Many times, people have come up to me after singing some songs

Many times, people have come up to me after singing some songs

22/09/2025
03/11/2025

Many times, people have come up to me after singing some songs, and they'd say, 'Richie, do you know what you did?' And I'd say, 'What?' And they'd go, 'I wrote these songs down for you to sing, and you sang them all in a row.' But that's the kind of communication that happens, you know.

Many times, people have come up to me after singing some songs
Many times, people have come up to me after singing some songs
Many times, people have come up to me after singing some songs, and they'd say, 'Richie, do you know what you did?' And I'd say, 'What?' And they'd go, 'I wrote these songs down for you to sing, and you sang them all in a row.' But that's the kind of communication that happens, you know.
Many times, people have come up to me after singing some songs
Many times, people have come up to me after singing some songs, and they'd say, 'Richie, do you know what you did?' And I'd say, 'What?' And they'd go, 'I wrote these songs down for you to sing, and you sang them all in a row.' But that's the kind of communication that happens, you know.
Many times, people have come up to me after singing some songs
Many times, people have come up to me after singing some songs, and they'd say, 'Richie, do you know what you did?' And I'd say, 'What?' And they'd go, 'I wrote these songs down for you to sing, and you sang them all in a row.' But that's the kind of communication that happens, you know.
Many times, people have come up to me after singing some songs
Many times, people have come up to me after singing some songs, and they'd say, 'Richie, do you know what you did?' And I'd say, 'What?' And they'd go, 'I wrote these songs down for you to sing, and you sang them all in a row.' But that's the kind of communication that happens, you know.
Many times, people have come up to me after singing some songs
Many times, people have come up to me after singing some songs, and they'd say, 'Richie, do you know what you did?' And I'd say, 'What?' And they'd go, 'I wrote these songs down for you to sing, and you sang them all in a row.' But that's the kind of communication that happens, you know.
Many times, people have come up to me after singing some songs
Many times, people have come up to me after singing some songs, and they'd say, 'Richie, do you know what you did?' And I'd say, 'What?' And they'd go, 'I wrote these songs down for you to sing, and you sang them all in a row.' But that's the kind of communication that happens, you know.
Many times, people have come up to me after singing some songs
Many times, people have come up to me after singing some songs, and they'd say, 'Richie, do you know what you did?' And I'd say, 'What?' And they'd go, 'I wrote these songs down for you to sing, and you sang them all in a row.' But that's the kind of communication that happens, you know.
Many times, people have come up to me after singing some songs
Many times, people have come up to me after singing some songs, and they'd say, 'Richie, do you know what you did?' And I'd say, 'What?' And they'd go, 'I wrote these songs down for you to sing, and you sang them all in a row.' But that's the kind of communication that happens, you know.
Many times, people have come up to me after singing some songs
Many times, people have come up to me after singing some songs, and they'd say, 'Richie, do you know what you did?' And I'd say, 'What?' And they'd go, 'I wrote these songs down for you to sing, and you sang them all in a row.' But that's the kind of communication that happens, you know.
Many times, people have come up to me after singing some songs
Many times, people have come up to me after singing some songs
Many times, people have come up to me after singing some songs
Many times, people have come up to me after singing some songs
Many times, people have come up to me after singing some songs
Many times, people have come up to me after singing some songs
Many times, people have come up to me after singing some songs
Many times, people have come up to me after singing some songs
Many times, people have come up to me after singing some songs
Many times, people have come up to me after singing some songs

Host: The stage lights had long since dimmed, leaving only the faint glow of a bar sign flickering through the haze of smoke and memory. The crowd was gone, their laughter and applause lingering like ghosts in the empty room. Outside, the rain fell in thin, silver threads, tracing the windows with patterns of quiet melancholy.

In a corner, at a small round table by the window, Jack sat with his coat half undone, his guitar case beside him. His fingers drummed idly against a beer bottle, the rhythm soft, absent-minded. Across from him sat Jeeny, her hair still damp from the rain, a notebook open in front of her, filled with scribbles, lyrics, and half-finished poems.

A record player in the corner crackled to life, spinning an old vinyl — Richie Havens, his voice raw, honest, and trembling with truth.
"Many times, people have come up to me after singing some songs, and they'd say, 'Richie, do you know what you did?' And I'd say, 'What?' And they'd go, 'I wrote these songs down for you to sing, and you sang them all in a row.' But that's the kind of communication that happens, you know."

Jeeny: “That’s beautiful, isn’t it? He’s talking about something beyond words. Like the soul speaking directly to another soul.”

Jack: “Or maybe it’s just coincidence, Jeeny. People like to find patterns — it makes them feel less alone. You ever think that’s all it is? Just a bunch of random chords that happen to hit the same nerve?”

Host: The rain beat harder now, like fingers on a drum. The light from the window shimmered against the puddles on the floor, turning them into tiny mirrors that reflected both faces — one skeptical, one believing.

Jeeny: “You don’t really think music is random, do you? You’ve played too long to believe that. You’ve seen what it does to people.”

