Mignon McLaughlin
Here is a detailed profile of Mignon McLaughlin — her life, career, style, and some of her enduring quotes:
Mignon McLaughlin – Life, Career, and Legacy
Learn about Mignon McLaughlin (1913–1983), American journalist, aphorist, and magazine editor whose incisive observations on life, relationships, and neuroses continue to circulate widely.
Introduction
Mignon McLaughlin (June 6, 1913 – December 20, 1983) was an American journalist, author, and aphorist known for her crisp, psychologically acute lines collected in The Neurotic’s Notebook series. She combined a career in women’s and general interest magazines with a talent for distilling complex emotional truths into pithy sentences that still resonate today.
While her full body of journalistic work is less widely known today, her aphorisms have outlived many other facets of her writing — quoted, clipped, and shared across decades.
Early Life and Education
McLaughlin was born on June 6, 1913, in Baltimore, Maryland. She later moved to New York, where she grew up. Her mother, Joyce Neuhaus, was a prominent attorney.
In 1933, she graduated from Smith College in Northampton, Massachusetts. After college she returned to New York to begin her writing and journalistic career.
Career and Achievements
Magazine Career & orial Roles
McLaughlin began writing short stories and journalistic pieces for women’s magazines such as Redbook, Cosmopolitan, and other periodicals.
In the 1940s through the 1960s, she worked at Vogue magazine. Later, she became copy editor and eventually managing editor of Glamour magazine in the 1960s and early 1970s.
She retired in 1973.
Aphorisms & The Neurotic’s Notebook
McLaughlin is best known for her work in collecting aphorisms — brief, epigrammatic statements about life, relationships, ambition, neurosis, and culture.
Her major published collections include:
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The Neurotic’s Notebook
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The Second Neurotic’s Notebook
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The Complete Neurotic’s Notebook
Melvin Maddocks, in discussing aphorism as a genre, noted that McLaughlin’s selections often speak in a personal voice — intimate, sharp, reflective.
Other Creative Work
In 1949, McLaughlin and her husband Robert E. McLaughlin (a Time magazine editor) co-wrote a Broadway play called Gayden. Its run was limited.
She also published fiction and essays, though these works are less commonly anthologized than her aphorisms.
Personal Life
Mignon McLaughlin was married to Robert E. McLaughlin (1908–1973), himself a journalist and author. Robert McLaughlin was editor at Time magazine and the two collaborated on Gayden.
McLaughlin passed away on December 20, 1983, in Coral Gables, Florida.
Style, Themes & Literary Significance
McLaughlin’s gift was for compression: she could encapsulate emotional complexity, paradox, and life’s ironies in a single sentence.
Her aphorisms tend to circle around themes such as:
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Love, marriage, and relationships
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Anxiety, neurosis, and self-doubt
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Aging, time, and loss
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Irony, cultural norms, and conformity
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Hope, longing, change
Her tone can be witty, bittersweet, sometimes sardonic — but rarely cruel. She strove to hold tenderness and skepticism in balance.
Because most of her fame rests on short lines, she’s often quoted — sometimes without attribution — which has both extended her reach and obscured the rest of her oeuvre.
Selected Quotes
Here are some of Mignon McLaughlin’s most memorable lines:
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“A successful marriage requires falling in love many times, always with the same person.”
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“Anything you lose automatically doubles in value.”
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“Every society honors its live conformists and its dead troublemakers.”
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“It’s the most unhappy people who most fear change.”
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“There is always some specific moment when we become aware that our youth is gone but, years after, we know it was much later.”
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“A car is useless in New York, essential everywhere else. The same with good manners.”
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“No one has ever loved anyone the way everyone wants to be loved.”
These lines reflect her ability to turn common emotional experiences into sharp, resonant observations.
Legacy and Influence
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McLaughlin’s aphorisms remain widely circulated in quotation collections, on social media, and in essays — often detached from their original context, yet still striking.
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She bridged the world of magazine journalism and literary brevity, showing that sentences crafted for magazines could also have lasting literary power.
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Her influence is particularly felt among writers, columnists, editors, and anyone interested in the craft of concision.
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Because her published body is relatively small, her legacy is perhaps more delicate and niche than some contemporaries — yet her voice continues to speak, especially in times of introspection.