It was a reaction to when I was growing up, and women were

It was a reaction to when I was growing up, and women were

22/09/2025
22/09/2025

It was a reaction to when I was growing up, and women were supposed to be all blonde hair, gold suntan, and pink lips. It was a real black-and-white opposite of what was considered attractive. I was kicking against something I found really oppressive.

It was a reaction to when I was growing up, and women were
It was a reaction to when I was growing up, and women were
It was a reaction to when I was growing up, and women were supposed to be all blonde hair, gold suntan, and pink lips. It was a real black-and-white opposite of what was considered attractive. I was kicking against something I found really oppressive.
It was a reaction to when I was growing up, and women were
It was a reaction to when I was growing up, and women were supposed to be all blonde hair, gold suntan, and pink lips. It was a real black-and-white opposite of what was considered attractive. I was kicking against something I found really oppressive.
It was a reaction to when I was growing up, and women were
It was a reaction to when I was growing up, and women were supposed to be all blonde hair, gold suntan, and pink lips. It was a real black-and-white opposite of what was considered attractive. I was kicking against something I found really oppressive.
It was a reaction to when I was growing up, and women were
It was a reaction to when I was growing up, and women were supposed to be all blonde hair, gold suntan, and pink lips. It was a real black-and-white opposite of what was considered attractive. I was kicking against something I found really oppressive.
It was a reaction to when I was growing up, and women were
It was a reaction to when I was growing up, and women were supposed to be all blonde hair, gold suntan, and pink lips. It was a real black-and-white opposite of what was considered attractive. I was kicking against something I found really oppressive.
It was a reaction to when I was growing up, and women were
It was a reaction to when I was growing up, and women were supposed to be all blonde hair, gold suntan, and pink lips. It was a real black-and-white opposite of what was considered attractive. I was kicking against something I found really oppressive.
It was a reaction to when I was growing up, and women were
It was a reaction to when I was growing up, and women were supposed to be all blonde hair, gold suntan, and pink lips. It was a real black-and-white opposite of what was considered attractive. I was kicking against something I found really oppressive.
It was a reaction to when I was growing up, and women were
It was a reaction to when I was growing up, and women were supposed to be all blonde hair, gold suntan, and pink lips. It was a real black-and-white opposite of what was considered attractive. I was kicking against something I found really oppressive.
It was a reaction to when I was growing up, and women were
It was a reaction to when I was growing up, and women were supposed to be all blonde hair, gold suntan, and pink lips. It was a real black-and-white opposite of what was considered attractive. I was kicking against something I found really oppressive.
It was a reaction to when I was growing up, and women were
It was a reaction to when I was growing up, and women were
It was a reaction to when I was growing up, and women were
It was a reaction to when I was growing up, and women were
It was a reaction to when I was growing up, and women were
It was a reaction to when I was growing up, and women were
It was a reaction to when I was growing up, and women were
It was a reaction to when I was growing up, and women were
It was a reaction to when I was growing up, and women were
It was a reaction to when I was growing up, and women were

The words of Siouxsie Sioux — “It was a reaction to when I was growing up, and women were supposed to be all blonde hair, gold suntan, and pink lips… I was kicking against something I found really oppressive.” — resound like the cry of rebellion against a false idol. She speaks of an age when the image of women was bound in narrow chains: a single vision of beauty, painted in soft golds and pinks, that demanded conformity and smothered individuality. To her spirit, such a demand was not gentle but oppressive, a silken cage that masked its cruelty with smiles.

Her reaction was no quiet turning away, but a strike of defiance. By embracing black where others demanded color, by shaping her own style against the grain, she shattered the idol of conformity. This act was more than fashion — it was freedom. For in rejecting the mandate of what was “attractive,” she claimed her right to define her own beauty, her own selfhood, and her own truth. Thus, her art and persona became a banner for those who likewise felt crushed beneath the weight of society’s expectations.

History, too, has seen such rebellions. Recall Joan of Arc, who donned armor in place of gowns, who cut her hair short and took her place among soldiers. In her time, this was the ultimate defiance of what a woman was “supposed” to be. Like Siouxsie Sioux, she kicked against the walls that bound her, choosing the fire of authenticity over the comfort of acceptance. Though centuries apart, both women remind us that greatness often comes through the courage to resist false images of what one “should” be.

The origin of Siouxsie’s words lies not only in personal revolt but in the universal yearning for authenticity. When culture commands sameness, the spirit withers; but when one dares to walk the path of difference, others find courage to follow. Her defiance was not merely for herself — it was for countless others who longed to see their own uniqueness reflected in the world, rather than erased by a single standard.

Therefore, O seekers of truth, remember this: whenever you find yourself bound by images that do not reflect your soul, rise and kick against them. For true beauty is not in the mask that pleases the crowd, but in the defiance that frees the self. Siouxsie Sioux’s cry is the cry of every generation that seeks to break free from its oppressions, to tear down the idol of conformity, and to stand radiant in the power of its own authenticity.

Siouxsie Sioux
Siouxsie Sioux

British - Musician Born: May 27, 1957

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Have 5 Comment It was a reaction to when I was growing up, and women were

KHLo Ha Khanh Huyen

Siouxsie Sioux’s rebellion against traditional beauty standards speaks to the power of individuality and self-expression. But I wonder—how much of that rebellion is still relevant today? Are we still conditioned to accept certain beauty ideals, or are we making progress in creating a more diverse and inclusive definition of beauty? Can rebellion against beauty standards be celebrated as a form of empowerment, or does it often come with its own set of pressures and challenges?

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BBBach Bui

I admire Siouxsie Sioux’s defiance against the rigid beauty ideals imposed on women, but her statement also makes me think about how society’s expectations of women’s appearance affect their self-worth. Are we still caught up in this 'black-and-white' idea of beauty, or have we moved towards more inclusivity and individuality in how we define attractiveness? What would it take for true freedom from these outdated norms to be fully realized?

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PANguyen Phuong Anh

Siouxsie Sioux’s quote highlights the oppressive beauty standards she grew up with, and it’s powerful to hear how she fought against them. But it makes me question—how much do these beauty ideals still influence how women and even men view themselves? Do we still have a tendency to reject anything that doesn’t align with the mainstream or stereotypical idea of beauty? How can we shift the focus from conformity to self-expression?

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HVFu Ho Vien

Siouxsie Sioux’s experience of rebelling against a mainstream beauty ideal resonates with the ongoing struggle many face today. It’s frustrating to think how women’s beauty standards have been so narrowly defined for so long. But I wonder—has this pressure to conform really lessened in modern times, or has it just evolved into new, equally limiting ideals? Can we truly break free from these traditional views of beauty, or is the fight still ongoing?

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QHTuyet Quan Han

Siouxsie Sioux’s comment about rebelling against the stereotypical image of women with blonde hair, a gold suntan, and pink lips speaks to the pressure women have historically faced to conform to a narrow standard of beauty. I wonder—how much do these societal expectations still shape how women are perceived today? Do we still see women pushed into these rigid boxes, or have things shifted to allow more diverse expressions of beauty and identity?

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