Billy Barty

Billy Barty – Life, Career, and Legacy

Explore the fascinating life of Billy Barty—an American actor, performer, and activist. Learn about his early years, film & television career, founding of Little People of America, and memorable quotes.

Introduction

Billy Barty (born William John Bertanzetti, October 25, 1924 – December 23, 2000) was an American actor and activist, widely known not only for his prolific screen and television work but also for his tireless advocacy on behalf of people with dwarfism.

Throughout a career that spanned over seven decades, Barty appeared in hundreds of roles—ranging from silent-era short films to modern fantasy and children’s programming—and helped transform public perceptions about little people.

His work championed dignity, humor, and visibility, making him a beloved figure among entertainers and activists alike.

Early Life and Family

Billy Barty was born on October 25, 1924, in Millsboro, Pennsylvania, the son of Albert Steven Bertanzetti and Ellen Cecial Bertanzetti (née Bettegar). His paternal grandfather was of Italian descent.

In 1927, when Barty was still a small child, his family moved to California. He had two sisters, Delores and Evelyn.

From early on, Barty showed an interest in performing. He began performing as a child and was credited in motion pictures as early as 1927. Because of a medical condition known as cartilage-hair hypoplasia (a form of dwarfism), Barty, as an adult, stood 3 ft 9 in (1.14 m) tall.

Career and Contributions

Early Screen Work & Silent Shorts

Barty’s screen career began in childhood. He appeared in the Mickey McGuire short-film comedies—playing the younger sibling roles opposite a young Mickey Rooney.

Among his earliest film appearances:

• Gold Diggers of 1933: as a baby who escapes a stroller in a brief appearance.

• Footlight Parade (1933): a small uncredited role as “The Child.”

• Bride of Frankenstein (1935): Barty was credited in early production for a baby in Dr. Pretorius’ experiments, though his closeups were omitted from the final cut.

In the early years, much of Barty’s work consisted of bit parts, novelty roles, or gags often exploiting visual contrast with taller actors.

Film & Television Highlights

Over the decades, Barty’s career spanned many genres and media—film, television, children’s programming, voice work, sketch comedy, and stage.

Some notable roles and contributions:

• He appeared in two Elvis Presley films: Roustabout and Harum Scarum.

• In 1957, he starred in The Undead as “The Imp.”

• In Foul Play (1978), he played J. J. MacKuen, a bold bible salesman.

• In Masters of the Universe (1987), he portrayed Gwildor, the inventor of the Cosmic Key.

• In Willow (1988), Barty played High Aldwin, the wise elder of the Nelwyn folk.

• In UHF (1989), he took on the role of Noodles MacIntosh.

On television, Barty was a frequent presence:

• He was a regular performer on The Spike Jones Show, participating as singer, comedian, dancer, impressionist, and performer.

• He starred in children’s shows produced by Sid & Marty Krofft: The Bugaloos (as Sparky the Firefly) and Sigmund and the Sea Monsters.

• He played the villainous sidekick Hugo in Dr. Shrinker (1976–1977).

• He made guest appearances on Barney Miller, The Love Boat, Little House on the Prairie, CHiPs, Fantasy Island, The Golden Girls, and others.

• He voiced “Figment” in Epcot’s Journey Into Imagination ride at Walt Disney World.

Beyond acting, Barty also ran Billy Barty’s Roller Fantasy in Fullerton, California, which doubled as a venue for music and entertainment.

For his contributions to entertainment, Barty earned a star on the Hollywood Walk of Fame (6922 Hollywood Boulevard).

Activism & Little People of America

A hallmark of Billy Barty’s legacy is his activism on behalf of little people. In 1957, he founded Little People of America (LPA), a support and advocacy organization for individuals with dwarfism.

Through LPA, Barty sought to change public perceptions, promote dignity, and provide community support. Under his leadership, LPA grew from a small gathering in Reno, Nevada, into a national organization with thousands of members.

He also founded the Billy Barty Foundation (circa 1975) to further support advocacy and outreach efforts.

Barty was vocal in rejecting demeaning language and insisted that dwarfism be recognized medically, not as a novelty.

His activism earned respect within and beyond the entertainment world, making him a symbol of empowerment for many.

Personality and Talents

Barty was known for:

• Boundless energy and enthusiasm. Colleagues often recalled his zest for performance—even when cast in small roles, he brought a spark that elevated scenes.

• Humor and wit. Many of his roles leaned into comedic or wisecracking personas, but he also had dramatic sensitivity when required.

• Resilience and advocacy. Through his life, Barty balanced entertainment with activism, using his platform not just for art but for meaningful change.

• Versatility. He moved fluidly between film, television, voice work, children’s shows, stage, and behind-the-scenes ventures.

He and his family were members of The Church of Jesus Christ of Latter-day Saints.

In 1962, Barty married Shirley Bolingbroke, a graphic designer. They had two children, including Braden Barty, who became a director and producer.

Famous Quotes

Here are a few memorable lines attributed to Billy Barty:

• “The name of my condition is Cartilage Hair Syndrome Hypoplasia, but you can just call me Billy.”

• From Spanish sources: “El público en general piensa que todas las personas pequeñas están en circos o en miniespectáculos. Nosotros tenemos médicos, enfermeras, de todo tipo.”
  (“The general public thinks that all little people are in circuses or mini-shows. We have doctors, nurses, people in all fields.”)

These reflect both his wit and his commitment to dismantling stereotypes.

Legacy and Impact

Billy Barty’s legacy is multifaceted:

1. Changing perceptions. He challenged the notion that little people belonged only in novelty acts, advocating for full recognition of their humanity and dignity.

2. Industry presence. Over many decades, Barty demonstrated that consistent work—even in supporting or small roles—could leave a lasting mark.

3. Institution building. Through Little People of America and his foundation, Barty created enduring support structures and visibility for people with dwarfism.

4. Inspiration. For many in the little peoples’ community and beyond, Barty represents resilience, creativity, and activism.

5. Cross-media influence. His work in film, television, theme parks, and children’s programming helped bring greater inclusion and normalcy to varied audiences.

After his passing in 2000, tributes poured in from fans, colleagues, and advocacy groups, all recognizing his dual roles as entertainer and champion.

Conclusion

Billy Barty’s life reminds us that stature does not determine impact. Though small in physical height, his presence loomed large in entertainment, activism, and hearts. From early silent shorts to modern fantasy epics, from television to founding a national organization, Barty blended artistry and advocacy. His story encourages us to see beyond outward differences, to amplify marginalized voices, and to bring humor, dignity, and tenacity into every role we play—on screen or off.