I mix talents and friendship, which is not very professional, but

I mix talents and friendship, which is not very professional, but

22/09/2025
14/10/2025

I mix talents and friendship, which is not very professional, but it's my way of thinking. So I love Azzedine Alaia, because I've known him for 30 years, and he's making my dresses most of the time.

I mix talents and friendship, which is not very professional, but
I mix talents and friendship, which is not very professional, but
I mix talents and friendship, which is not very professional, but it's my way of thinking. So I love Azzedine Alaia, because I've known him for 30 years, and he's making my dresses most of the time.
I mix talents and friendship, which is not very professional, but
I mix talents and friendship, which is not very professional, but it's my way of thinking. So I love Azzedine Alaia, because I've known him for 30 years, and he's making my dresses most of the time.
I mix talents and friendship, which is not very professional, but
I mix talents and friendship, which is not very professional, but it's my way of thinking. So I love Azzedine Alaia, because I've known him for 30 years, and he's making my dresses most of the time.
I mix talents and friendship, which is not very professional, but
I mix talents and friendship, which is not very professional, but it's my way of thinking. So I love Azzedine Alaia, because I've known him for 30 years, and he's making my dresses most of the time.
I mix talents and friendship, which is not very professional, but
I mix talents and friendship, which is not very professional, but it's my way of thinking. So I love Azzedine Alaia, because I've known him for 30 years, and he's making my dresses most of the time.
I mix talents and friendship, which is not very professional, but
I mix talents and friendship, which is not very professional, but it's my way of thinking. So I love Azzedine Alaia, because I've known him for 30 years, and he's making my dresses most of the time.
I mix talents and friendship, which is not very professional, but
I mix talents and friendship, which is not very professional, but it's my way of thinking. So I love Azzedine Alaia, because I've known him for 30 years, and he's making my dresses most of the time.
I mix talents and friendship, which is not very professional, but
I mix talents and friendship, which is not very professional, but it's my way of thinking. So I love Azzedine Alaia, because I've known him for 30 years, and he's making my dresses most of the time.
I mix talents and friendship, which is not very professional, but
I mix talents and friendship, which is not very professional, but it's my way of thinking. So I love Azzedine Alaia, because I've known him for 30 years, and he's making my dresses most of the time.
I mix talents and friendship, which is not very professional, but
I mix talents and friendship, which is not very professional, but
I mix talents and friendship, which is not very professional, but
I mix talents and friendship, which is not very professional, but
I mix talents and friendship, which is not very professional, but
I mix talents and friendship, which is not very professional, but
I mix talents and friendship, which is not very professional, but
I mix talents and friendship, which is not very professional, but
I mix talents and friendship, which is not very professional, but
I mix talents and friendship, which is not very professional, but

"I mix talents and friendship, which is not very professional, but it's my way of thinking. So I love Azzedine Alaia, because I've known him for 30 years, and he's making my dresses most of the time." These words from Carine Roitfeld speak to the delicate balance between professionalism and personal connection, the blending of artistry with friendship. In a world that often emphasizes rationality, detachment, and the strictly professional, Roitfeld embraces a different path—one that places a high value on human connection and trust. For her, the intersection of talent and friendship creates a unique and deeply meaningful dynamic, where professional collaboration becomes not just about business, but about sharing a life enriched by long-standing bonds.

At the core of Roitfeld's statement lies the idea that friendship and work are not mutually exclusive. In fact, they can be the foundation of a powerful creative process. Her collaboration with the iconic designer Azzedine Alaia for over 30 years is a testament to the strength of mutual respect and shared vision. In the ancient world, relationships between artists and patrons often transcended mere contractual obligations, becoming something more profound. The philosopher Aristotle once said that friendship based on virtue was the highest form of human bond—one that fosters growth, understanding, and creativity. In this light, Roitfeld’s partnership with Alaia exemplifies a friendship that nourishes both their personal lives and their artistic endeavors.

In the realm of fashion, where artistry and commerce often collide, Roitfeld’s approach offers a refreshing perspective. Just as the ancient Greeks revered the work of sculptors, poets, and musicians who crafted their creations with passion and personal connection, Roitfeld sees the act of dressing not as a transaction, but as a deeply personal expression. Alaia, whose talent is legendary, is not just a designer for her; he is a trusted friend with whom she has shared memories and experiences. This blending of personal and professional spheres creates a richer, more profound collaboration, one rooted not in mere profit, but in shared vision, respect, and creativity.

Consider the example of the ancient Greeks and their great patrons of the arts. Pericles, the Athenian leader, supported the work of Phidias, one of the greatest sculptors in history, not simply because of his genius, but because of their deep friendship. Phidias’ work on the Parthenon, which remains a symbol of beauty and human achievement, was nurtured by this bond. In their relationship, we see a reflection of the spirit that Roitfeld embodies—one where art and friendship are intertwined, where trust and mutual admiration lead to the creation of something much greater than what could be achieved through cold professionalism alone.

Roitfeld’s blending of personal connection with creative collaboration also calls us to reconsider the ways in which we approach our own work and relationships. It is easy to fall into the trap of treating professionalism as a cold, separate sphere from our personal lives, yet in doing so, we may lose something essential. The heart of creativity—whether in art, business, or any other endeavor—often thrives in an environment where trust, shared values, and genuine connection are present. This does not mean that professionalism or boundaries are unnecessary, but rather that the relationships we cultivate should be seen as integral to our success. Talent, after all, is not a solitary force; it grows and flourishes when nurtured by those who understand and support it.

The lesson Roitfeld offers us is this: friendship and work are not opposing forces. In fact, they are symbiotic, each feeding into and enriching the other. When we build relationships with those we work with, based not just on mutual gain but on shared respect and genuine connection, the outcome can be something extraordinary. Roitfeld's words remind us that the path to creating something meaningful is not just through effort and determination, but through the bonds we form along the way. These bonds, rooted in trust, admiration, and affection, help us overcome obstacles, create new possibilities, and bring our deepest visions to life.

In our own lives, we must strive to cultivate such relationships—where talent and friendship coexist in harmony. Let us seek out collaborations that are grounded in respect, where our personal connections enrich our professional work, and where our creativity is nurtured by the support of those we trust. Just as Carine Roitfeld has found a way to seamlessly blend her friendship with Azzedine Alaia into a creative partnership, so too can we blend our personal and professional lives to create something deeper and more meaningful. Let us remember that in the end, the relationships we build, both personally and professionally, are the true foundation of all our achievements.

Carine Roitfeld
Carine Roitfeld

Editor Born: September 19, 1954

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