The truth is that I am in love with Dublin. I think it is the

The truth is that I am in love with Dublin. I think it is the

22/09/2025
20/10/2025

The truth is that I am in love with Dublin. I think it is the most beautiful town that I have ever seen, mountains at the back and the sea in front, and long roads winding through decaying suburbs and beautiful woods.

The truth is that I am in love with Dublin. I think it is the
The truth is that I am in love with Dublin. I think it is the
The truth is that I am in love with Dublin. I think it is the most beautiful town that I have ever seen, mountains at the back and the sea in front, and long roads winding through decaying suburbs and beautiful woods.
The truth is that I am in love with Dublin. I think it is the
The truth is that I am in love with Dublin. I think it is the most beautiful town that I have ever seen, mountains at the back and the sea in front, and long roads winding through decaying suburbs and beautiful woods.
The truth is that I am in love with Dublin. I think it is the
The truth is that I am in love with Dublin. I think it is the most beautiful town that I have ever seen, mountains at the back and the sea in front, and long roads winding through decaying suburbs and beautiful woods.
The truth is that I am in love with Dublin. I think it is the
The truth is that I am in love with Dublin. I think it is the most beautiful town that I have ever seen, mountains at the back and the sea in front, and long roads winding through decaying suburbs and beautiful woods.
The truth is that I am in love with Dublin. I think it is the
The truth is that I am in love with Dublin. I think it is the most beautiful town that I have ever seen, mountains at the back and the sea in front, and long roads winding through decaying suburbs and beautiful woods.
The truth is that I am in love with Dublin. I think it is the
The truth is that I am in love with Dublin. I think it is the most beautiful town that I have ever seen, mountains at the back and the sea in front, and long roads winding through decaying suburbs and beautiful woods.
The truth is that I am in love with Dublin. I think it is the
The truth is that I am in love with Dublin. I think it is the most beautiful town that I have ever seen, mountains at the back and the sea in front, and long roads winding through decaying suburbs and beautiful woods.
The truth is that I am in love with Dublin. I think it is the
The truth is that I am in love with Dublin. I think it is the most beautiful town that I have ever seen, mountains at the back and the sea in front, and long roads winding through decaying suburbs and beautiful woods.
The truth is that I am in love with Dublin. I think it is the
The truth is that I am in love with Dublin. I think it is the most beautiful town that I have ever seen, mountains at the back and the sea in front, and long roads winding through decaying suburbs and beautiful woods.
The truth is that I am in love with Dublin. I think it is the
The truth is that I am in love with Dublin. I think it is the
The truth is that I am in love with Dublin. I think it is the
The truth is that I am in love with Dublin. I think it is the
The truth is that I am in love with Dublin. I think it is the
The truth is that I am in love with Dublin. I think it is the
The truth is that I am in love with Dublin. I think it is the
The truth is that I am in love with Dublin. I think it is the
The truth is that I am in love with Dublin. I think it is the
The truth is that I am in love with Dublin. I think it is the

"The truth is that I am in love with Dublin. I think it is the most beautiful town that I have ever seen, mountains at the back and the sea in front, and long roads winding through decaying suburbs and beautiful woods." These words of George A. Moore speak with a profound passion for a city that is much more than its streets, buildings, and natural surroundings. To Moore, Dublin was a place where the landscape itself, with its mix of rugged mountains and vast, ever-changing sea, was a reflection of the complexity and beauty of life itself. It was not a place of simple beauty, but a city of contradictions—where decay and beauty coexisted, where the scars of the past intertwined with the vitality of the present, where one could find solace and inspiration in the same breath.

In the ancient world, cities were often seen as more than just places to live; they were reflections of the soul of a people. Consider Athens, the city where great minds like Socrates, Plato, and Aristotle once walked. Athens was not simply a city of marble columns and political power—it was a city of ideas, of growth, decay, and rebirth. The very stones of the city seemed to whisper the struggles and triumphs of those who had lived there. Much like Moore’s love for Dublin, Athens was a city that held within its walls the stories of imperfection and beauty that make life meaningful. There was a sense that the imperfections of the city were an integral part of its charm, a place where the past and present were constantly in conversation.

