My 'fear' is my substance, and probably the best part of me.

My 'fear' is my substance, and probably the best part of me.

22/09/2025
01/11/2025

My 'fear' is my substance, and probably the best part of me.

My 'fear' is my substance, and probably the best part of me.
My 'fear' is my substance, and probably the best part of me.
My 'fear' is my substance, and probably the best part of me.
My 'fear' is my substance, and probably the best part of me.
My 'fear' is my substance, and probably the best part of me.
My 'fear' is my substance, and probably the best part of me.
My 'fear' is my substance, and probably the best part of me.
My 'fear' is my substance, and probably the best part of me.
My 'fear' is my substance, and probably the best part of me.
My 'fear' is my substance, and probably the best part of me.
My 'fear' is my substance, and probably the best part of me.
My 'fear' is my substance, and probably the best part of me.
My 'fear' is my substance, and probably the best part of me.
My 'fear' is my substance, and probably the best part of me.
My 'fear' is my substance, and probably the best part of me.
My 'fear' is my substance, and probably the best part of me.
My 'fear' is my substance, and probably the best part of me.
My 'fear' is my substance, and probably the best part of me.
My 'fear' is my substance, and probably the best part of me.
My 'fear' is my substance, and probably the best part of me.
My 'fear' is my substance, and probably the best part of me.
My 'fear' is my substance, and probably the best part of me.
My 'fear' is my substance, and probably the best part of me.
My 'fear' is my substance, and probably the best part of me.
My 'fear' is my substance, and probably the best part of me.
My 'fear' is my substance, and probably the best part of me.
My 'fear' is my substance, and probably the best part of me.
My 'fear' is my substance, and probably the best part of me.
My 'fear' is my substance, and probably the best part of me.

Host: The night was heavy with fog, the kind that moves slowly — like breath you can see. Through the small apartment window, the city below flickered dimly: a hundred lights fighting to stay alive. Inside, the room was dim, cluttered with books, sketches, and the faint smell of ink and rain.

A single lamp glowed on the table, casting uneven light on two faces.

Jack sat slouched, a cigarette trembling between his fingers, his grey eyes shadowed and distant. Jeeny sat across from him, wrapped in a loose sweater, her hair damp, her gaze steady — like someone watching a man argue with his own soul.

Between them lay a book, open to a line written long ago by Franz Kafka:
“My ‘fear’ is my substance, and probably the best part of me.”

Jeeny: (softly) “Kafka wrote that in one of his letters. He wasn’t glorifying fear — he was confessing it. It was the thing that shaped him, the thing that made him write.”

Host: Her voice was quiet, but it carried a kind of reverence — as if she were speaking about something sacred and fragile.

Jack: (takes a drag, exhales slowly) “That’s the problem, isn’t it? People like Kafka turned fear into art. The rest of us just choke on it.”

Jeeny: “Maybe that’s because you keep trying to get rid of it.”

Jack: (frowns) “You’re saying I should… keep it?”

Jeeny: “I’m saying maybe fear isn’t the enemy. Maybe it’s the mirror.”

Host: The smoke rose in slow spirals between them, twisting in the light like something alive.

Jack: “You talk like fear’s a friend. It’s not. It’s that voice that wakes you up at 3 a.m. and whispers everything you ever did wrong. It’s what keeps you from moving, from living.”

Jeeny: “And yet it’s what keeps you aware. Sharp. Sensitive. You think courage exists without fear? Courage is just fear with shoes on.”

Jack: (half-smiles) “That’s poetic, Jeeny. But Kafka wasn’t courageous. He was terrified of people, of illness, of love. He never finished anything. He even asked for his work to be burned after his death. That’s not courage. That’s paralysis.”

Jeeny: “And yet, the world still reads him. Think about that, Jack — he wrote from inside his fear, not in spite of it. Maybe fear didn’t paralyze him. Maybe it purified him.”

Host: Jack stared at her, the lines in his face deepening, not from age but from the weight of understanding that scared him more than he wanted to admit.

Jack: “You really think fear can be substance? Like… identity?”

