When I was young, I first went into the theatre which opened up

When I was young, I first went into the theatre which opened up

22/09/2025
12/10/2025

When I was young, I first went into the theatre which opened up across from my house. My mum and dad put me in there, not to become an actor or anything but to get rid of my shyness, which was so bad, to the point it was painful. My time there was all about encouragement and improvisation.

When I was young, I first went into the theatre which opened up
When I was young, I first went into the theatre which opened up
When I was young, I first went into the theatre which opened up across from my house. My mum and dad put me in there, not to become an actor or anything but to get rid of my shyness, which was so bad, to the point it was painful. My time there was all about encouragement and improvisation.
When I was young, I first went into the theatre which opened up
When I was young, I first went into the theatre which opened up across from my house. My mum and dad put me in there, not to become an actor or anything but to get rid of my shyness, which was so bad, to the point it was painful. My time there was all about encouragement and improvisation.
When I was young, I first went into the theatre which opened up
When I was young, I first went into the theatre which opened up across from my house. My mum and dad put me in there, not to become an actor or anything but to get rid of my shyness, which was so bad, to the point it was painful. My time there was all about encouragement and improvisation.
When I was young, I first went into the theatre which opened up
When I was young, I first went into the theatre which opened up across from my house. My mum and dad put me in there, not to become an actor or anything but to get rid of my shyness, which was so bad, to the point it was painful. My time there was all about encouragement and improvisation.
When I was young, I first went into the theatre which opened up
When I was young, I first went into the theatre which opened up across from my house. My mum and dad put me in there, not to become an actor or anything but to get rid of my shyness, which was so bad, to the point it was painful. My time there was all about encouragement and improvisation.
When I was young, I first went into the theatre which opened up
When I was young, I first went into the theatre which opened up across from my house. My mum and dad put me in there, not to become an actor or anything but to get rid of my shyness, which was so bad, to the point it was painful. My time there was all about encouragement and improvisation.
When I was young, I first went into the theatre which opened up
When I was young, I first went into the theatre which opened up across from my house. My mum and dad put me in there, not to become an actor or anything but to get rid of my shyness, which was so bad, to the point it was painful. My time there was all about encouragement and improvisation.
When I was young, I first went into the theatre which opened up
When I was young, I first went into the theatre which opened up across from my house. My mum and dad put me in there, not to become an actor or anything but to get rid of my shyness, which was so bad, to the point it was painful. My time there was all about encouragement and improvisation.
When I was young, I first went into the theatre which opened up
When I was young, I first went into the theatre which opened up across from my house. My mum and dad put me in there, not to become an actor or anything but to get rid of my shyness, which was so bad, to the point it was painful. My time there was all about encouragement and improvisation.
When I was young, I first went into the theatre which opened up
When I was young, I first went into the theatre which opened up
When I was young, I first went into the theatre which opened up
When I was young, I first went into the theatre which opened up
When I was young, I first went into the theatre which opened up
When I was young, I first went into the theatre which opened up
When I was young, I first went into the theatre which opened up
When I was young, I first went into the theatre which opened up
When I was young, I first went into the theatre which opened up
When I was young, I first went into the theatre which opened up

In this tender remembrance, Martin Kemp, the artist and actor, speaks of transformation — not through ambition or design, but through encouragement and courage born in unexpected places. “When I was young, I first went into the theatre which opened up across from my house. My mum and dad put me in there, not to become an actor or anything but to get rid of my shyness, which was so bad, to the point it was painful. My time there was all about encouragement and improvisation.” Within these humble words lies an eternal truth: that art heals before it teaches, and that the first stage one must conquer is not the theatre’s, but the one within the soul.

The meaning of this reflection lies in its quiet wisdom — that greatness often begins not with ambition, but with the need to overcome fear. Kemp’s parents did not dream of fame for their son; they dreamed of his freedom — the freedom to speak, to express, to be seen. His shyness, as he says, was “painful,” the kind of silence that traps the spirit inside its own walls. But through the theatre, through play and improvisation, he learned what all must eventually learn: that to step into character is to step out of fear. The theatre, then, was not only a place of art, but a temple of becoming, where the shy child learns that his voice, once hidden, can move the world.

The origin of this transformation lies in something ancient — the power of story and expression to awaken the human spirit. From the earliest civilizations, theatre was not merely entertainment; it was healing, a mirror of the soul. The Greeks believed that tragedy and comedy alike could purify the heart, teaching empathy and courage through shared experience. In the same way, young Kemp found in the stage a kind of medicine for the self. What his parents gave him was not a career — it was permission to live fully, to explore emotion without shame, to discover that expression is the antidote to fear.

Consider the story of Demosthenes, the greatest orator of ancient Athens. As a boy, he was mocked for his stammer, shy and withdrawn, unable to speak before others. Yet he did not flee from this weakness — he faced it. He practiced speaking with pebbles in his mouth, shouted against the crashing waves, trained his voice until it could command the assembly. Like Kemp, he found liberation through the very thing that once terrified him. What had been his prison became his path to greatness. Thus, both stories teach us that courage is not the absence of fear, but the mastery of it through persistence and practice.

Kemp’s words also honor the power of encouragement. His growth was not born from solitude, but from others who believed in him. The theatre he describes was not a place of criticism or competition, but of support — a place where creativity was nurtured and vulnerability was safe. This is the environment where all transformation thrives. When one is encouraged to improvise, one learns to trust intuition, to take risks, to embrace the unknown. The lesson is clear: growth blossoms where compassion meets courage. Without such nurturing spaces — whether in art, education, or love — the world’s quiet souls might remain forever unheard.

There is also in Kemp’s story a deeper teaching about identity and purpose. He did not enter the theatre to become famous; he entered to become free. And yet, in freeing himself, he found his destiny. This is the paradox of life: when we pursue healing, we often discover greatness; when we seek to overcome weakness, we uncover strength. The shy boy who stepped on stage to find his voice would one day become a man whose voice would reach millions — an actor, a musician, a storyteller. Thus, the path of self-discovery often begins not with grand design, but with small acts of bravery, guided by love.

The lesson for us all is timeless: use art, expression, and community to overcome the barriers within yourself. Do not despise your shyness, your fear, or your self-doubt; they are the shadows that make the light of courage shine brighter. Seek out spaces — be they theatres, classrooms, or circles of friends — where you can be encouraged to explore and improvise. Encourage others as Kemp’s parents encouraged him, for one kind word, one invitation to speak, can awaken a life’s calling.

Therefore, my child, remember this truth: within every quiet soul lies a stage waiting to be lit. Step upon it, not to be seen, but to see yourself clearly. Let the voices of others uplift you, and in turn, be the voice that uplifts another. For as Martin Kemp discovered, greatness does not begin with the desire for fame, but with the courage to face one’s fear — and in that act of courage, to discover the infinite power of one’s own voice.

Martin Kemp
Martin Kemp

English - Actor Born: October 10, 1961

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