Dublin, too, carries this duality. It is a city of contrast, where ancient history and modern life exist side by side. Moore’s description of winding roads through decaying suburbs and beautiful woods captures this essence. The decaying suburbs remind us that life, in all its vitality, is inevitably marked by decay—nothing is permanent, and yet, within this impermanence, there is a beauty that cannot be denied. The woods, lush and green, represent the hope and growth that can emerge even in the midst of decay. Dublin, with its ancient streets and its proximity to both the mountains and the sea, symbolizes the unity of life’s contradictory forces: beauty, decay, growth, and loss.

Think of the stories of the great Irish writersJames Joyce, W.B. Yeats, and Samuel Beckett—who, much like Moore, found inspiration in the complex beauty of Dublin. For them, the city was not just a backdrop for their works, but a living, breathing character in its own right. In Joyce's Ulysses, for example, Dublin is not merely a setting but a symbol of the human experience, with all its triumphs and flaws. The city’s backstreets and pubs, its wharves and parks, all became metaphors for the inner journeys of the characters. Just as Moore found beauty in Dublin’s contrasts, so too did Joyce see the city as a place where the mundane and the profound could coexist, each giving the other meaning.

In these reflections, we see a lesson for our own lives: there is beauty to be found in the imperfections of the world around us. The world is not meant to be perfect, nor should it be. The decay that Moore mentions is a necessary part of the cycle of life—without it, there would be no room for rebirth or growth. Just as Dublin thrives in its imperfect blend of old and new, so too can we find peace and strength in embracing both the good and the bad in our own lives. Life is not about seeking perfection but finding meaning in the spaces where beauty and imperfection meet.

Moreover, Moore’s love for Dublin teaches us to look at the world through the eyes of wonder. Too often, we focus on the flaws—the cracks in the pavement, the roughness of the world. Yet, as Moore reminds us, the true beauty lies in how these flaws coexist with the landscapes of our lives—the mountains, the sea, the woods, and even the decay. Life is a mosaic of these parts, and when we learn to see beauty in all of them, we find a deeper connection to the world around us.

So, let us carry this wisdom forward: embrace the contradictions in our lives and the world around us. Do not shy away from the imperfections or the decay, for they are an essential part of life’s beauty. Like George Moore in his love for Dublin, let us open our hearts to the world, seeing not only its flaws but the hope and growth that come with them. In doing so, we can find joy in the winding roads of life, even in their most difficult moments, knowing that both the sea and the mountains await us. Let us celebrate the beauty of life, not as something perfect, but as something deeply human, filled with both light and shadow, decay and rebirth.

George A. Moore
George A. Moore

Irish - Novelist February 24, 1852 - January 21, 1933

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Have 5 Comment The truth is that I am in love with Dublin. I think it is the

LNLily Nguyen

There’s something almost nostalgic in George A. Moore's description of Dublin. It makes me wonder about the places that we have an emotional attachment to, even when they’re far from perfect. What is it about certain cities or towns that capture our hearts? Is it their beauty, history, or something more personal—an experience or memory tied to that place?

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QNQuoc Nam

Moore’s quote about Dublin reminds me of how the environment we live in can shape our emotions and experiences. The contrast between the mountains, sea, and decaying suburbs feels symbolic of life itself—full of opposites. Do you think that the juxtaposition of beauty and decay makes a place more interesting, or does it leave us with conflicting feelings about how we view the world around us?

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NVNguyen Vy

Reading this quote, I’m struck by Moore's poetic view of Dublin. It makes me think about how we often romanticize places we fall in love with, seeing beauty even in their imperfections. But can we really appreciate a place like Dublin without also acknowledging its complexities, such as its challenges or decay? How do we balance affection for a place with the need for improvement?

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TDthuy duong

George A. Moore’s description of Dublin paints a vivid picture of the city. I’m intrigued by how he describes both its beauty and decay, which seems to suggest that there’s a certain allure in imperfection. Does this mean that true beauty lies in the things we often overlook or in those areas that seem worn but have character? How do you feel about finding beauty in places that are not perfect?

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TMTuong My

I love how George A. Moore describes Dublin with such affection. It seems like the combination of nature and urban decay creates a unique charm for him. It makes me wonder—how much does the mix of contrasting elements like mountains and the sea, beauty and decay, shape our perception of a place? Do we find more meaning in places that embody this kind of contrast?

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