Of all the creative work produced by humans anywhere, a tiny

Of all the creative work produced by humans anywhere, a tiny

22/09/2025
22/09/2025

Of all the creative work produced by humans anywhere, a tiny fraction has continuing commercial value. For that tiny fraction, the copyright is a crucially important legal device.

Of all the creative work produced by humans anywhere, a tiny
Of all the creative work produced by humans anywhere, a tiny
Of all the creative work produced by humans anywhere, a tiny fraction has continuing commercial value. For that tiny fraction, the copyright is a crucially important legal device.
Of all the creative work produced by humans anywhere, a tiny
Of all the creative work produced by humans anywhere, a tiny fraction has continuing commercial value. For that tiny fraction, the copyright is a crucially important legal device.
Of all the creative work produced by humans anywhere, a tiny
Of all the creative work produced by humans anywhere, a tiny fraction has continuing commercial value. For that tiny fraction, the copyright is a crucially important legal device.
Of all the creative work produced by humans anywhere, a tiny
Of all the creative work produced by humans anywhere, a tiny fraction has continuing commercial value. For that tiny fraction, the copyright is a crucially important legal device.
Of all the creative work produced by humans anywhere, a tiny
Of all the creative work produced by humans anywhere, a tiny fraction has continuing commercial value. For that tiny fraction, the copyright is a crucially important legal device.
Of all the creative work produced by humans anywhere, a tiny
Of all the creative work produced by humans anywhere, a tiny fraction has continuing commercial value. For that tiny fraction, the copyright is a crucially important legal device.
Of all the creative work produced by humans anywhere, a tiny
Of all the creative work produced by humans anywhere, a tiny fraction has continuing commercial value. For that tiny fraction, the copyright is a crucially important legal device.
Of all the creative work produced by humans anywhere, a tiny
Of all the creative work produced by humans anywhere, a tiny fraction has continuing commercial value. For that tiny fraction, the copyright is a crucially important legal device.
Of all the creative work produced by humans anywhere, a tiny
Of all the creative work produced by humans anywhere, a tiny fraction has continuing commercial value. For that tiny fraction, the copyright is a crucially important legal device.
Of all the creative work produced by humans anywhere, a tiny
Of all the creative work produced by humans anywhere, a tiny
Of all the creative work produced by humans anywhere, a tiny
Of all the creative work produced by humans anywhere, a tiny
Of all the creative work produced by humans anywhere, a tiny
Of all the creative work produced by humans anywhere, a tiny
Of all the creative work produced by humans anywhere, a tiny
Of all the creative work produced by humans anywhere, a tiny
Of all the creative work produced by humans anywhere, a tiny
Of all the creative work produced by humans anywhere, a tiny

There is a deep wisdom buried within Lawrence Lessig’s words: “Of all the creative work produced by humans anywhere, a tiny fraction has continuing commercial value. For that tiny fraction, the copyright is a crucially important legal device.” In these lines lies a profound reflection on the relationship between creativity, value, and the law. Lessig, a scholar of intellectual property and a champion of digital freedom, reminds us that while the world overflows with imagination, only a small part of it carries enduring monetary worth. Yet for that small portion, society has woven a shield — the copyright, a construct of law meant to protect both the labor of the creator and the wealth of culture itself.

In ancient times, artists carved their visions on cave walls, sculptors chiseled gods into stone, and poets recited their verses beneath the stars. They did not think of ownership in the way we do today; creation was an offering to tribe and time. But as civilization matured, as markets arose and art became a commodity, humanity saw the need for legal protection. Without it, a painter’s masterpiece could be copied endlessly; a composer’s symphony could be stolen and sold under another’s name. The copyright emerged not as a chain, but as a contract — a recognition that while art is divine, its creator deserves fairness in the realm of men.

Yet Lessig’s warning is subtle and wise. He tells us that only a tiny fraction of creative work ever bears continuing commercial value. This truth is humbling. The vast majority of human creation — the unpublished stories, the songs sung in bedrooms, the paintings that never leave the artist’s studio — exist not for profit, but for expression. They are the echoes of the human soul, meant to fulfill something spiritual, not commercial. The law of copyright, then, while vital, must never be allowed to overshadow the larger truth: that creation is sacred even when it is not lucrative.

Consider the story of Johann Sebastian Bach, who died in poverty, his music forgotten by most of Europe. It was only generations later that his works were revived and celebrated as divine masterpieces. His genius held no commercial value in his lifetime, yet today it stands as a pillar of Western art. What lesson does this bear? That value is often invisible in its own time. The purpose of copyright is to preserve the bridge between art and recognition, to ensure that when the world finally awakens to beauty, the creator’s legacy is not lost to theft or neglect.

But Lessig also invites us to reflect on the imbalance of this system. For while copyright protects, it can also imprison. In the modern age, corporations have stretched the life of copyrights far beyond reason, hoarding culture for generations, preventing new creators from building upon the old. The ancients believed that wisdom should flow freely, like a river through the hearts of the people. When the river is dammed too tightly, it stagnates. Thus, the challenge of our era is to protect the artist without suffocating the spirit of creation itself.

To understand the origin of Lessig’s thought, one must see his lifelong battle against the overreach of intellectual property law. In his movement for Creative Commons, he sought to restore balance — to give creators choice over how their work is shared. He believed that the future of art and knowledge depends on openness, not ownership; collaboration, not control. His quote stands as both a defense of copyright and a plea for moderation: a call to remember that law exists to serve creativity, not to cage it.

Let the reader take this lesson to heart: cherish your own acts of creation, whether or not they bear the mark of commercial success. If your work holds value to one heart, it has achieved its divine purpose. And for those rare works that move the world and earn its coin, defend them with honor and justice, using the shield of copyright not to hoard, but to preserve.

For in the end, art is the memory of mankind, and the law is but its steward. The wise creator does not worship profit, but respects protection. The wise society does not idolize ownership, but nurtures expression. May every artist remember that creation is freedom, and may every nation remember that law exists to guard, not to bind, that freedom.

Lawrence Lessig
Lawrence Lessig

American - Educator Born: June 3, 1961

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