I was dating girls who were actresses, and that was fun, so I

I was dating girls who were actresses, and that was fun, so I

22/09/2025
11/10/2025

I was dating girls who were actresses, and that was fun, so I took a playwriting class. But that was short-lived. That was one year. Around that time, I was seeing movies that were making me think in terms of images.

I was dating girls who were actresses, and that was fun, so I
I was dating girls who were actresses, and that was fun, so I
I was dating girls who were actresses, and that was fun, so I took a playwriting class. But that was short-lived. That was one year. Around that time, I was seeing movies that were making me think in terms of images.
I was dating girls who were actresses, and that was fun, so I
I was dating girls who were actresses, and that was fun, so I took a playwriting class. But that was short-lived. That was one year. Around that time, I was seeing movies that were making me think in terms of images.
I was dating girls who were actresses, and that was fun, so I
I was dating girls who were actresses, and that was fun, so I took a playwriting class. But that was short-lived. That was one year. Around that time, I was seeing movies that were making me think in terms of images.
I was dating girls who were actresses, and that was fun, so I
I was dating girls who were actresses, and that was fun, so I took a playwriting class. But that was short-lived. That was one year. Around that time, I was seeing movies that were making me think in terms of images.
I was dating girls who were actresses, and that was fun, so I
I was dating girls who were actresses, and that was fun, so I took a playwriting class. But that was short-lived. That was one year. Around that time, I was seeing movies that were making me think in terms of images.
I was dating girls who were actresses, and that was fun, so I
I was dating girls who were actresses, and that was fun, so I took a playwriting class. But that was short-lived. That was one year. Around that time, I was seeing movies that were making me think in terms of images.
I was dating girls who were actresses, and that was fun, so I
I was dating girls who were actresses, and that was fun, so I took a playwriting class. But that was short-lived. That was one year. Around that time, I was seeing movies that were making me think in terms of images.
I was dating girls who were actresses, and that was fun, so I
I was dating girls who were actresses, and that was fun, so I took a playwriting class. But that was short-lived. That was one year. Around that time, I was seeing movies that were making me think in terms of images.
I was dating girls who were actresses, and that was fun, so I
I was dating girls who were actresses, and that was fun, so I took a playwriting class. But that was short-lived. That was one year. Around that time, I was seeing movies that were making me think in terms of images.
I was dating girls who were actresses, and that was fun, so I
I was dating girls who were actresses, and that was fun, so I
I was dating girls who were actresses, and that was fun, so I
I was dating girls who were actresses, and that was fun, so I
I was dating girls who were actresses, and that was fun, so I
I was dating girls who were actresses, and that was fun, so I
I was dating girls who were actresses, and that was fun, so I
I was dating girls who were actresses, and that was fun, so I
I was dating girls who were actresses, and that was fun, so I
I was dating girls who were actresses, and that was fun, so I

In the words of Richard Linklater, the quiet philosopher of cinema, we hear an origin story not just of a filmmaker, but of a seeker: “I was dating girls who were actresses, and that was fun, so I took a playwriting class. But that was short-lived. That was one year. Around that time, I was seeing movies that were making me think in terms of images.” His words are humble, almost casual, yet within them stirs the ancient rhythm of discovery — the way in which life, through its accidents and encounters, leads each of us toward our calling. Linklater speaks of the playful beginnings of passion, of curiosity born from love, and of how chance encounters become destiny’s whisper.

The ancients would have understood this well. They believed that the Muses — divine daughters of memory — did not always call with thunder or revelation, but often with quiet nudges disguised as daily events. In Linklater’s tale, it was the charm of companionship, the allure of actresses, that first led him to the theater, to storytelling, to art. Yet from this lighthearted beginning emerged something greater — a shift of vision. He began to “think in terms of images.” In that phrase lies the spark of transformation, when a mortal begins to see the world not as it appears, but as it expresses, suggests, and feels. It is the moment when play becomes purpose.

There is something profoundly human in his admission that his first step was “short-lived.” How many paths do we begin not knowing where they lead? The poet Dante Alighieri began as a lover of Beatrice, yet that love led him to write The Divine Comedy, a journey through the very soul of existence. So too did Linklater’s early ventures — light, experimental, imperfect — become the soil from which his vision grew. What began as imitation of those he admired became revelation of his own gift. Such is the way of all creation: the seed of greatness often hides within the soil of ordinary experience.

In saying he was “seeing movies that were making me think in terms of images,” Linklater reveals the true awakening of an artist — the moment when one ceases to merely observe and begins to perceive. To think in images is to translate life into meaning. The ancients called this act poiesis — the divine capacity to bring forth something new, to turn the raw material of life into beauty. When one begins to see in images, the world itself becomes a canvas. Shadows, gestures, silences — all become symbols of truth. For Linklater, this shift marked his transformation from a participant in stories to a creator of worlds.

His words remind us, too, that the path of purpose is rarely direct. It winds through laughter, trial, and chance. The sages of old would say that every soul has a thread — the ananke — that connects its beginnings to its destiny. But this thread often winds through unexpected corridors: through a conversation, a mistake, a fleeting romance. The wise do not reject these detours; they walk them with open eyes, knowing that every encounter can awaken a new sense of self. For even in the seeming frivolity of youth, the hand of fate is at work.

From Linklater’s story, a lesson emerges for those who wander and wonder. Do not demand that your purpose reveal itself all at once. Follow your curiosities, however small, for they are the sparks that ignite destiny. What begins in jest may end in genius; what starts as a passing fascination may lead to lifelong devotion. The sculptor does not see the statue at first — only a block of stone. Yet with patience, the vision within begins to reveal itself. So, too, must we trust the unfolding of our own creative journeys.

And so, let this reflection stand as both comfort and challenge. The artist’s path is not a straight line but a dance between chance and choice. Linklater’s humble beginning — chasing after joy, curiosity, and image — is proof that the divine often hides in the mundane. Therefore, live attentively. Let your passions guide your steps, even when they seem aimless. For the gods of creation speak in whispers, not shouts, and the world reveals its meaning to those who dare to look — not just with the eyes, but with the imagination awakened by wonder.

Richard Linklater
Richard Linklater

American - Director Born: July 30, 1960

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