Natalie Clifford Barney
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Natalie Clifford Barney – Life, Career, and Famous Quotes
Discover the life, salons, writings, and legacy of Natalie Clifford Barney (1876–1972), American poet, memoirist, epigrammatist, and feminist salonnière. Explore her biography, major works, quotes, and enduring influence.
Introduction
Natalie Clifford Barney was an American expatriate writer, poet, playwright, and legendary host of a Parisian literary salon. Born October 31, 1876, and passing on February 2, 1972, she became a central figure in 20th-century literary and LGBT history. Through her salon in Paris she nurtured connections among writers, artists, and thinkers, while in her own work she boldly explored themes of identity, love (especially lesbian love), feminism, and epigrammatic wit. Her life stands as a testament to artistic audacity, radical openness, and the power of intellectual community.
Early Life and Family
Natalie Clifford Barney was born in Dayton, Ohio, on October 31, 1876, to Albert Clifford Barney and Alice Pike Barney.
In the same period, she published Actes et Entr’actes (Acts and Interludes), a collection of short plays and poems. One of her early plays, Équivoque (Ambiguity), re-imagined the legend of Sappho: instead of a suicide for unrequited love, she frames Sappho’s act as grief over the union of her beloved with another woman.
Barney also ventured into writing épigrammes, pensées, and short epigrams (maxims). In 1910 she published Éparpillements (Scatterings), a collection of such pensées—short, witty, often one-line sayings. Her epigrams often explore love, femininity, identity, and social conventions.
Later in life, she published memoir volumes, including Souvenirs Indiscrets (1960) and Traits et Portraits (1963), reflecting on writers and personalities she had known.
Literary Salon & Intellectual Influence
Arguably, Barney’s greatest cultural impact was through her Paris salon, which she hosted for more than six decades (primarily from her home on the Left Bank at 20 rue Jacob). Her salon brought together French and international writers, artists, and thinkers—modernists, symbolists, feminists, and expatriates.
Barney actively promoted women writers, creating a counterbalance to male-dominated institutions like the French Academy. Her gatherings were notable for cultural cross-pollination, intellectual daring, and openness to diverse sexualities.
Her salon was described by biographer Joan Schenkar as “a place where lesbian assignations and appointments with academics could coexist in a kind of cheerful, cross-pollinating, cognitive dissonance.”
Relationships & Personal Philosophy
Barney’s romantic and intellectual relationships were interwoven. In November 1899, she met the poet Renée Vivien; their relationship was both creative and emotional, and Vivien’s poetry was significantly influenced by Barney’s aesthetic and feminist framing. Their interactions included shared study of Greek fragments (especially Sappho).
Barney embraced nonmonogamy and wrote in favor of multiple relationships. In Éparpillements, for example, she penned:
“One is unfaithful to those one loves in order that their charm does not become mere habit.”
Her advocacy of sexual freedom, feminist autonomy, and defiance of convention made her a figure often discussed more for her relationships than her writing in her own time.
In her later years, her partner Romaine Brooks became increasingly reclusive and ill, and their complex relationship affected Barney deeply.
Later Years & Death
Barney remained active into her later years. She continued to host her salon, write correspondence, memoirs, and cultivate her networks until late in life.
She died in Paris, France, on February 2, 1972, of heart failure, aged 95. She is buried in Passy Cemetery, in Paris.
Barney left behind a vast trove of correspondence (over 40,000 letters) which were bequeathed to the Bibliothèque littéraire Jacques-Doucet in Paris.
After her death, her work and influence faded somewhat from mainstream spotlight. In 1979 she was honored as a place setting in Judy Chicago’s feminist art installation The Dinner Party. In the 1980s and 1990s, feminist and queer scholars reasserted her importance, recognizing her prescience about identity, sexuality, and networks of women’s cultural power.
Legacy and Influence
Natalie Clifford Barney’s legacy is multifaceted:
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She is celebrated as a bridge-figure between American and European literatures, especially in modernist and symbolist circles.
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Her salon provided a vital space for underrepresented writers and facilitated artistic exchange across national and gender lines.
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Feminist and LGBT scholars consider her a pioneer of queer literature and open lesbian identity in the modern era.
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Her epigrams, memoirs, and thought pieces are reprinted and anthologized for their wit, daring, and emotional insight.
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Her commitment to living life as a poetic act—“making her life into a poem”—has inspired biographers, artists, and scholars.
Though much of her work remains untranslated and less accessible than that of more canonical writers, her cultural imprint endures in studies of salon culture, queer modernism, feminist history, and epigrammatic literature.
Personality, Style & Themes
Barney’s personality was bold, social, intellectually curious, rebellious, and often paradoxical. She embodied the tension between public sociability (through her salon) and intimate devotion (through her letters and poems).
Her writing style is often aphoristic, epigrammatic, compressed, witty, and provocative. In her poetry and pensées she embraced paradox, sensuality, introspection, and the exploring of identity boundaries.
Major themes in her work and life include:
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Love, desire & identity, especially lesbian love
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Art as life: the ideal of fashioning one’s existence into poetic form
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Feminism and autonomy: critique of social constraints on women
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Memory, time, and impermanence
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Language, translation, and bilingualism (English and French)
She often confronted conventional morality, positing that queerness is natural (“My queerness is not a vice, is not deliberate, and harms no one.”)
Famous Quotes of Natalie Clifford Barney
Here are several notable quotes attributed to Natalie Clifford Barney:
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“Being other than normal is a perilous advantage.”
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“My queerness is not a vice, is not deliberate, and harms no one.”
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“If we keep an open mind, too much is likely to fall into it.”
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“At first, when an idea, a poem, or the desire to write takes hold of you, work is a pleasure, a delight, and your enthusiasm knows no bounds.”
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“Time engraves our faces with all the tears we have not shed.”
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“There are intangible realities which float near us, formless and without words; realities which no one has thought out, and which are excluded for lack of interpreters.”
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“Novels are longer than life.”
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“Lovers should also have their days off.”
These quotations illustrate her sensibility: blending intellectual audacity, emotional depth, and incisive observation.
Lessons from Natalie Clifford Barney
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Life as artistic project: Barney strove to make her life a poem; for creators, this suggests the harmony of living and art.
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Community matters: Her salon reminds us of the importance of intellectual gatherings and networks for cultural innovation.
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Courage in authenticity: She lived openly as a lesbian and feminist at a time when that was socially fraught, asserting identity through literature and public presence.
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Power of epigram & brevity: Sometimes a short line can carry as much weight as a long work.
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Bridging traditions: Her bilingual, transatlantic orientation shows how cross-cultural engagement enriches literature.
Conclusion
Natalie Clifford Barney was a singular figure in modernist, feminist, and queer literary history: a woman who wrote poems, plays, and epigrams; who convened Paris’s vibrant literary circles; who loved boldly and thought freely. Her life and work challenge us to see writing not just as a craft but as a way of living, to honor unconventional paths, and to cherish the electric interplay of ideas and relationships.