You can't change history. These things happened the way they did.

You can't change history. These things happened the way they did.

22/09/2025
24/10/2025

You can't change history. These things happened the way they did. What you can change is how you look at it and how you understand that it takes the good moments and it takes the difficult moments to move forward.

You can't change history. These things happened the way they did.
You can't change history. These things happened the way they did.
You can't change history. These things happened the way they did. What you can change is how you look at it and how you understand that it takes the good moments and it takes the difficult moments to move forward.
You can't change history. These things happened the way they did.
You can't change history. These things happened the way they did. What you can change is how you look at it and how you understand that it takes the good moments and it takes the difficult moments to move forward.
You can't change history. These things happened the way they did.
You can't change history. These things happened the way they did. What you can change is how you look at it and how you understand that it takes the good moments and it takes the difficult moments to move forward.
You can't change history. These things happened the way they did.
You can't change history. These things happened the way they did. What you can change is how you look at it and how you understand that it takes the good moments and it takes the difficult moments to move forward.
You can't change history. These things happened the way they did.
You can't change history. These things happened the way they did. What you can change is how you look at it and how you understand that it takes the good moments and it takes the difficult moments to move forward.
You can't change history. These things happened the way they did.
You can't change history. These things happened the way they did. What you can change is how you look at it and how you understand that it takes the good moments and it takes the difficult moments to move forward.
You can't change history. These things happened the way they did.
You can't change history. These things happened the way they did. What you can change is how you look at it and how you understand that it takes the good moments and it takes the difficult moments to move forward.
You can't change history. These things happened the way they did.
You can't change history. These things happened the way they did. What you can change is how you look at it and how you understand that it takes the good moments and it takes the difficult moments to move forward.
You can't change history. These things happened the way they did.
You can't change history. These things happened the way they did. What you can change is how you look at it and how you understand that it takes the good moments and it takes the difficult moments to move forward.
You can't change history. These things happened the way they did.
You can't change history. These things happened the way they did.
You can't change history. These things happened the way they did.
You can't change history. These things happened the way they did.
You can't change history. These things happened the way they did.
You can't change history. These things happened the way they did.
You can't change history. These things happened the way they did.
You can't change history. These things happened the way they did.
You can't change history. These things happened the way they did.
You can't change history. These things happened the way they did.

Host: The library was nearly empty — the kind of old city library with tall windows, worn wooden tables, and dust drifting through the slanted afternoon light like tiny ghosts of forgotten stories. Rows of books stretched endlessly behind Jack and Jeeny, their spines faded, their words asleep but breathing.

Outside, the sun was setting, smearing gold and violet across the skyline, but inside the world seemed suspended — timeless, sacred, waiting.

Jack sat at one of the long tables, surrounded by open books and old photographs spread before him. Jeeny sat across, her hands folded over a notebook, her eyes following the fading light as it crept across the polished wood.

Jeeny: “Margot Lee Shetterly once said, ‘You can’t change history. These things happened the way they did. What you can change is how you look at it and how you understand that it takes the good moments and it takes the difficult moments to move forward.’

Host: Her voice was soft, reverent, as though afraid to disturb the slumbering voices in the books around them.

Jack: (without looking up) “Sounds like someone trying to forgive the past.”

Jeeny: “Maybe. Or someone learning to live with it.”

Jack: (turning a photograph in his hands) “People say that like it’s easy. But some things don’t deserve forgiveness.”

Jeeny: “Then maybe they deserve understanding.”

Host: A faint breeze moved through the room, rustling the edges of pages. The smell of old paper — that mix of age and memory — filled the air.

Jack: “Understanding doesn’t undo pain.”

Jeeny: “No, but it stops it from owning you.”

Jack: (leans back, sighs) “You think the people who built this country — who wrote the books, fought the wars, enslaved others, burned cities — you think they just needed understanding?”

Jeeny: “No. They needed accountability. But we need perspective. There’s a difference.”

Host: The light dimmed slowly, stretching their shadows across the table. Between them, the photographs glowed faintly — sepia faces frozen mid-laugh, mid-scream, mid-century.

Jack: “Perspective doesn’t change what happened.”

Jeeny: “Of course not. It changes what happens next.

Jack: “You think that’s enough?”

Jeeny: “It has to be. The past can’t heal itself. That’s our job.”

