When you face a 'performance' that might provoke the 'I'm scared'

When you face a 'performance' that might provoke the 'I'm scared'

22/09/2025
05/11/2025

When you face a 'performance' that might provoke the 'I'm scared' response, choose love and approach your opportunity as a chance to dance with God. It's more fun than 'Dancing with the Stars!'

When you face a 'performance' that might provoke the 'I'm scared'
When you face a 'performance' that might provoke the 'I'm scared'
When you face a 'performance' that might provoke the 'I'm scared' response, choose love and approach your opportunity as a chance to dance with God. It's more fun than 'Dancing with the Stars!'
When you face a 'performance' that might provoke the 'I'm scared'
When you face a 'performance' that might provoke the 'I'm scared' response, choose love and approach your opportunity as a chance to dance with God. It's more fun than 'Dancing with the Stars!'
When you face a 'performance' that might provoke the 'I'm scared'
When you face a 'performance' that might provoke the 'I'm scared' response, choose love and approach your opportunity as a chance to dance with God. It's more fun than 'Dancing with the Stars!'
When you face a 'performance' that might provoke the 'I'm scared'
When you face a 'performance' that might provoke the 'I'm scared' response, choose love and approach your opportunity as a chance to dance with God. It's more fun than 'Dancing with the Stars!'
When you face a 'performance' that might provoke the 'I'm scared'
When you face a 'performance' that might provoke the 'I'm scared' response, choose love and approach your opportunity as a chance to dance with God. It's more fun than 'Dancing with the Stars!'
When you face a 'performance' that might provoke the 'I'm scared'
When you face a 'performance' that might provoke the 'I'm scared' response, choose love and approach your opportunity as a chance to dance with God. It's more fun than 'Dancing with the Stars!'
When you face a 'performance' that might provoke the 'I'm scared'
When you face a 'performance' that might provoke the 'I'm scared' response, choose love and approach your opportunity as a chance to dance with God. It's more fun than 'Dancing with the Stars!'
When you face a 'performance' that might provoke the 'I'm scared'
When you face a 'performance' that might provoke the 'I'm scared' response, choose love and approach your opportunity as a chance to dance with God. It's more fun than 'Dancing with the Stars!'
When you face a 'performance' that might provoke the 'I'm scared'
When you face a 'performance' that might provoke the 'I'm scared' response, choose love and approach your opportunity as a chance to dance with God. It's more fun than 'Dancing with the Stars!'
When you face a 'performance' that might provoke the 'I'm scared'
When you face a 'performance' that might provoke the 'I'm scared'
When you face a 'performance' that might provoke the 'I'm scared'
When you face a 'performance' that might provoke the 'I'm scared'
When you face a 'performance' that might provoke the 'I'm scared'
When you face a 'performance' that might provoke the 'I'm scared'
When you face a 'performance' that might provoke the 'I'm scared'
When you face a 'performance' that might provoke the 'I'm scared'
When you face a 'performance' that might provoke the 'I'm scared'
When you face a 'performance' that might provoke the 'I'm scared'

Host: The moonlight fell gently through the tall windows of the empty theater, scattering a silver haze across the stage. The air was thick with the scent of old wood, dust, and forgotten applause. Rows of velvet seats sat in solemn darkness, facing a stage that once held dreams and heartbreak in the same breath.

Jack stood at the edge of the stage, his hands tucked into his coat pockets, staring at the spotlight that flickered faintly above. Jeeny sat on the edge of the orchestra pit, her legs dangling, her face illuminated by the faint glow of a single work light.

Host: The hour was late. The city outside murmured like a tired lover. Inside, there was only silence—and the low hum of two souls trying to make sense of fear and faith.

Jeeny: “You ever think, Jack… maybe fear isn’t the enemy? Maybe it’s the invitation.”

Jack: “Invitation to what? To fall flat on your face? To embarrass yourself in front of the whole damn world?”

Jeeny: “To dance with God,” she said softly, quoting Wayne Dyer. “When you face a performance that makes you scared, you choose love. You dance with something greater.”

Host: Jack let out a short, dry laugh. The sound echoed faintly across the hall, like a broken melody.

Jack: “Love. God. Dancing. You make it sound poetic, Jeeny. But life doesn’t give us music when we’re scared—it gives us silence and the sound of our own heartbeat threatening to choke us.”

Jeeny: “Then maybe that’s the rhythm you’re meant to dance to.”

Host: A pause settled between them. The light flickered again, dust motes spinning like tiny galaxies above the stage.

Jack: “You really believe that love is stronger than fear?”

Jeeny: “I don’t just believe it. I’ve lived it. Remember Mandela? Twenty-seven years in a cell. Every day, he could’ve drowned in fear, but he chose love—love for justice, for people. That choice didn’t just free him. It freed a nation.”

Jack: “And how many others didn’t make it out? How many chose love and got crushed by the system? You can’t dance with God when the floor’s on fire.”