Jeeny: “Why not? We build ourselves from what we feel most. Some people live from love, others from anger. Kafka lived from fear — it was his ink. Maybe you do too.”

Jack: “Me?”

Jeeny: “Yes. You hide it well — behind sarcasm, logic, control. But I’ve seen it. You don’t fight fear. You feed it with overthinking until it eats you slow.”

Host: The cigarette burned down between his fingers. He let it fall into the ashtray, watching the ember die like a small surrender.

Jack: “You make it sound noble. But fear doesn’t make me write, or love, or live. It makes me freeze. It’s a parasite.”

Jeeny: “Or maybe it’s a compass. Fear shows you exactly what matters — you just call it weakness because you don’t want to face it.”

Host: The words landed like soft blows. The rain began tapping the window, slow and persistent, like time reminding them both of its patience.

Jack: (quietly) “You ever think fear’s the only honest thing left in us? Everything else—bravery, confidence, ambition—it’s all armor. Fear’s the raw part. The proof that we’re still alive.”

Jeeny: “Exactly. That’s what Kafka understood. Fear isn’t an intruder; it’s the pulse. It’s what keeps the edges of life sharp.”

Host: She leaned forward slightly, the lamp light glinting off her eyes.

Jeeny: “He said it was the best part of him because it kept him from being numb. Without fear, there’s no depth. No humility. No empathy.”

Jack: (after a pause) “So you think fear makes us human.”

Jeeny: “No, Jack. Fear reminds us we are.”

Host: He turned his head toward the window. The city beyond it shimmered through the fog — uncertain, trembling, alive.

Jack: “You know… I used to think if I just worked hard enough, achieved enough, I could kill it. The fear. I thought strength meant silence. But the more I tried to bury it, the louder it got.”

Jeeny: “Because fear doesn’t die, Jack. It waits. And if you don’t listen, it starts screaming.”

Jack: “And what does it want me to hear?”

Jeeny: “That you still care.”

Host: His eyes lifted slowly, meeting hers — two worlds colliding across the small, flickering light of a lamp.

Jack: “You think fear is love, then?”

Jeeny: “I think it’s the shadow of it. You only fear losing what you love, fear failing what you value. Fear exists because something in you still believes.”

Host: The silence between them deepened — not heavy, but alive, pulsing with the quiet electricity of realization.

Jack: “You know, I used to read Kafka in college. Everyone said he was writing about alienation, bureaucracy, control. But maybe he was just writing about himself — about that constant, trembling sense of being alive and terrified at the same time.”

Jeeny: “That’s all of us, Jack. The difference is, he didn’t run from it.”

Jack: “You think he made peace with it?”

Jeeny: “No. I think he made art from it. Which is better.”

Host: The rain softened now, the rhythm fading into a hush. The air in the room felt different — clearer, thinner, as though something unspoken had finally exhaled.

Jack: “Maybe that’s what we’re supposed to do. Not conquer fear. Translate it.”

Jeeny: “Into what?”

Jack: “Into something that outlives it.”

Host: She smiled, small and sincere, the kind of smile that recognizes truth rather than triumph.

Jeeny: “Then you’ve already begun.”

Jack: “Maybe. But it still scares me.”

Jeeny: “Good. That means you’re still alive.”

Host: The lamp flickered once, then steadied — its light soft on their faces, like forgiveness.

Jack reached for his notebook, the same one that had been sitting untouched all evening. He flipped it open, tapped his pen against the first blank page.

Jack: “Funny thing, Jeeny… maybe Kafka wasn’t a pessimist after all.”

Jeeny: “What was he, then?”

Jack: (smiling faintly) “A believer — in fear’s strange way of proving we still have something left to lose.”

Host: Outside, the fog began to thin, revealing the quiet lights of the city — fragile, flickering, but persistent.

And inside, Jack began to write — not in defiance of his fear, but in conversation with it.

For as Kafka had whispered across the gulf of time:
that what we fear most is often what makes us most real,
and that perhaps the truest strength of the human soul
is to tremble
and still keep creating.

Franz Kafka
Franz Kafka

Novelist July 3, 1883 - June 3, 1924

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