Like all my family and class, I considered it a sign of weakness
Like all my family and class, I considered it a sign of weakness to show affection; to have been caught kissing my mother would have been a disgrace, and to have shown affection for my father would have been a disaster.
Host: The evening light was the color of dust and ashes, pressing against the fogged windows of a narrow room above an old street. A single lamp glowed, yellow and weary, illuminating two cups of untouched tea, a radio humming faintly in the corner, and a pair of faces — one carved with quiet stoicism, the other alive with soft, searching sadness.
Outside, the city was a haze of voices — laughter from a distant bar, footsteps echoing on wet pavement. Inside, the air felt still, thick with words neither had yet dared to say.
Jack sat at the small wooden table, shoulders hunched, his hands clasped as though holding something invisible and fragile. Across from him, Jeeny leaned forward, a half-smile flickering at the corner of her mouth, her eyes deep with warmth and pain.
Between them lay a yellowed page torn from a book. The words on it read:
“Like all my family and class, I considered it a sign of weakness to show affection; to have been caught kissing my mother would have been a disgrace, and to have shown affection for my father would have been a disaster.”
— Agnes Smedley.
Jeeny: quietly, almost a whisper “It’s heartbreaking, isn’t it? To think that love could be seen as weakness.”
Jack: without looking up “It’s not heartbreaking. It’s honest. That’s how people survived. You build walls because the world won’t protect you.”
Jeeny: “Walls don’t protect, Jack. They just keep you alone.”
Jack: scoffing softly “Better alone than exposed. You think showing affection makes you strong, but it doesn’t. It makes you vulnerable. And in the world Smedley lived in — hell, even in the one I grew up in — vulnerability got you hurt.”
Jeeny: “But what’s the point of surviving if you forget how to feel?”
Host: The lamplight flickered slightly, catching the faint tremor in Jack’s hands as he reached for his cup. He didn’t drink. Jeeny’s voice, soft but insistent, filled the room like the sound of slow rain on glass.
Jeeny: “She says it so plainly — as if tenderness were a kind of crime. Imagine being a child and learning that warmth was shameful. That to touch was to disgrace.”
Jack: “I don’t have to imagine it.”
Jeeny: pauses “You mean—”
Jack: “Yeah. My old man believed in discipline, not affection. If I cried, I was told to ‘man up.’ If I succeeded, he’d nod. No words, no hug. The first time he said he was proud of me was at his funeral — in a letter someone else wrote.”
Jeeny: softly “That’s not discipline, Jack. That’s starvation.”
Jack: “No. That’s education. He taught me that the world doesn’t care how you feel — it only cares if you can stand when it hits you. And he was right.”
Host: Jeeny’s eyes filled with a kind of quiet grief, not for pity, but recognition. The light from the window had dimmed now, replaced by the soft hum of city neon spilling through the glass.
Jeeny: “Maybe he was right about the world, but wrong about the heart. Agnes Smedley’s words — they’re not just confession, they’re mourning. She’s mourning the kind of closeness she was never taught to trust. And so are you.”
Jack: “You think I’m mourning?”
Jeeny: “Aren’t you? You talk about strength like it’s armor, but I think it’s just the weight of everything you were told not to need.”
Jack: laughing bitterly “You always make emotion sound noble. But where I come from, affection was currency — and it always came with a price. People say they love you until they need something, and then you learn what it’s worth.”
Jeeny: “That’s not love, Jack. That’s transaction. You confuse the two because you’ve only seen one side of it.”
Jack: “And what side have you seen, Jeeny? The fairy-tale one?”
Jeeny: “No. The human one. The one where love is messy and hard and sometimes disappointing — but still worth showing. Because not showing it is a kind of death.”
Host: The radio crackled softly, an old piano melody drifting faintly into the silence. Jack’s jaw tightened, his eyes fixed on a crack in the wall. Jeeny reached for her cup, her fingers trembling slightly, but her voice remained steady.
Jeeny: “You know what’s tragic, Jack? Generations of men — fathers, sons, soldiers — all passing down this idea that tenderness is shame. They built empires, fought wars, and died believing love made them small.”
