Susan Vreeland
Susan Vreeland – Life, Artful Fiction & Memorable Quotes
Learn about Susan Vreeland (January 20, 1946 – August 23, 2017) — a celebrated American novelist who wove art, history, and human lives into rich fictional narratives. Discover her biography, major works, themes, and powerful quotes.
Introduction
Susan Joyce Vreeland was an American author best known for historical novels that interweave art and storytelling. Her works often explore the emotional lives behind artistic creation, giving voice to painters, women, and forgotten details of cultural history. Her novels such as Girl in Hyacinth Blue, The Passion of Artemisia, and Luncheon of the Boating Party are beloved by readers who appreciate art, beauty, and illuminating historical imagination.
Early Life and Education
Susan Vreeland was born on January 20, 1946, in Racine, Wisconsin, to parents William Alex Vreeland and Esther Alberta (née Jancovius).
In 1948, Vreeland’s family moved to California. San Diego State University, earning a BA in English and library science in 1969, later an MA in education (1972), and an MA in English (1978).
Before becoming a full-time author, Vreeland was involved in teaching English and writing, including at high school and college levels.
Literary Career & Major Works
Early Work & Transition to Fiction
Vreeland’s first forays into writing included What Love Sees (1988), a biographical novel. What English Teachers Want: A Survival Guide (1995) reflects her educator roots.
Over time, she gravitated to historical fiction centered on art and artists — a niche she refined into her signature style.
Key Novels & Themes
Some of her well-known works include:
Title | Year / Context | Focus / Artistic Subject | |||||||||||||||
---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
Girl in Hyacinth Blue | 1999 | A fictional Vermeer painting and how it travels through lives & times | The Passion of Artemisia | early 2000s | The life of the Baroque painter Artemisia Gentileschi | The Forest Lover | 2004 | Imagined life of Canadian painter Emily Carr | Luncheon of the Boating Party | 2007 | Inspired by Renoir’s famous painting of leisure and social life | Clara and Mr. Tiffany | 2011 | The story behind Clara Driscoll and Tiffany Studios’ glasswork | Lisette’s List | 2014 | A girl in Nazi-occupied France confronts art, memory, and survival
Her novels typically combine meticulous research, immersive atmosphere, and emotional perspective — letting readers step into the time, place, and mind of artists and characters. Vreeland’s interest lay in how art is made, perceived, and preserved, and how it intertwines with human dreams, suffering, and identity. Legacy & InfluenceSusan Vreeland handsomely expanded the genre of art-inspired historical fiction, contributing works that appeal to both lovers of literature and art history. Her novels often inspire readers to visit museums, learn about painters, and reconsider how art and life echo each other. She encouraged a cross-fertilization between readers and museum-goers, hoping her fiction might draw people into galleries and art spaces. Though she passed away on August 23, 2017, in San Diego, California, her books continue to be read, studied, and appreciated for their unique voice and passion. Personality, Style & ApproachVreeland’s style is lyrical, richly descriptive, and emotionally attuned to the inner lives of her characters — especially artists. She often writes about color, materials, light, craft, and the tension between art and mortality. She held strong views on the importance of imagination in fiction: how writers enter the lives of others as a way to elevate human empathy. Moreover, she believed in the transformative power of art, not just as a window to history but as a living conversation with the present. Famous Quotes of Susan VreelandHere are selected quotes that capture her sensibility and philosophy:
These quotes reflect her deep respect for art, craft, and human connection across time. Lessons from Susan Vreeland
ConclusionSusan Vreeland’s legacy is a luminous body of work that invites readers to slow down and consider art as living history and human testimony. She taught that paintings have souls, that artists live in us, and that stories can heal the distance between past and present. |