Fashion is my passion, and I respect the creativity that you find

The words of Max Azria—“Fashion is my passion, and I respect the creativity that you find in its different levels.”—speak like a hymn to human expression. In them lies not the frivolity that many associate with fashion, but the acknowledgment of an art form as ancient as humanity itself, a mirror of our deepest desires, identities, and transformations. To call it passion is to confess that it burns within him not as mere craft, but as a force that shapes and defines the self. To speak of “different levels” is to recognize the vast spectrum of creativity, from the humble stitches of necessity to the grand garments of kings and queens.

From the earliest times, human beings clothed themselves not only for warmth but for meaning. The painted robes of Egyptian priests, the armor of Roman generals, the silks of Chinese dynasties—each garment carried more than fabric, it carried a story. Fashion has always been both shield and language, both art and declaration. Azria’s reverence for its creativity is a continuation of this truth: that in clothing we find not only utility, but imagination, identity, and the spirit of the age.

Consider the story of Coco Chanel, who freed women from the suffocating corsets of the nineteenth century and gave them garments that breathed with liberty. In a single act of design, she expressed the shifting tide of history, when women sought independence and new roles in society. Her work, though made of fabric and thread, was revolutionary. It proves Azria’s wisdom: that fashion contains many levels—personal, cultural, political—and each demands respect for the creativity that gives it form.

Azria’s words also teach us humility. Too often, people view fashion only through the lens of luxury and spectacle, forgetting that it is born first in necessity, then in creativity. The weaver who creates cloth in a village, the tailor who stitches uniforms for workers, the designer who crafts gowns for the stage—all participate in the same continuum of artistry. To respect fashion at all its levels is to honor both the humble maker and the celebrated visionary, recognizing that each adds to the great tapestry of human creativity.

The deeper meaning of his statement lies in the recognition of creativity itself. For creativity is not confined to catwalks or magazines; it flourishes wherever the human spirit seeks to transform the ordinary into beauty. The patchwork quilt sewn from scraps, the ceremonial robe crafted with devotion, the avant-garde designs that shock and inspire—all are different expressions of the same sacred force. Azria bows to this truth, acknowledging that fashion, like life itself, is layered, and that each layer holds its own brilliance.

The lesson is clear: do not dismiss the power of clothing as shallow. See it as expression, as communication, as art. Understand that what you wear, and how others dress, tells a story of culture, of history, of creativity. Respect the artistry whether it emerges from haute couture or the hands of a street vendor. For in every stitch lies the human will to create, to adorn, to transform the body into a canvas of meaning.

Practical action lies before us: cultivate respect for the creativity of others, even when their expression differs from your own. Explore your own passion, whether in fashion or another art, with reverence and devotion. Remember that creativity is sacred at every level—do not seek only the glamorous, but honor the humble as well. And if fashion speaks to your spirit, let it become your passion too, not as vanity, but as a way of giving form to your imagination and identity.

So let Max Azria’s words stand as a reminder across the generations: fashion is not trivial, but profound. It is passion woven into cloth, creativity revealed in layers, the eternal dialogue between necessity and beauty. Respect it, honor it, and learn from it—for in its folds and seams lies the story of humanity itself.