Women's anger is very scary to people, and to no one more than to

Women's anger is very scary to people, and to no one more than to

22/09/2025
03/11/2025

Women's anger is very scary to people, and to no one more than to other women, who think, 'My goodness, if I let the lid off, where would we be?'

Women's anger is very scary to people, and to no one more than to
Women's anger is very scary to people, and to no one more than to
Women's anger is very scary to people, and to no one more than to other women, who think, 'My goodness, if I let the lid off, where would we be?'
Women's anger is very scary to people, and to no one more than to
Women's anger is very scary to people, and to no one more than to other women, who think, 'My goodness, if I let the lid off, where would we be?'
Women's anger is very scary to people, and to no one more than to
Women's anger is very scary to people, and to no one more than to other women, who think, 'My goodness, if I let the lid off, where would we be?'
Women's anger is very scary to people, and to no one more than to
Women's anger is very scary to people, and to no one more than to other women, who think, 'My goodness, if I let the lid off, where would we be?'
Women's anger is very scary to people, and to no one more than to
Women's anger is very scary to people, and to no one more than to other women, who think, 'My goodness, if I let the lid off, where would we be?'
Women's anger is very scary to people, and to no one more than to
Women's anger is very scary to people, and to no one more than to other women, who think, 'My goodness, if I let the lid off, where would we be?'
Women's anger is very scary to people, and to no one more than to
Women's anger is very scary to people, and to no one more than to other women, who think, 'My goodness, if I let the lid off, where would we be?'
Women's anger is very scary to people, and to no one more than to
Women's anger is very scary to people, and to no one more than to other women, who think, 'My goodness, if I let the lid off, where would we be?'
Women's anger is very scary to people, and to no one more than to
Women's anger is very scary to people, and to no one more than to other women, who think, 'My goodness, if I let the lid off, where would we be?'
Women's anger is very scary to people, and to no one more than to
Women's anger is very scary to people, and to no one more than to
Women's anger is very scary to people, and to no one more than to
Women's anger is very scary to people, and to no one more than to
Women's anger is very scary to people, and to no one more than to
Women's anger is very scary to people, and to no one more than to
Women's anger is very scary to people, and to no one more than to
Women's anger is very scary to people, and to no one more than to
Women's anger is very scary to people, and to no one more than to
Women's anger is very scary to people, and to no one more than to

Host: The evening lay heavy over the city, its skyline glowing with amber haze and the distant hum of traffic. A train rumbled past the cracked brick walls of a small, forgotten bar tucked beneath the overpass — a place where time hung thick with smoke and memory.

Inside, the air carried the scent of whiskey, metal, and something unspoken — like the echo of a thousand arguments that had once been whispered here and died before they could become screams.

At a corner table, Jack sat, his sleeves rolled up, his hands wrapped around a chipped glass. His eyes were grey and distant, watching the rain bead on the windowpane. Across from him sat Jeeny, her dark hair pinned loosely, her brows drawn tight as if holding something fierce inside.

A storm brewed not only outside, but in her chest.

Jeeny: “Claire Messud said, ‘Women’s anger is very scary to people, and to no one more than to other women, who think, My goodness, if I let the lid off, where would we be?’

Host: Her voice trembled — not with fear, but with control. The kind of control that comes from holding back a wild fire behind a door that’s starting to crack.

Jack: “That’s because anger burns things down, Jeeny. It’s not something you let loose unless you’re ready to live among the ashes.”

Jeeny: “And maybe that’s exactly what needs to happen,” she said softly, her eyes flickering in the dim light. “Maybe some things need to burn.”

Host: The rain beat harder now. The bar was mostly empty — a few lonely men, a bartender cleaning a glass, the radio whispering a forgotten blues.

Jack: “You sound like you want to start a war.”

Jeeny: “No,” she replied, “I’m just tired of being told that anger is a war instead of a language.”

Host: He looked at her then — really looked. Her hands, clenched around her cup, trembled slightly, but her eyes held something ancient, something raw.

Jack: “You think it’s easy, letting that out? People don’t trust anger, Jeeny. They see it as chaos, not truth.”

Jeeny: “That’s because they’ve only ever seen men’s anger,” she said. “Men get to make speeches when they’re angry. Women get called hysterical.”

Host: Her words cut through the thick silence, and even the bartender slowed his motion for a second.

Jack: “That’s an old argument.”

Jeeny: “It’s an old problem,” she countered. “And old problems rot when they’re ignored.”

