In rap music, even though the element of poetry is very strong

In rap music, even though the element of poetry is very strong

22/09/2025
18/10/2025

In rap music, even though the element of poetry is very strong, so is the element of the drum, the implication of the dance. Without the beat, its commercial value would certainly be more tenuous.

In rap music, even though the element of poetry is very strong
In rap music, even though the element of poetry is very strong
In rap music, even though the element of poetry is very strong, so is the element of the drum, the implication of the dance. Without the beat, its commercial value would certainly be more tenuous.
In rap music, even though the element of poetry is very strong
In rap music, even though the element of poetry is very strong, so is the element of the drum, the implication of the dance. Without the beat, its commercial value would certainly be more tenuous.
In rap music, even though the element of poetry is very strong
In rap music, even though the element of poetry is very strong, so is the element of the drum, the implication of the dance. Without the beat, its commercial value would certainly be more tenuous.
In rap music, even though the element of poetry is very strong
In rap music, even though the element of poetry is very strong, so is the element of the drum, the implication of the dance. Without the beat, its commercial value would certainly be more tenuous.
In rap music, even though the element of poetry is very strong
In rap music, even though the element of poetry is very strong, so is the element of the drum, the implication of the dance. Without the beat, its commercial value would certainly be more tenuous.
In rap music, even though the element of poetry is very strong
In rap music, even though the element of poetry is very strong, so is the element of the drum, the implication of the dance. Without the beat, its commercial value would certainly be more tenuous.
In rap music, even though the element of poetry is very strong
In rap music, even though the element of poetry is very strong, so is the element of the drum, the implication of the dance. Without the beat, its commercial value would certainly be more tenuous.
In rap music, even though the element of poetry is very strong
In rap music, even though the element of poetry is very strong, so is the element of the drum, the implication of the dance. Without the beat, its commercial value would certainly be more tenuous.
In rap music, even though the element of poetry is very strong
In rap music, even though the element of poetry is very strong, so is the element of the drum, the implication of the dance. Without the beat, its commercial value would certainly be more tenuous.
In rap music, even though the element of poetry is very strong
In rap music, even though the element of poetry is very strong
In rap music, even though the element of poetry is very strong
In rap music, even though the element of poetry is very strong
In rap music, even though the element of poetry is very strong
In rap music, even though the element of poetry is very strong
In rap music, even though the element of poetry is very strong
In rap music, even though the element of poetry is very strong
In rap music, even though the element of poetry is very strong
In rap music, even though the element of poetry is very strong

Hear, O listeners of rhythm and word, the wisdom of Archie Shepp, who declared: “In rap music, even though the element of poetry is very strong, so is the element of the drum, the implication of the dance. Without the beat, its commercial value would certainly be more tenuous.” These words come not from a stranger to music, but from a master of jazz, a man who understood how sound, rhythm, and voice intertwine to create art that moves both body and soul. In his vision, rap is not only wordcraft, but the union of poetry and drum, of language and rhythm, of thought and movement.

For what is rap if not the continuation of ancient traditions? Long before microphones and stages, the drum was the heartbeat of community. It summoned the people to gather, it marked the rhythm of work and war, it carried messages across distances. The poet or griot stood beside it, chanting words that told the stories of ancestors and heroes. Thus, when Shepp speaks of rap, he reminds us that it is not merely a modern invention, but a rebirth of something timeless: the marriage of poetry and drum, of speech and dance, which has always been at the center of human expression.

Consider the African griots, keepers of memory, who recited lineage and history over the steady pulse of the drum. Their verses, like rap’s verses today, were not only art but education, identity, and power. In the same way, Native American nations used the drum to bind community and ritual together, with chants that echoed through generations. Shepp’s insight reveals that rap stands in this lineage: its words are poetry, yes, but its strength in the world, its ability to seize masses of people, lies in the beat that carries it into the body and ignites the desire to move.

