host

The cold air outside was crisp, the snow falling gently from the sky, blanketing the world in a quiet, reflective stillness. Inside the small cabin, the warmth of the fire cast a soft, golden glow across the room. The wooden beams of the ceiling creaked with the occasional gust of wind, but within, everything felt timeless, a perfect contrast to the cold world outside. The gentle crackle of the fire was the only sound that filled the space, broken occasionally by the soft clink of a cup or the turn of a page.

Jack sat near the fire, a mug of tea in his hands, his fingers wrapped around it for warmth. His gaze was distant, fixed on the flames dancing before him, lost in thought. There was a quiet restlessness in the way he sat, like something was tugging at him, but he hadn’t yet figured out what.

Jeeny was across from him, her legs tucked beneath her as she flipped through a book, but she too had drifted into her own thoughts. She knew him well enough to know when something was weighing on his mind, but this time, the air between them felt different. It felt like they were both waiting for something, some kind of conversation to start.

Host: The quiet of the cabin seemed to press them both toward the unspoken, a conversation that had yet to find its voice.

Jeeny: Her voice, when it came, was gentle but curious. “Jack, I came across a quote today that reminded me of you. It’s from Andrew Lloyd Webber. He said, ‘I’m going to take the kids away over Christmas, but I don’t, I’ve written 14 musicals now, I don’t want to rush into doing something just for the sake of doing it. I want to do it when I find a story.’ What do you think about that?”

Jack: His eyes lifted from the fire, his fingers pausing around the cup. There was a subtle shift in his posture, as if the words had hit a chord he hadn’t expected. He exhaled slowly, his voice low, almost reflective. “You know, I get that. The idea that you can’t rush into creating something just because the world is demanding it. You’ve got to find the right story, the one that really calls to you. And only when you’ve got that, when you’ve got the inspiration, does it make sense to move forward.”

He paused, his gaze returning to the fire, his thoughts clearly turning over in his mind. “I’ve been feeling something similar. There’s this pressure, right? The world wants to see the next thing, the next big idea. But sometimes, I think we lose something in that rush — the essence of why we create in the first place.”

Jeeny: She leaned forward slightly, her eyes soft but focused. “It’s interesting, isn’t it? How much of our creative lives are shaped by expectation — whether it’s from others, or even just from ourselves. But I think Andrew Lloyd Webber’s point is about quality over quantity. When you rush into something, when you do it just because you feel like you should, it’s not going to be as meaningful, as authentic.”

Her voice softened, almost like she was speaking to herself. “I think the most powerful creations come from when you’re truly moved by something, when you feel that pull toward a story, a moment, an idea that you can’t ignore. It’s not about timing or deadlines, but about meaning.”

Jack: He nodded slowly, his mind still working through the weight of her words. “It’s like that with everything, isn’t it? Not just creative work. When you’re trying to force something, it never feels as real. When you rush it, you miss the heart of it. But when you take the time to find the right inspiration, to wait until it feels right, that’s when the magic happens.”

He took a small sip of his tea, his voice growing quieter, more introspective. “I’ve spent a lot of time rushing through projects in the past, trying to meet deadlines, trying to make something happen just because I felt the pressure to do so. But I think I’m learning that the real work, the real creativity, comes from waiting for that spark. For that moment when everything aligns and it feels like the story is there, ready to be told.”

Jeeny: Her expression softened, a gentle smile forming as she listened to him. “I think that’s the beauty of it, Jack. Creation — whether it’s a song, a story, or anything else — is meant to be something that flows naturally. It’s not forced, it’s not rushed. It comes from the place where you feel most connected, most alive.”

She paused for a moment, her voice quiet, almost reflective. “And sometimes, waiting for that story to find you, for that moment to come, is the most important part of the process. It’s about trusting that when the time is right, everything will fall into place.”

Jack: He smiled softly, the weight of his thoughts finally beginning to shift. “Yeah, maybe that’s where I’ve been going wrong. I’ve been so caught up in the urgency of it all, thinking I had to be productive, thinking I had to be constantly moving forward. But sometimes, I think the best thing I can do is to stop rushing and just wait for the right moment.”

His expression softened, the frustration he had been carrying loosening just a little. “It’s hard, though. Especially when everyone around you is pushing forward, demanding the next thing. But maybe the next thing is only worth doing when it’s the one that truly feels right.”

Jeeny: Her smile was warm, understanding. “Exactly. It’s not about filling space, it’s about making space for something that feels real, something that comes from the heart. And that takes time. But when you wait for the right story, the right inspiration, it’s always worth the wait.”

She paused, her gaze thoughtful. “And that’s where the beauty lies — in the patience of creation, in the trust that the right moment will come. Not because you rushed, but because you were willing to wait for it.”

Host: The cabin, once filled with a quiet tension, now seemed to settle into a peaceful stillness. The crackling fire cast flickering shadows across the walls, a reminder that, sometimes, the best thing to do is to allow things to unfold in their own time.

Outside, the world continued its movement, the rain having stopped, but the quiet of the evening had deepened. Inside, there was a shared understanding between Jack and Jeeny: the creative process, whether in music or in life, could not be rushed. It had to be allowed to find its own pace, its own rhythm.

In this still moment, they both knew that the story, the right idea, would come when it was ready — and that was enough.

End Scene.

Andrew Lloyd Webber
Andrew Lloyd Webber

British - Composer Born: March 22, 1948

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