I don't go by or change my attitude based on what people say. At
I don't go by or change my attitude based on what people say. At the end of the day, they, too, are judging me from their perspective. I would rather be myself and let people accept me for what I am than be somebody who I am not, just because I want people's approval.
Host: The night had fallen heavy over the city, the kind that pressed its weight into the pavement and fogged the windows of the old apartment block. A dim bulb flickered in the hallway, its buzz echoing like a distant insect hum. Inside, in a small living room cluttered with books, coffee mugs, and half-open notebooks, Jack sat by the window, a cigarette burning slowly between his fingers. Jeeny was sitting cross-legged on the floor, her laptop open, a faint glow bathing her face in blue light.
The city outside was alive, but in here — there was only silence, the kind that feels alive with tension.
Jeeny: “You ever think about how much of our life we spend performing, Jack?”
Jack: “Performing?” He exhaled, the smoke curling in the air like a thought refusing to disappear. “You mean pretending. Yeah, I’ve noticed. It’s what keeps the world spinning, isn’t it?”
Jeeny: “No… I mean the kind of performance that happens when you start dressing your truth for other people’s eyes. Like what Karan Patel said — ‘I would rather be myself and let people accept me for what I am than be somebody who I am not.’ That’s the freedom I’m talking about.”
Jack: “Freedom? Or naivety?” His voice carried a trace of amusement, but his eyes didn’t laugh. “You think people really get to be themselves and survive? Try telling that to someone who works in corporate, or politics, or even acting. The world’s currency isn’t honesty, Jeeny — it’s adaptation.”
Host: The rain began to drizzle against the window, each drop a small tap, as if the night itself wanted to listen.
Jeeny: “So you’d rather be accepted for a mask than rejected for your truth?”
Jack: “I’d rather be practical. There’s no nobility in being authentic if it destroys you. You think truth pays the rent? Or wins elections? Or gets you promoted?”
Jeeny: “You make it sound like compromise is survival. But that’s just another form of slavery, Jack — a polished cage. The more you change yourself for acceptance, the more you forget who you were in the first place.”
Host: The room dimmed as the lamp flickered, its light trembling over Jack’s face, revealing a momentary weariness, something that looked almost like regret. He rubbed his temple, then looked back out the window, the city lights reflecting in his grey eyes.
Jack: “You talk like the world’s some pure stage for truth, Jeeny. But people don’t want truth — they want comfort. Society works because everyone agrees to pretend. You go out there with your raw, unfiltered self, and you’ll just end up an outcast.”
Jeeny: “Then let me be an outcast. At least I’d know it’s me they’re rejecting, not the mask. You know, Oscar Wilde once said, ‘Be yourself; everyone else is already taken.’ But the tragedy is — most people never even meet themselves, because they’re too busy being versions of what others want.”
Jack: “And Wilde died alone, ridiculed, and broken. That’s your example?”
Jeeny: “He died free. There’s a difference.”
Host: The air grew thicker now, the debate’s heat filling the small room. The clock ticked louder, as if marking every collision between idealism and realism.
Jack: “You’re mistaking freedom for isolation. People need connection, Jeeny. And connection comes with compromise. You soften your edges so others can hold you without bleeding.”
Jeeny: “But what’s the point of being held, Jack, if you’re not even there anymore? What kind of love is that — the kind that loves a performance, not a person?”
Jack: “The kind that keeps you alive. You don’t tell the truth to everyone; you choose who can handle it. That’s not dishonesty, it’s strategy. Look at Gandhi — even he crafted an image, a symbol. The world followed the image, not the man.”
Jeeny: “No, Jack. The world followed the authenticity within the image. Gandhi’s power came because his image matched his truth. When you wear your mask too long, you forget which side your face is on.”
Host: Jeeny’s voice rose, but it wasn’t anger — it was fire, the kind that burns quietly, consuming only what is false. Jack, though steady, shifted slightly — his eyes betrayed a flicker of uncertainty, as if a part of him recognized the truth she was pointing to.
Jack: “Alright then. Say you stay authentic. What happens when your truth doesn’t fit the world? What happens when you’re criticized, mocked, or dismissed? When your honesty costs you everything?”
Jeeny: “Then I pay the price gladly. Because at least I’ll still belong to myself. Look at Frida Kahlo — she never hid her pain, her identity, her broken body. The world first laughed, then revered her. Not because she pleased them, but because she didn’t try to.”
Host: The sound of thunder rolled faintly outside, a soft growl under the rain’s rhythm. Jack stubbed out his cigarette, his jaw tense. The silence that followed felt like a truce on the edge of a battlefield.
Jack: “You make it sound so simple. But you forget that most people aren’t artists. They don’t have the luxury to stand apart. They have jobs, families, expectations. You can’t just tell them to ‘be themselves’ when the world doesn’t pay for authenticity.”
Jeeny: “And yet, the world quietly admires those who do. Every revolution, every change, every movement — it begins with one person who refused to pretend. The Rosa Parks of history didn’t bend; they broke silence. Authenticity doesn’t need a stage, Jack — it just needs courage.”
Host: The lamp’s glow softened, wrapping the room in a gentle hush. Jack’s gaze lowered, his fingers tracing the rim of his coffee mug, the way someone might circle a memory they can’t quite escape.
Jack: “You talk about courage, but sometimes, Jeeny, it’s just loneliness in disguise. I’ve seen people lose everything chasing ‘being themselves.’ Sometimes, pretending is the only way to keep breathing.”
Jeeny: “And sometimes, pretending is what slowly kills you.”
Host: The rain stopped. The sound of dripping gutters replaced it — a softer echo, as if the city itself had decided to listen.
Jeeny: “You see, Jack, authenticity isn’t about screaming your truth at everyone. It’s about living quietly in it — even when no one applauds. It’s about being kind without needing to be seen, about standing your ground even when you shake. That’s not arrogance. That’s peace.”
Jack: “And you think you’ve found that peace?”
Jeeny: “No,” she smiled faintly. “But I’ve stopped trading it for approval.”
Host: Jack leaned back, his eyes softer now, the defensiveness fading into something like understanding. The city lights reflected in the window, two faint colors intertwining — one cold, one warm — much like their truths.
Jack: “Maybe you’re right,” he said finally. “Maybe we wear so many faces just to feel safe, we forget the one we were born with.”
Jeeny: “And maybe,” she said, “the real courage isn’t in fighting the world — it’s in facing yourself.”
Host: The clock struck midnight, and for a moment, everything was still. The rain clouds parted, letting a sliver of moonlight pour into the room. It fell across Jack’s hand, resting near Jeeny’s, both motionless — like a truce, like truth finally allowed to breathe.
In the quiet, the world outside went on judging, moving, pretending. But inside that small room, two souls had stopped performing, if only for one night.
And in that stillness, the truth — raw, imperfect, and human — finally felt enough.
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