Yet Shepp also reminds us of another truth: without the beat, rap’s commercial value would be tenuous. This is not to diminish its poetry, but to recognize that in a world shaped by performance and market, rhythm is what captures the crowd. Words may pierce the soul, but rhythm seizes the body. A verse may be admired in solitude, but a beat will fill stadiums and dance halls. This is why the drum has always been feared by oppressors and cherished by the people—it unites, it excites, it awakens collective energy. Rap’s power lies not only in the sharpness of its poetry but in the irresistible drive of its rhythm.

Think of Grandmaster Flash and the Furious Five, who combined social commentary with beats that shook the streets of New York. Their track The Message carried raw poetry about urban struggle, but it was the rhythm that brought it to radios, clubs, and ears that might not otherwise have listened. Or think of Tupac Shakur, whose words could stand as poetry alone, yet whose songs reached millions because the beats gave his message wings. Here is Shepp’s truth in living form: rap’s spirit is double-born—poetry and drum, thought and dance.

But let us not see this as a conflict between art and commerce. Instead, it is a reminder of balance. For poetry without rhythm may remain hidden, and rhythm without poetry may be empty. Together, they create something both meaningful and accessible, both profound and popular. This union is not a compromise but a triumph, proof that depth and joy, message and movement, can coexist in one art form.

Therefore, O children of tomorrow, learn from Shepp’s wisdom: honor both the poetry and the drum. Do not scorn rhythm as mere entertainment, for it is the heartbeat of culture. Do not forget poetry in the pursuit of beat, for it is the voice of truth. Let your art, whatever form it takes, carry both depth and delight. And if you are a listener, train yourself to hear not only the surface of the music but the words beneath, not only the beat but the message it carries.

For in rap, as in all art, the goal is transformation. The beat moves the body, the poetry moves the soul, and together they awaken a people. This is the inheritance of the drum and the word, passed down through centuries, reborn in rap, and carried forward into the future. Let us, then, never forget: poetry gives the song its spirit, but the drum gives it wings.

Archie Shepp
Archie Shepp

American - Musician Born: May 24, 1937

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Have 6 Comment In rap music, even though the element of poetry is very strong

KLLe Khanh Linh

This comment reminds me how rap music functions as both literature and performance. The poetry provides narrative and emotion, while the beat gives it physicality and social energy. But I wonder, in an era where technology allows anyone to remix beats, will rap’s poetic aspect fade into the background? Or could a return to lyrical depth eventually redefine its artistic and commercial value?

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DKTran Dang Khoi

There’s something insightful about linking rap’s success to its rhythmic foundation. It suggests that sound can communicate emotion even before words do. But does that mean poetry without rhythm can’t be commercially viable in modern times? I’d love to explore whether audiences today still crave pure verbal artistry, or if rhythm has become an essential bridge to capture their attention.

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TTDiep Thuy Tien

This makes me think about how intertwined body and mind are in music. Rap engages both intellect and movement—it makes you think and move at the same time. I’d be curious to know if Shepp believes that the dance element in rap connects it more closely to traditional African art forms, where rhythm and storytelling were inseparable. Could that cultural lineage explain its enduring power?

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CH8A1 Nguyen Cong Hieu

As a reader, I appreciate how this statement recognizes rap as both a poetic and rhythmic form. It’s true that the drumbeat gives rap its heartbeat, but I wonder if Shepp’s comment underestimates how powerfully words alone can move people. Some rap songs, stripped of music, still resonate deeply through their lyrical storytelling. Maybe the beat attracts attention, but the poetry gives it lasting meaning.

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NPThao nguyen Pham

I find this perspective fascinating because it acknowledges the balance between art and commerce. The beat in rap not only energizes but also makes it marketable. Yet, I can’t help asking—does the dominance of rhythm risk diminishing rap’s poetic core? So many rappers write verses that rival the best poetry, but audiences might overlook that depth when the focus shifts mainly to the danceable beat.

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