Christopher Wren

Sir Christopher Wren – Life, Career, and Legacy


Sir Christopher Wren (1632–1723) was one of England’s greatest architects, a polymath of science and design. Discover his biography, architectural masterpieces, philosophy, and enduring impact.

Introduction

Sir Christopher Wren stands among the most celebrated architects in British history. Though he began as a mathematician and scientist, his architectural vision came to shape the rebuilt City of London after the Great Fire of 1666. His masterpiece, St Paul’s Cathedral, remains a symbol of resilience and architectural brilliance. Beyond that, Wren’s contributions spanned astronomy, geometry, anatomy, and public infrastructure.

In this article, we explore Wren’s life, work, character, and how his ideas still inform architecture and scientific curiosity today.

Early Life and Family

Christopher Wren was born on October 20, 1632, in East Knoyle, Wiltshire, England. Christopher Wren the Elder, a clergyman who later became Dean of Windsor, and Mary Cox, heiress to a Wiltshire estate.

As a child, Wren was somewhat frail (“he seem’d consumptive”) but showed early intellectual promise.

Wren had sisters—Mary, Catherine, Susan, Elizabeth—and he lost several siblings in infancy.

Youth and Education

In 1650, Wren matriculated at Wadham College, Oxford, where he studied classical languages, Aristotelian natural philosophy, and mathematics. B.A. in 1651 and an M.A. a few years later.

He was elected a fellow of All Souls College, Oxford, in 1653, beginning a period of scientific curiosity and experiment.

In 1657, he became Professor of Astronomy at Gresham College in London, giving public lectures on mathematics and natural philosophy. Savilian Professor of Astronomy at Oxford (in 1661).

During these years, Wren engaged with the circle of intellectuals around John Wilkins and others who would found the Royal Society, laying groundwork for the scientific revolution in England.

His scientific pursuits included anatomical studies, optics, mechanics, meteorology, surveying, and instrument design. For instance, he designed a “weather-clock” to record temperature, humidity, rainfall, and barometric pressure.

This broad scientific foundation later informed his architectural thinking, especially in terms of structure, proportion, optics, and geometry.

Career and Achievements

Transition to Architecture & the Great Fire

Although Wren’s early reputation was primarily scientific, he began taking architectural commissions in the 1660s. One of his first known commissions was for the chapel at Pembroke College, Cambridge (completed 1663) through the patronage of his uncle, Bishop Matthew Wren.

In 1665 Wren traveled to Paris and engaged with architectural ideas and plans by Bernini and others, which influenced his later style.

Then came the pivotal moment: the Great Fire of London in September 1666 destroyed large swathes of the city, including much of medieval London and the Old St. Paul’s Cathedral. Surveyor of the King’s Works in 1669, giving him authority over new public and ecclesiastical commissions.

Over his career, Wren oversaw the design or oversight of some 52 or 53 churches in the City of London, along with many secular works. Royal Hospital Chelsea, Old Royal Naval College at Greenwich, Wren Library at Trinity College Cambridge, the Royal Observatory Greenwich, and parts of Hampton Court Palace.

St. Paul’s Cathedral

Wren’s magnum opus is St. Paul’s Cathedral in London. He was consulted on the medieval cathedral before the Fire and submitted designs even before the full catastrophe.

Construction of the new cathedral spanned many decades. The first service in the new building was held in 1697, though the dome was completed later; the building was formally declared complete around 1711.

One famous epitaph in the crypt of St. Paul’s reads:

“Si monumentum requiris, circumspice.”
— “If you seek his monument, look around you.”

Later Career, Honors & Challenges

Wren was knighted in 1673, shortly after resigning his academic positions to devote himself to architectural work.

As Surveyor of the King’s Works, he had enormous influence over royal and public building projects. However, as he grew older, criticisms emerged regarding his taste, cost overruns, or perceived staleness.

Wren also served as President of the Royal Society from 1680 to 1682.

Over his late years, he continued advising on royal commissions (e.g. Westminster Abbey) though his direct role diminished.

On February 25, 1723, Wren died in London at the age of 90.

Historical Milestones & Context

  • Wren’s career unfolded during the Restoration period in England (post–1660), when the monarchy was reestablished and London was undergoing rebuilding after the disruptive years of civil war and the plague.

  • The Great Fire of 1666 was a pivotal turning point—destroying much of medieval London and opening a rare opportunity to reshape the city. Wren’s proposals for re-planning were ambitious (broad avenues, radial streets) but met resistance from property owners; much rebuilding followed prior street patterns.

  • Architecturally, Wren’s style works within the English Baroque tradition, merging classical order, symmetry, and Baroque spatial drama, tempered by restraint and structural clarity.

  • His generation saw the rise of the scientific method, and Wren exemplified the intertwining of art, science, and engineering. His built works reflect measured proportions, understanding of forces, light, and geometry.

  • After his death, subsequent generations critiqued aspects of his architecture—some called it insufficiently pure classical, or too eclectic—but his influence as a dominant figure in British architecture remained.

Legacy and Influence

Christopher Wren’s legacy is vast:

  • Physical legacy – Many of his buildings, especially churches and public institutions, still stand and define London’s architectural identity.

  • Urban identity – St. Paul’s Dome is an icon of London’s skyline and a symbol of national resilience.

  • Architectural lineage – Wren’s office trained and influenced architects like Nicholas Hawksmoor, who carried forward Baroque and classical forms into the 18th century.

  • Integration of science & architecture – Wren represents a model for architects who blend technical knowledge, mathematics, and aesthetic vision.

  • Inspiration to later architects – His works are studied as master classes in proportion, adaptability, structural daring, and contextual respect.

  • Cultural memory – His famous epitaph “If you seek his monument, look around you” continues to resonate—his architecture is his monument.

Though not known primarily as a writer of memorable aphorisms, Wren’s life and attitude convey lessons:

  • Ambition married to humility – Wren considered his scientific endeavors more noble than his architectural fame.

  • Lifelong curiosity – His interests never ceased to expand, from astronomy to instrumentation.

  • Endurance and perseverance – The decades-long work on St. Paul’s reflects persistence in the face of delays, critiques, and shifting politics.

  • Architecture as service – His rebuilding efforts were civic, public-minded, and aimed at restoring not just structures but urban life.

If you wish, I can also compile famous quotes attributed to Wren (though fewer are documented), or produce a timeline of all his buildings. Would you like me to add that?