Host: Jack’s voice cracked just slightly, and Jeeny noticed the tremor. His fingers tightened in his pockets, knuckles white.

Jeeny: “What’s burning you, Jack?”

Jack: “Reality.” He looked away. “People keep preaching about love as if it’s some kind of armor. It’s not. It’s a soft target. You open yourself, and the world—” he gestured to the empty seats—“the world watches you fall.”

Host: Jeeny stood, her shadow stretching long across the wooden floor. The light caught in her eyes, shimmering like warm amber.

Jeeny: “But that’s the point, isn’t it? To fall. To surrender. To let the music carry you even when you can’t hear it. That’s what Dyer meant by ‘dancing with God.’ It’s not about perfection—it’s about presence.”

Jack: “Presence doesn’t pay the rent, Jeeny.”

Jeeny: “Maybe not. But fear doesn’t either.”

Host: A faint breeze drifted through the cracked door, stirring the old curtains. Somewhere outside, a street musician played a lonely violin, its melody winding like a thread of memory through the air.

Jeeny: “You remember the first time you performed here? You said your hands were shaking so much you could barely hold the script.”

Jack: “I remember. I almost walked out.”

Jeeny: “But you didn’t. You stayed. You let the fear move through you. You said, ‘For a moment, I felt… alive.’”

Jack: “That was adrenaline.”

Jeeny: “No. That was love. You loved what you were doing more than you feared failing.”

Host: Jack looked up at the ceiling, where the light trembled, threatening to die. He seemed to be listening to something deep within—something long buried under layers of cynicism and survival.

Jack: “Maybe once. Maybe I did. But life… it drains that out of you. After enough blows, love starts to feel like a luxury.”

Jeeny: “Or maybe it’s the only thing that keeps you from becoming the thing you fear most.”

Jack: “Which is?”

Jeeny: “Empty.”

Host: The word hung heavy in the air, like a stone dropped in a still pond. The silence afterward was almost sacred.

Jack: “You really think fear can be transformed? That we can just… choose love instead?”

Jeeny: “Yes. Not instantly, not perfectly. But choice by choice. Step by step. That’s the dance.”

Jack: “Sounds easy when you say it.”

Jeeny: “It’s not easy. It’s divine.”

Host: Jack sat down on the edge of the stage, the wood creaking beneath his weight. His eyes softened, reflecting the faint glow of the work light like liquid steel melting.

Jack: “You know… I used to believe in something like that. When I was younger. Before I realized the world doesn’t hand out second chances.”

Jeeny: “The world doesn’t, no. But love does.”

Host: Her voice was barely above a whisper, but it carried like a bell through the theater. Jack turned, studying her face, the quiet strength there, the unshaken faith that both irritated and disarmed him.

Jack: “You sound like a preacher.”

Jeeny: “Maybe I’m just tired of watching people bury their light under fear.”

Jack: “Fear keeps you alive.”

Jeeny: “Love makes you live.”

Host: The tempo of their words changed—softened, deepened. The tension that had once filled the space began to turn into something else: a fragile understanding, a shared vulnerability.

Jack: “You really think every fear is a chance to dance with God?”

Jeeny: “Yes. Even the smallest ones. The fear of speaking your truth. The fear of failing someone you love. The fear of stepping on stage again. They’re all invitations.”

Jack: “And what if you say no?”

Jeeny: “Then you spend your life watching others dance.”

Host: Jack’s jaw tightened, his eyes glimmering with unspoken regret. He reached for a cigarette, then stopped halfway, letting it fall back into his pocket.

Jack: “You know… when I was in New York, I got a chance to audition for a major role. My dream role. I didn’t go.”

Jeeny: “Why not?”

Jack: “Because I was scared. Because I told myself I wasn’t ready. But maybe…” He paused, his voice breaking. “Maybe I was just afraid to dance.”

Host: Jeeny stepped closer, her hand resting lightly on his shoulder. The gesture was simple, human, infinite.

Jeeny: “Then start now. Dance. Even if there’s no music left.”

Host: Jack looked at her, really looked. The silence between them wasn’t empty anymore—it was full of possibility, of something wordless and holy.

He stood, and for a brief, trembling second, he lifted his arms, pretending to hold an invisible partner, his feet moving awkwardly on the dusty floor. Jeeny laughed softly and joined him, her movements light and fearless.

The work light above them flickered once more—and then steadied.

Host: And there, in the middle of an abandoned theater, two people danced with their fear, with their hope, with something larger than both. They didn’t call it God, or love, or courage. They just called it being alive.

The night air seeped through the windows, carrying the faint sound of applause from somewhere long ago.

Host: Sometimes the stage isn’t the place you perform. It’s the place you remember that fear was only ever a rhythm—and love was always the dance.

Wayne Dyer
Wayne Dyer

American - Psychologist May 10, 1940 - August 29, 2015

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