Host: The light flickered as a bus passed outside, throwing their faces into brief shadow. The storm was rising, both outside and between them.

Jack: “You know what scares me, Jeeny? It’s not women’s anger. It’s how easily it’s manipulated. Every revolution that starts with rage ends with division.”

Jeeny: “That’s because men always come to manage it,” she shot back. “When women are angry, the world calls it danger. When men are angry, the world calls it change.”

Host: Jack exhaled, leaning back, his chair creaking like old wood under the weight of history.

Jack: “Maybe that’s because men have had to wield anger as a weapon. It’s how they’ve survived — on battlefields, in factories, in boardrooms. It’s not pretty, but it’s been necessary.”

Jeeny: “And women haven’t survived?” she asked quietly. “We’ve swallowed our anger like poison for centuries — turned it inward until it eats us. You call that peace? That’s just a slow death dressed as discipline.”

Host: The thunder cracked like an argument outside, and the lights flickered again. Her voice was rising, her pulse visible in the hollow of her throat.

Jack: “So what, you think the world should just let women scream?”

Jeeny: “Yes,” she said fiercely. “Scream until someone actually listens. Scream until it stops being scary.”

Host: The rain pounded like a heartbeat, wild and relentless.

Jack: “And what happens when everyone’s screaming? What then? You think that fixes anything?”

Jeeny: “Maybe not,” she said, softer now. “But silence never fixed anything either. Ask any woman who stayed quiet because she was told it was more ladylike. Ask the wives who smiled through their husbands’ fists, the daughters who were told to lower their voices so they wouldn’t ‘provoke.’ That’s not peace, Jack — that’s fear with lipstick on it.”

Host: Jack turned his glass slowly, watching the liquid swirl. His face was thoughtful now, but something in his eyes betrayed discomfort — like a man realizing he’s been living in a room full of smoke without knowing it.

Jack: “I’m not saying it’s right. I just think there’s a line. When anger runs wild, it stops being human. Look at the French Revolution — look at what happened when rage took over. Heads rolled. Innocence vanished.”

Jeeny: “And before it, people starved while kings danced,” she replied. “Would you rather keep the heads and lose the souls?”

Host: A long silence followed. The rain softened. The bartender switched the radio to an old jazz track, and the saxophone filled the air with a slow, aching melody.

Jeeny: “That’s the real fear, isn’t it?” she said, her voice low now. “That if women ever really let their anger out — if we stop being nice, if we stop apologizing — the world won’t know how to handle it. Because it means we stop being manageable.”

Jack: “It’s not just the world that’s afraid,” he said after a moment. “You said it yourself — even other women fear it.”

Jeeny: “Because we were taught to. Because obedience feels safer than power. And because deep down, we know that if we all start shouting, we’ll have to face the fact that we’ve been lied to — by men, by each other, by ourselves.”

Host: Her eyes glistened, not with tears, but with something hotter — a quiet fury that shimmered like molten glass.

Jack: “So what do you want, Jeeny? A world of angry women?”

Jeeny: “No,” she whispered. “I want a world where women don’t have to be angry to be heard.”

Host: The thunder rolled away into the distance. The rain eased to a steady drizzle. Jack looked down at his hands, the lines in them deep and tired.

Jack: “You know, my mother…” he began, then stopped. “She used to get angry. At my father, at life. I never understood it then. I just thought she was… difficult.”

Jeeny: “And now?”

Jack: “Now I think she was just… alone.”

Host: Jeeny didn’t speak. She reached across the table, her hand finding his. The storm inside both of them seemed to settle — not vanish, but rest.

Jeeny: “That’s what Messud meant. Women’s anger isn’t dangerous because it destroys. It’s dangerous because it reveals — everything that’s been broken, everything that’s been buried.”

Jack: “And once it’s revealed…?”

Jeeny: “Then maybe we can start rebuilding. Not with rage, but with truth.”

Host: The rain stopped. A single beam of light slipped through the window, landing on the table between them — glinting off the ring on Jeeny’s finger, a small circle of gold that seemed to pulse with quiet resolve.

Outside, the city exhaled. The air smelled of iron, rain, and the faint promise of something new.

Jack raised his glass, his voice low.

Jack: “To anger — the kind that burns away fear, not people.”

Jeeny: “To women who stop being afraid of their own fire.”

Host: And as their glasses touched, the last drop of rain slid down the window, like a tear finally allowed to fall — not in sadness, but in release.

Claire Messud
Claire Messud

American - Novelist Born: 1966

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