It was great fun. We had gone on tour in between the sessions
It was great fun. We had gone on tour in between the sessions and reconnected with the audience and got a lot of energy back from them, a lot of positive energy.
Hear the voice of Roger Andrew Taylor as he recalls the fire of the stage: “It was great fun. We had gone on tour in between the sessions and reconnected with the audience and got a lot of energy back from them, a lot of positive energy.” In these words is hidden an eternal truth: the bond between artist and listener, performer and crowd, is not one-sided but circular, a current that flows forth and returns, nourishing both. The joy of the artist is magnified by the joy of those who receive, and the positive energy becomes the fuel that drives creation onward.
The ancients knew of this sacred exchange. When the bards of Greece sang the epics of Homer, they were not speaking into silence but into the hearts of the people. The audience’s cries, their tears, their reverent silence, gave the poet strength, just as the poet gave the people vision. Without this reconnection, the tale would be lifeless, but together, bard and audience wove a living tapestry of spirit. So too Taylor and his band, who found renewal not in solitude but in the living presence of those who listened.
Consider the tale of Beethoven, who though deaf, still turned to the crowd for affirmation. At the premiere of his Ninth Symphony, he could not hear the thunderous applause, but as he was gently turned toward the audience to see their ovation, his spirit was lifted. That visible positive energy gave proof that his struggle had not been in vain. In this way, Taylor’s words mirror the same eternal law: that the artist is sustained not only by inner fire, but by the echo of hearts awakened in others.
The tour itself becomes a pilgrimage, a journey outward to find again the reason for the work. In the solitude of the studio, one may grow weary, but in the embrace of the people, the flame rekindles. To reconnect with the audience is to drink from the wellspring of shared humanity, to feel that the art belongs not just to the maker but to all. The energy that returns is not small—it is a tide, a force as mighty as wind filling the sails of a weary ship.
Let the generations remember: no great endeavor is complete without the circle of giving and receiving. The warrior has his comrades, the leader has his people, and the artist has his audience. From them comes the strength to endure, to rise again, to create anew. This is the wisdom of Taylor’s words—that joy, renewal, and positive energy are born not in isolation, but in the sacred exchange between souls joined in music, story, and spirit.
NTPhuong Thao Nguyen Thi
The way Roger Taylor speaks about the positive energy he receives from the audience shows the power of live music. There’s something magical about the relationship between artists and their fans—one that’s fueled by shared passion. But how does this energy manifest? Does it translate into more dynamic performances, or is it simply about reaffirming the bond between the artist and the audience? How much does an artist’s enjoyment of the tour depend on the crowd’s energy?
THTrang Huyen
Roger Taylor’s reflection on the tour gives an authentic glimpse into the connection between a band and their audience. It’s amazing how live performances can feel like a two-way exchange of energy. But it also brings up an interesting question: does this emotional exchange ever affect the band’s creative direction? Is there ever a moment when an artist might feel like they’re adjusting their music to align with the audience's energy, or is it more about staying true to their own artistic vision?
Aanh
This quote makes me appreciate how much a live audience can impact an artist’s performance. The 'positive energy' mentioned seems to reflect a deep bond between the band and its fans. It’s fascinating to think about how audience reactions can boost an artist’s motivation. However, I wonder if there’s ever a time when the crowd’s energy becomes overwhelming, potentially influencing the performance in unexpected ways. How do artists balance this dynamic?
DPDau Phuong
Roger Taylor’s description of reconnecting with the audience really highlights the importance of live performances. It’s interesting how artists often draw energy from the crowd, almost like a symbiotic relationship. But I’m curious—do the artists sometimes feel pressure to perform to a certain standard to keep receiving this positive energy, or does it come naturally? How do they keep that energy flowing, even when the audience's enthusiasm fluctuates?
XTXuan Toan
It's clear from this quote that Roger Andrew Taylor really values the connection between the performers and the audience. The idea of recharging with positive energy from the crowd seems like a beautiful way to keep the momentum going on a tour. But it makes me wonder: does this kind of feedback affect the creative process? Does the energy of the audience influence the music, or is it more about keeping up a personal connection with fans?