Host: He looked at her then, his eyes tired but searching. Jeeny’s expression was calm, but her hands were trembling slightly. She reached for one of the photographs — an image of a group of women in front of a chalkboard, their faces strong and intelligent, their smiles touched by the quiet triumph of survival.

Jeeny: “Do you know who they are?”

Jack: “NASA mathematicians. ‘Hidden Figures,’ right? The women who did the math that sent men into space.”

Jeeny: “Exactly. They weren’t in the history books for decades. History forgot them. Or rather, it chose not to remember. But when Shetterly wrote about them, she didn’t rewrite what happened — she reframed it. That’s power.”

Jack: “So you’re saying history isn’t just fact — it’s lens.”

Jeeny: “Precisely. We inherit the stories we choose to tell.”

Host: Jack stared at the photograph — at the women who had changed the trajectory of human achievement and yet stood unseen for so long. His jaw tightened, the quiet anger of realization moving behind his gaze.

Jack: “You ever think we glorify pain too much? Every time we talk about progress, it’s like we need to package it in suffering to make it meaningful.”

Jeeny: “Because that’s where meaning lives, Jack. Growth doesn’t come from comfort.”

Jack: “No, but it shouldn’t need to come from cruelty either.”

Jeeny: “No one says it should. But pretending it didn’t happen makes it worse. The truth is ugly, but it’s also the soil where empathy grows.”

Host: The clock in the far corner ticked slowly — each second like the measured heartbeat of time itself.

Jack: “You ever feel like history’s just repeating? Different names, same mistakes?”

Jeeny: “All the time. But maybe repetition is how we learn. Each generation writes a correction — if they’re brave enough to look honestly.”

Jack: “And if they’re not?”

Jeeny: “Then the story stays broken.”

Host: She looked out the window, her face half-lit by the last golden flicker of daylight. Her eyes were filled with that mixture of sorrow and hope that only comes from loving something flawed — like humanity itself.

Jeeny: “You know what I think?”

Jack: “What?”

Jeeny: “We spend so much time trying to forgive the past, when what we really need is to forgive ourselves — for being born into it.”

Jack: “That’s a dangerous thought.”

Jeeny: “It’s an honest one.”

Host: The silence between them grew deep, full of gravity. Jack leaned forward, elbows on the table, his fingers tracing the outline of the photograph.

Jack: “So what are we supposed to do, Jeeny? Accept everything? Just say, ‘That’s history,’ and move on?”

Jeeny: “No. Acceptance isn’t apathy. It’s clarity. You can’t change what was — but you can decide what it becomes.”

Jack: “You make it sound poetic.”

Jeeny: “History is poetry. It’s just written in the blood and dust of everyone who dared to live.”

Host: The last rays of light disappeared from the window, leaving the library in a soft, dusky glow. Somewhere far below, a door creaked, and the sound of faint footsteps echoed — a reminder that even quiet spaces are alive.

Jack: (after a pause) “You ever think about how different we’d be if we didn’t inherit the scars of what came before?”

Jeeny: “We wouldn’t be different. We’d be empty.”

Jack: “You really believe pain makes us human?”

Jeeny: “Not pain — resilience.”

Jack: (sighs) “And if the world never learns?”

Jeeny: “Then we keep trying to understand it anyway. Because that’s what moves us forward — not forgiveness, not erasure, just understanding.”

Host: The lamps flickered on, bathing the room in warm, amber light. The books around them seemed to hum with quiet agreement — centuries of thought stacked in patient witness.

Jeeny closed her notebook and stood, tucking a strand of hair behind her ear. She looked down at Jack with that same steady calm she always carried — the calm of someone who’d made peace with imperfection.

Jeeny: “You can’t change history, Jack. But you can change the story you tell yourself about it.”

Jack: (after a beat) “And that’s enough?”

Jeeny: “It has to be. Because stories become choices. And choices become the next version of history.”

Host: She walked toward the door, her footsteps soft against the old floorboards. Jack stayed seated, his eyes fixed on the photographs before him. The women on the page seemed to look back — not as ghosts, but as reminders.

The clock struck seven. Outside, the streetlights flickered on, glowing against the dark.

Host: In that old library, amid the ruins and revelations of memory, something shifted — not history itself, but how it was held.

Jack finally stood, gathering the photographs gently, reverently, as though carrying the past in his hands.

Host: And as he followed Jeeny toward the door, the library exhaled — quietly, endlessly — like time itself learning, at last, to breathe.

Margot Lee Shetterly
Margot Lee Shetterly

American - Writer Born: 1969

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