The art of pleasing is the art of deception.

The art of pleasing is the art of deception.

22/09/2025
24/10/2025

The art of pleasing is the art of deception.

The art of pleasing is the art of deception.
The art of pleasing is the art of deception.
The art of pleasing is the art of deception.
The art of pleasing is the art of deception.
The art of pleasing is the art of deception.
The art of pleasing is the art of deception.
The art of pleasing is the art of deception.
The art of pleasing is the art of deception.
The art of pleasing is the art of deception.
The art of pleasing is the art of deception.
The art of pleasing is the art of deception.
The art of pleasing is the art of deception.
The art of pleasing is the art of deception.
The art of pleasing is the art of deception.
The art of pleasing is the art of deception.
The art of pleasing is the art of deception.
The art of pleasing is the art of deception.
The art of pleasing is the art of deception.
The art of pleasing is the art of deception.
The art of pleasing is the art of deception.
The art of pleasing is the art of deception.
The art of pleasing is the art of deception.
The art of pleasing is the art of deception.
The art of pleasing is the art of deception.
The art of pleasing is the art of deception.
The art of pleasing is the art of deception.
The art of pleasing is the art of deception.
The art of pleasing is the art of deception.
The art of pleasing is the art of deception.

Host: The restaurant was carved in velvet lightamber chandeliers, mirrored walls, and the faint clinking of glasses beneath a ceiling of whispers. The evening air outside was thick with rain, but inside, everything gleamed — shadows polished, smiles rehearsed, laughter arranged like a play.

At a corner table, beneath a half-dimmed lamp, Jack sat with his suit jacket unbuttoned, his watch glinting under the candle’s breath. Across from him, Jeeny leaned forward, her hair falling softly over one shoulder, her eyes glinting with both warmth and suspicion. Between them lay two untouched dessert plates and a conversation about to turn sharp.

Jeeny: “Luc de Clapiers once said, ‘The art of pleasing is the art of deception.’
She smiled faintly, but there was a question buried in it. “Do you really think that’s true, Jack? That to please someone — truly please them — you have to lie?”

Jack: “Not lie,” he said, stirring his drink, watching the ice turn slowly in the amber liquid. “Just… edit. Leave out the parts they won’t like. We all do it. It’s survival. The world runs on selective honesty.”

Host: A violinist in the corner began to play, a tune so soft it could have been mistaken for memory. The flames of the candles flickered like nervous secrets.

Jeeny: “Selective honesty is still deceit,” she said quietly. “You make yourself smaller to fit into someone else’s expectations — that’s not art, Jack. That’s surrender.”

Jack: “No,” he countered, leaning back, the shadow of the lamp slicing his face in half. “It’s diplomacy. You call it deceit, I call it empathy. People don’t want the truth; they want comfort. And if I can give them that without harm — why not?”

Jeeny: “Because comfort without truth is poison dressed in silk. You can’t build anything real on deception.”

Jack: “You think reality cares about being real?” He laughed, bitterly. “You want truth, Jeeny? The nicest people in this room are lying right now. Compliments, smiles, polite laughter — all performance. Society is a play, and we’re all trying not to drop character.”

Host: Jeeny’s lips parted, a flicker of hurt or understanding crossing her face — it was hard to tell. The waiter passed, placing another bottle of wine on the table, its label gleaming like a mirror of false promises.

Jeeny: “Then you believe sincerity is impossible?”

Jack: “Not impossible. Just expensive. You tell the truth often enough, and you’ll end up alone. Look at politics, relationships, even business — the ones who survive are the ones who master the art of pleasing.”

Jeeny: “That’s not survival. That’s selling your soul in installments.”

Jack: “And yet the buyers are always happy,” he shot back, his voice edged, his eyes cold and bright. “Tell me, Jeeny, when was the last time you told someone a hard truth and didn’t regret it?”

Jeeny: “When I told you I loved you,” she said, flatly.

Host: The words fell between them like glass hitting marble — sharp, fragile, impossible to ignore. The room noise dimmed, or maybe it just felt that way. The violinist’s song lingered in the air like a held breath.

Jack: He swallowed hard, the mask of irony slipping for a moment. “That’s different,” he muttered. “Love complicates everything.”

Jeeny: “No, Jack. Love simplifies everything. It’s deception that complicates it. You spend so much time managing impressions that you forget to live.”

Jack: “And you spend so much time chasing purity that you forget the world’s built on compromise.”

