Elizabeth Taylor
Here is an in-depth, SEO-friendly article about Elizabeth Taylor — the novelist, not the Hollywood actress*:
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Explore the life, writing, and legacy of Elizabeth Taylor (1912–1975), a subtle and acclaimed English novelist and short-story writer. Delve into her biography, themes, style, and memorable quotes.
Introduction
Elizabeth Taylor (born Betty Coles, 3 July 1912 – 19 November 1975) was an English novelist and short-story writer whose finely observed, emotionally acute works earned admiration from peers and critics alike.
Often overshadowed by more flamboyant authors, Taylor’s writing nonetheless stands out for its clarity, restraint, and deep insight into human relationships and moral complexity. In this article, we’ll chart her life, her creative work, her enduring influence, and some of her most striking words.
Early Life and Family
Elizabeth Taylor was born as Dorothy Betty Coles in Reading, Berkshire, England, to Oliver Coles (an insurance inspector) and Elsie May Fewtrell.
She was educated locally at The Abbey School, Reading, graduating in about 1930.
Before embarking on her writing career, she worked as a governess, tutor, and librarian — roles that gave her experience in close observation, reading, and the interior lives of people.
In 1936 she married John William Kendal Taylor, a businessman (confectionery manufacturer). They settled in Penn, Buckinghamshire, where she lived for much of her married life.
They had two children: a son, Renny (born 1937), and a daughter, Joanna (born 1941).
Youth, Education & Literary Beginnings
Though Taylor did not receive formal higher education in literature, her early jobs in tutoring and library work sharpened her sensibility toward language, reading, and character.
She began writing fiction in her adult years. Her first novel, At Mrs. Lippincote’s, was published in 1945, following years of reflection and maturation.
Over her career, she produced 12 novels (one posthumously) and multiple collected short story volumes, contributing to magazines like The New Yorker.
She also wrote a children’s book (titled Mossy Trotter) among her varied output.
Career and Major Works
Novels & Story Collections
Taylor’s fiction is often characterized by everyday life, moral nuance, interior tension, and subtle perception rather than overt drama.
Some of her notable novels include:
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At Mrs. Lippincote’s (1945) — her debut.
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A Wreath of Roses (1949)
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A Game of Hide and Seek (1951)
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Angel (1957)
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The Soul of Kindness (1964)
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The Wedding Group (1968)
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Mrs. Palfrey at the Claremont (1971) — one of her better-known later works, shortlisted for the Booker Prize.
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Blaming (posthumous, 1976)
Her short story collections include A Dedicated Man (1965), The Devastating Boys (1972), among others.
Style, Themes & Critical Reception
Taylor’s narratives often feature uneventful plots yet probe richly into social norms, morality, human frailty, regret, and dignity.
Her writing is praised for its precision of language, understated style, and the capacity to evoke complexity from plain scenes.
Kingsley Amis called her “one of the best English novelists born in this century.” Antonia Fraser termed her “one of the most underrated writers of the 20th century.”
She contributed stories to The New Yorker and other magazines, gaining respect in literary circles.
One of her works, Mrs. Palfrey at the Claremont, was adapted into film in 2005.
Historical Milestones & Context
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Elizabeth Taylor wrote her first novel amid the post-World War II period, capturing a society adjusting to change, personal loss, shifting class norms, and evolving gender roles.
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She inhabited the mid-20th century British literary world, which often privileged more experimental or overtly dramatic voices, making her subtle style less spotlighted yet deeply admired by discerning readers.
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Her inclusion in The Booker Prizes library underscores the critical reassessment of her work in later decades.
Legacy and Influence
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Quiet power
Taylor’s legacy lies in how she uses economy of plot and spare language to unveil emotional depth. -
Underrated “woman’s” fiction
Over time, readers and critics have revalued works centered on domestic, interior, relational life—not as light or trivial, but as profound. -
Reprints and rediscovery
Her novels and story collections are being reissued (e.g. via NYRB Classics) and attracting new readers. -
Influence on contemporary writers
Writers who value subtlety, understatement, and moral nuance often cite or re-discover Taylor’s work.
Personality, Talents & Traits
Elizabeth Taylor is described as private, disliking publicity, and guarded about her personal life.
She maintained close friendships with authors such as Ivy Compton-Burnett and corresponded with Robert Liddell; but she declined to let her personal documents (such as letters) be widely published, sometimes even destroying them.
Her mental discipline, careful observation, and internal focus shaped a writing method that privileges clarity over flourish.
Selected Quotes
Because Taylor’s work is more subtle and she was less publicly quotable than more flamboyant writers, here are a few representative lines and observations:
“A horror of publicity is the subject of another celebrated short story, ‘Sisters’, written in 1969.”
“The plot … never feels as if it were organised in advance; it feels as if it arises from her characters’ mutual responses.” (on The Soul of Kindness)
“Elizabeth Taylor … holds a reputation for her precise use of language and scrupulously understated style.”
Given her reticence, many of her insights are embedded in her narratives rather than pithy quotables.
Lessons from Elizabeth Taylor
1. Depth in subtlety
Loud drama and plot aren’t always necessary. True emotional power can emerge from what is unsaid, from restraint.
2. Observe the ordinary
Her work teaches that the quotidian — daily life, small interactions, internal tension — is rich terrain for meaning.
3. Let characters breathe
She shows that characters can be given space to act, react, and reveal themselves over time, rather than being forced into contrived arcs.
4. Integrate moral vision without preaching
Taylor conveys moral and psychological complexity not by sermonizing, but by showing moments of decision, regret, and reflection.
5. Value quiet integrity
Her life’s reluctance toward publicity suggests that the creative life does not require spectacle to matter.
Conclusion
Elizabeth Taylor, the English novelist and short-story writer, remains a quietly luminous figure in 20th century British literature. In her works, she transformed everyday circumstance into moral inquiry; she gave voice to interior struggle with elegance and restraint.
Though overshadowed in some public literary histories, her writing continues to attract rediscovery and enduring respect. Her lessons remind us that beauty and insight often dwell in the spaces between words, and that a subtle voice can resonate more deeply than a roar.