It's not the style that motivates me, as much as an attitude of

It's not the style that motivates me, as much as an attitude of

22/09/2025
22/10/2025

It's not the style that motivates me, as much as an attitude of openness that I have when I go into a project.

It's not the style that motivates me, as much as an attitude of
It's not the style that motivates me, as much as an attitude of
It's not the style that motivates me, as much as an attitude of openness that I have when I go into a project.
It's not the style that motivates me, as much as an attitude of
It's not the style that motivates me, as much as an attitude of openness that I have when I go into a project.
It's not the style that motivates me, as much as an attitude of
It's not the style that motivates me, as much as an attitude of openness that I have when I go into a project.
It's not the style that motivates me, as much as an attitude of
It's not the style that motivates me, as much as an attitude of openness that I have when I go into a project.
It's not the style that motivates me, as much as an attitude of
It's not the style that motivates me, as much as an attitude of openness that I have when I go into a project.
It's not the style that motivates me, as much as an attitude of
It's not the style that motivates me, as much as an attitude of openness that I have when I go into a project.
It's not the style that motivates me, as much as an attitude of
It's not the style that motivates me, as much as an attitude of openness that I have when I go into a project.
It's not the style that motivates me, as much as an attitude of
It's not the style that motivates me, as much as an attitude of openness that I have when I go into a project.
It's not the style that motivates me, as much as an attitude of
It's not the style that motivates me, as much as an attitude of openness that I have when I go into a project.
It's not the style that motivates me, as much as an attitude of
It's not the style that motivates me, as much as an attitude of
It's not the style that motivates me, as much as an attitude of
It's not the style that motivates me, as much as an attitude of
It's not the style that motivates me, as much as an attitude of
It's not the style that motivates me, as much as an attitude of
It's not the style that motivates me, as much as an attitude of
It's not the style that motivates me, as much as an attitude of
It's not the style that motivates me, as much as an attitude of
It's not the style that motivates me, as much as an attitude of

Host: The room is quiet, the light from the late afternoon sun streaming through the windows, casting long, warm shadows on the walls. Jack sits at the table, his fingers drumming lightly on the surface, while Jeeny sits across from him, her expression calm but attentive. A quiet tension hangs in the air, the kind that comes before a conversation that promises to shift something fundamental. There’s a sense of something new waiting to be explored.

Jack: (with a thoughtful look, his voice contemplative) "You know, Herbie Hancock’s words keep running through my head—'It’s not the style that motivates me, as much as an attitude of openness that I have when I go into a project.' I get the idea behind it, but I’m trying to figure out what it really means. It’s not about the style, it’s about the attitude. But isn’t style important, too? How do you separate the two? And how does being open make a difference in a project?"

Jeeny: (smiling softly, her voice measured) "I think what Hancock is saying is that the approach matters more than the outcome. When you walk into something with an open mind, you’re allowing for the possibility of discovery and growth. It’s not about having everything mapped out with a certain style or formula. It’s about giving yourself the freedom to explore, to let the project evolve naturally, without forcing it into a predefined box. That’s where the real creativity comes in."

Jack: (leaning forward, his eyes focused) "But isn’t that hard? I mean, walking into something without a clear plan, without knowing exactly where you’re going? I get that openness is important, but how do you balance that with the need for structure? How do you know if the project will even work without some kind of direction?"

Jeeny: (nodding slowly, her voice calm and thoughtful) "I think it’s about finding the balance between structure and openness. Having a clear vision is important, but being open means you’re not locked into a specific way of doing things. It’s about being receptive to the unexpected, to new ideas that might emerge as you work. That’s where real innovation happens—when you stop forcing the project to fit into a mold and allow it to breathe and grow in its own way."

Host: The room feels quieter now, the light shifting as if mirroring the change in the conversation. Jack looks up at Jeeny, his expression thoughtful, clearly weighing her words. The sound of the wind outside seems louder now, as if punctuating the quiet shift in his understanding.

Jack: (with a hint of realization) "So, it’s not about having a rigid plan, but more about being willing to adapt as things unfold. You let go of the need for control and allow the project to evolve on its own terms, trusting that the openness will lead you to where you need to go."

Jeeny: (smiling, her voice soft but confident) "Exactly. It’s about creating space for something new to happen, instead of forcing it to follow a predetermined path. When you approach something with an open mind, you open yourself up to possibilities you might not have even considered. And that’s where the magic happens—when the project takes on a life of its own."

Jack: (sitting back, his tone more reflective) "I guess it’s about embracing the process, isn’t it? Rather than worrying about the end result, it’s about staying open to whatever the project wants to be. And if you let it unfold naturally, it might turn out to be more than you expected."

Jeeny: (with a gentle nod) "Yes, and when you’re open, you’re not afraid of mistakes or missteps along the way. You’re embracing them as part of the journey, as opportunities to learn and grow. That attitude of openness is what allows you to trust the process and trust yourself."

Host: The stillness between them now feels different, filled with a quiet understanding. The air seems lighter, as if Jack has begun to embrace the idea of openness in his own approach. Jeeny sits there, her presence calm and assured, knowing that sometimes the most powerful thing you can do in a project is to let go and simply trust the process. The room feels brighter, and Jack looks at the world around him with a new perspective—one that’s more open, more receptive, and ready to embrace whatever comes next.

Herbie Hancock
Herbie Hancock

American - Musician Born: April 12, 1940

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