Jack: “Maybe it did.”
Jeeny: “No. It’s what made them human. And the tragedy is that they never got to know that side of themselves. They feared softness because they confused it with surrender.”
Jack: “And maybe they were right to. Empires don’t get built by hugging people.”
Jeeny: “No, but maybe if they had hugged their sons, the world wouldn’t have needed so many empires.”
Host: The rain began again — gentle this time, rhythmic, steady. The sound filled the spaces between their words, like punctuation crafted by something greater than both of them.
Jack: quietly now “You talk like it’s easy to just… unlearn it. To wake up one day and suddenly believe that showing affection won’t make you weak.”
Jeeny: “It’s not easy. It’s the hardest thing. Because it means standing naked before the world — emotionally naked — and trusting that you won’t be struck down for it. But that’s what courage really is, Jack.”
Jack: after a long pause “Courage… huh. I always thought it was keeping your feelings buried and moving on.”
Jeeny: “That’s endurance, not courage. Courage is letting someone see the soft part of you and not running when they don’t look away.”
Host: Jeeny’s words landed like a small stone dropped into still water. The ripples spread — subtle, slow — across the silence between them. Jack’s face softened, his usual armor cracking just slightly.
Jack: “You know, I can’t remember the last time my father touched me. Not once. Not after I broke my arm, not when I graduated, not even when my mother died. He stood there, like a statue. And I… mirrored him. Thought that’s what strength looked like.”
Jeeny: “It’s what grief looks like when no one teaches you how to feel it.”
Jack: “And yet, here I am, still copying him. Still afraid to reach out.”
Jeeny: “You reached out tonight.”
Jack: looks up at her, surprised “How?”
Jeeny: smiling faintly “You told me that story.”
Host: The lamp flickered once more, its light trembling across Jack’s face. He looked smaller now, not weaker — just human. The weight of generations hung in the air between them, but for the first time, it seemed lighter, shared.
Jack: “You know what’s strange? I don’t even know if he loved me. But sometimes, when I look back, I remember the way he’d stay up late fixing the car before my long drives, or the way he’d pack my lunch quietly when he thought I was asleep. Maybe that was his version of affection.”
Jeeny: “It was. People love in the language they were taught. Sometimes it’s acts, not words. Sometimes it’s a mended tire instead of an embrace.”
Jack: “And sometimes it’s silence instead of a goodbye.”
Jeeny: “Yes. But the silence doesn’t mean absence. It means fear. Fear of feeling too much and not knowing how to bear it.”
Host: The rain had stopped again. The air smelled clean, alive. Somewhere outside, a church bell rang, marking the hour — slow, deliberate, echoing through the mist.
Jeeny: “Do you think you could forgive him?”
Jack: “I don’t know. Maybe. Maybe forgiveness is just another kind of affection — one you give too late.”
Jeeny: “It’s never too late. Even grief can be a form of love if you let it soften you instead of harden you.”
Jack: “And you think softness is strength?”
Jeeny: “I know it is. Because it’s the only thing brave enough to rebuild what hardness destroys.”
Host: Jeeny reached out then, her hand resting gently over Jack’s. It was not a gesture of comfort, but of recognition — an unspoken acknowledgment of the war he’d been fighting quietly his entire life. Jack didn’t pull away. His fingers, hesitant at first, finally closed around hers.
Jack: barely above a whisper “Maybe it’s time I learn a new language.”
Jeeny: “Then start with this one — the language of touch.”
Jack: “And what if I get it wrong?”
Jeeny: smiling “Then you’ll be human, Jack. Perfectly, beautifully human.”
Host: The camera would have pulled back then — the dim room, the half-empty teacups, the two hands clasped in the fragile light. Outside, the streets gleamed wet beneath the fading rain, and above the city, a pale moon broke through the clouds.
And in that soft, trembling moment, a man who had spent a lifetime mistaking affection for weakness finally understood:
The bravest thing you can ever build
is not a wall —
but a touch that stays.
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