Lefty Gomez

Here is an overview of Lefty Gomez — his life, career, personality, and legacy:

Early Life & Background

  • Full name: Vernon Louis “Lefty” Gomez

  • Born: November 26, 1908, in Rodeo, California

  • Died: February 17, 1989, in Greenbrae, California

  • Gomez grew up in a large family (he was the youngest among eight children) on a ranch.

  • His father, Francisco Gomez, was of Spanish descent and his mother, Lizzie Herring, had Welsh-Irish ancestry.

  • As a youth, he played sandlot baseball and attracted attention in local games.

Baseball Career & Achievements

Entry to the Majors

  • Gomez began his professional career in the Pacific Coast League with the San Francisco Seals.

  • In 1929, the New York Yankees purchased his contract from the Seals.

  • He made his major league debut with the Yankees on April 29, 1930.

Peak Years & Style

  • Gomez was a dominant pitcher in the 1930s. He was selected to the All-Star team seven straight years (1933–1939).

  • He twice won the Pitching Triple Crown (leading the league in wins, ERA, and strikeouts): in 1934 and again in 1937.

  • His 1934 season is often cited as his best: 26 wins, ERA of 2.33, and league leading strikeouts.

  • Over his career he compiled a win–loss record of 189–102, an ERA of 3.34, and 1,468 strikeouts in 2,503 innings pitched.

  • In postseason play, Gomez was remarkable: he won six World Series games without a loss, which stands out as a record in that regard.

  • He was often paired in the Yankees rotation with the right-hander Red Ruffing, giving the Yankees a strong left-right pitching core.

Later Years & Retirement

  • In 1940, Gomez suffered arm trouble which reduced his dominance.

  • He had a comeback season in 1941, going 15–5.

  • After the 1942 season, Gomez was sold by the Yankees to the Boston Braves for $10,000.

  • He never pitched a game for the Braves; later in 1943 he signed with the Washington Senators, pitched one game (allowed four runs) and then retired.

Personality, Wit & Anecdotes

  • Gomez was as famous for his humor and personality as for his pitching. SABR calls him “probably the wittiest person ever to wear a major league uniform.”

  • He once quipped: “I’d rather be lucky than good.”

  • In a playful moment, when batting in foggy conditions against Bob Feller, he lit a match before stepping into the batter’s box. When the umpire asked if it was to help him see, Gomez replied: “No … I just want to make sure he can see me.”

  • He once joked on a job application when asked “reason for leaving last employment”: he wrote, “Couldn’t get the side out.”

  • He is credited with coining the term “gopher ball” as a humorous twist: he explained that in a bad game he told reporters that his outfielders had to “go fer” every ball.

  • His nicknames included “El Goofy,” “Goofy Gomez,” “The Gay Caballero,” “the singular señor,” and “the lanky Castilian.”

Honors & Legacy

  • Hall of Fame: Gomez was elected to the National Baseball Hall of Fame in 1972 by the Veterans Committee.

  • In 1987, Gomez and Whitey Ford were honored with plaques in Yankee Stadium’s Monument Park.

  • Despite his contributions, the Yankees have not officially retired his uniform number 11.

  • He has been celebrated in baseball retrospectives: in 1989 he was named #73 on The Sporting News list of the 100 Greatest Baseball Players.

  • The Lefty Gomez Award (given by the American Baseball Coaches Association) is named in his honor, recognizing individuals who have contributed significantly to baseball.

Lessons & Reflections

  1. Talent + personality = enduring legacy. Gomez showed that being outstanding on the field is enhanced by charm and wit off the field.

  2. Adaptation matters. His shift in later years—relying more on finesse and craft than pure power after injury—illustrates adaptability.

  3. Records speak but stories resonate. His perfect World Series record, his humor, and his quirky quotes help him remain memorable.

  4. Humor as coping and identity. Gomez used humor not just for entertainment but as a way to frame his identity and public persona.