Jeeny: “Compromise is not the same as deception,” she replied, her voice rising, her fingers tightening around the stem of her glass. “Compromise respects the truth — it meets it halfway. Deception buries it.”

Host: Tension rippled across the table like wind across still water. The restaurant chatter blurred into a low hum, and even the violinist paused, as if the air itself was listening.

Jack: “Alright,” he said, quieter now, leaning forward, his hands clasped. “Let’s be honest then. You please people too — don’t you? You say kind things you don’t fully mean, you smile when you want to scream. You do it every day.”

Jeeny: “Because kindness isn’t deception,” she said. “It’s mercy. There’s a difference between lying to manipulate and softening the truth to protect.”

Jack: “Same tool, different intent.”

Jeeny: “Intent is everything,” she insisted. “The art of pleasing can be the art of healing — when it’s rooted in care, not control.”

Jack: “But how do you tell the difference? Where does empathy end and manipulation begin?”

Jeeny: “At the heart,” she said softly. “You always know — if you dare to listen.”

Host: The rain outside quickened, its rhythm drumming against the windows, echoing the beat of her words. Jack’s face softened, the defensiveness fading, replaced by something like fatigue.

Jack: “You know what I think, Jeeny? We deceive because we’re afraid of rejection. Pleasing others isn’t about them — it’s about us, about not wanting to be unliked, unseen, unloved.”

Jeeny: “Exactly,” she said gently. “And that’s why it’s dangerous. It starts as a shield and becomes a mask. One day you wake up and realize no one knows who you are — not even you.”

Jack: “Maybe the mask is who we are,” he murmured. “Maybe that’s the truth Bauman missed — that we’re all performances now, stitched together by impressions.”

Jeeny: “Then we’re lost,” she whispered. “Because art without honesty is just noise.”

Host: A waiter passed, collecting empty plates. The candles burned lower, their flames trembling like truth under pressure. The music resumed, slower, more haunting.

The moment stretched, fragile, balanced on the edge of something human.

Jack: “There’s a story,” he began. “About a politician in the 1960s — I think it was John F. Kennedy. Everyone adored him. His charm was legendary. But half of it was illusion — crafted gestures, rehearsed warmth. And yet… people needed that illusion. It gave them hope.”

Jeeny: “Hope built on deception is a house on sand. It stands — until it rains.”

Jack: “But it did stand,” he said. “And for a while, it gave people purpose. Maybe illusion isn’t evil — maybe it’s the price of beauty.”

Jeeny: “Beauty without truth is just decoration,” she said. “The art of pleasing may win hearts, but only truth keeps them.”

Host: The rain stopped suddenly, leaving a still silence heavy enough to taste. The city outside glowed, its lights reflected in the window — bright, scattered, deceptive in their calm.

Jack: “So what do you want, Jeeny? A world where everyone’s brutally honest? Where every flaw is exposed, every opinion unfiltered? That’s chaos.”

Jeeny: “No,” she said. “I want a world where we stop calling lies an art form. Where pleasing someone doesn’t mean pretending.”

Jack: “Then you’ll be disappointed,” he said, half-smiling, half-defeated. “Because truth may be sacred — but deception is practical.”

Jeeny: “Maybe. But practicality never inspired anyone to love.”

Host: Her voice softened, almost breaking. The light flickered once, then steadied. Jack looked at her — really looked — and for a brief moment, his expression cracked open, revealing something unguarded, unpolished, real.

Jack: “So what’s the answer then?” he asked quietly. “If pleasing deceives, and honesty isolates — what’s left?”

Jeeny: “Grace,” she said. “The courage to be kind without lying. The art of pleasing without pretending. The truth spoken gently enough to heal.”

Host: The violinist began again, the melody rising slow and deliberate — like an apology set to music. Jack’s eyes lowered, and when he finally spoke, his voice carried the weight of understanding.

Jack: “Maybe the art of deception isn’t in pleasing others… maybe it’s in convincing ourselves that we have to.”

Jeeny: “Exactly,” she whispered. “And when we stop doing that — when we start pleasing without hiding — that’s when truth becomes beautiful again.”

Host: The candlelight wavered, catching the last shimmer of rain outside. The crowd laughed softly in the distance, unaware of the small revolution that had just passed across a quiet corner table.

Jack reached for his glass, but didn’t drink. Jeeny smiled faintly, not in victory, but in peace.

And as the camera pulled back, the city glowed, the reflection of their faces blurred into one — a fleeting image of two souls realizing that even in a world built on masks, sometimes the truth still finds a way to speak through the cracks.

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