Jack: “I’ve seen what people do to music. They twist it, project on it, call it destiny when it’s just emotion. It’s like looking at the clouds and seeing your mother’s face — it’s not magic, it’s memory.”

Jeeny: “But isn’t that what communication is, Jack? One person’s memory finding a home in another’s? Havens didn’t say it was magic — he said it was connection.”

Host: Her voice was soft, but it carried the weight of something real. The bar lights hummed faintly, the glasses on the shelves tinkling as the train passed in the distance.

Jack: “You know what I think? I think Havens was just lucky. He happened to capture a feeling people already had. They filled in the rest themselves. That’s what art is — a mirror, not a message.”

Jeeny: “And I think you’re wrong. I think it’s both. The mirror and the message. The reflection and the flame.”

Host: Jeeny’s eyes glistened, catching the faint light as she leaned forward. Jack looked down, his fingers tracing the rim of the bottle slowly.

Jeeny: “You remember that time we played at the park, under the bridge? That old man came up crying, said the song reminded him of his daughter? We didn’t even know his story, but somehow we found it. That’s what Havens meant — the communication that happens between souls, not scripts.”

Jack: “Yeah, but that’s not communication, that’s projection. He was hearing his own grief in our chords. We were just the echo.”

Jeeny: “Maybe. But even echoes come from a voice, Jack.”

Host: The rain eased, turning into a gentle drizzle. The bar owner switched off a few more lights, leaving only the amber glow above their table. Jack’s face softened; his eyes were no longer defensive, just tired — as if the years of performing had built walls he no longer had the energy to defend.

Jack: “You know, when I was younger, I used to think if I could just write the right song, it would change something. But all it ever did was haunt me. People would say, ‘You wrote my story,’ and I’d think, ‘No, I just wrote mine.’”

Jeeny: “And that’s exactly why it mattered. Because it was yours. That’s what people respond to — honesty, not intention.”

Jack: “So you’re saying if I’m honest enough, I’ll become everyone else’s voice?”

Jeeny: “No. I’m saying if you’re honest enough, you’ll remind people of their own.”

Host: The wind outside shifted, and for a moment, the door creaked open slightly — a small whisper of the night air sneaking in, carrying with it the smell of wet earth and freedom. Jack looked up, his brow furrowed, then relaxed.

Jack: “You sound like you actually believe we’re some kind of messengers.”

Jeeny: “Aren’t we? Every note, every word, it’s like we’re passing a little light through the darkness, hoping someone else will see it. Maybe that’s what Havens was trying to say. That sometimes the universe just… aligns through us.”

Jack: “You’re giving too much credit to the universe. It’s chaos, Jeeny. We’re just vessels bumping into each other, making noise and calling it meaning.”

Jeeny: “Then why do you still play?”

Host: The question hung there — simple, but cutting. Jack’s mouth opened, then closed again. The rain tapped against the glass, rhythmic and gentle, like a metronome keeping time with their breathing.

Jack: “Because when I play… I stop feeling alone.”

Jeeny: “Exactly.”

Host: The silence after that was heavy, not from tension, but from truth. In that moment, even the rain seemed to pause. Jeeny smiled faintly, her fingers reaching across the table to tap the neck of his guitar case.

Jeeny: “That’s what Havens meant. You don’t choose the songs — they choose you. You just have to listen closely enough.”

Jack: “Maybe. Or maybe people hear what they need to hear.”

Jeeny: “Maybe those are the same thing.”

Host: The record reached its end, the needle lifting with a soft click. The bar was almost dark now, save for the faint blue light of the sign outside — its glow pulsing through the window, like a tired heartbeat.

Jack leaned back, his gaze drifting toward the ceiling, as if the smoke-stained wood above held some kind of answer. Jeeny closed her notebook, slipping it into her bag.

Jack: “You know, Jeeny… maybe communication isn’t something we do. Maybe it’s something that happens through us.”

Jeeny: “Like the wind — passing, invisible, but still felt.”

Jack: “Yeah. Maybe every time I play, it’s not really me saying something. Maybe it’s just… something trying to find a way out.”

Jeeny: “And maybe that’s why people listen — because they’re trying to let it out too.”

Host: A soft smile curved on Jack’s lips. The rain had stopped completely. Through the foggy glass, the first faint light of morning began to bloom.

Jeeny stood, wrapping her scarf, her shadow long across the floor. Jack reached for his guitar, running his fingers across the strings, letting a quiet melody emerge — one that felt familiar, yet new.

As she walked away, Jeeny turned, her eyes meeting his.
Jeeny: “You see, Jack? You didn’t just play a song. You answered one.”

Host: The melody continued as she disappeared into the light, her footsteps fading into the silence. Inside, the notes hung in the air, fragile, trembling — a wordless conversation between two souls who had finally learned to listen.

The camera panned out through the window, catching the first sunbeam slicing through the rain clouds — a thin, golden line of communication stretching across the quiet city, like a whispered truth that needed no words at all.

Richie Havens
Richie Havens

American - Musician January 21, 1941 - April 22, 2013

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