When one makes a Revolution, one cannot mark time; one must
When one makes a Revolution, one cannot mark time; one must always go forward - or go back. He who now talks about the 'freedom of the press' goes backward, and halts our headlong course towards Socialism.
Host: The night was red with neon and smoke. The streets trembled with distant chants, sirens wailing, and the low rumble of a city on the verge of something — not quite war, not quite peace. From a cracked window on the third floor of an old brick building, one could see the flicker of protest fires, posters torn, banners waving in the wet wind.
Inside, in a dimly lit room smelling of ink, sweat, and coffee, Jack and Jeeny sat at a scarred wooden desk, papers strewn before them — pamphlets, drafts, old manifestos, and a typewriter still warm from argument.
The air buzzed with that peculiar tension that lives between revolution and doubt.
Jeeny: (reading from a page) “Lenin said: ‘When one makes a Revolution, one cannot mark time; one must always go forward — or go back. He who now talks about the “freedom of the press” goes backward, and halts our headlong course towards Socialism.’” (pausing, looking up) “So, Jack… do you believe that? That freedom must be sacrificed for progress?”
Jack: (lighting a cigarette, voice low) “I believe revolutions die when they stop moving. The moment you start debating freedoms, you’re already slowing down. Lenin wasn’t wrong. Momentum is everything.”
Jeeny: “Momentum without conscience is madness. You can’t build a better world by silencing it.”
Jack: (exhaling smoke) “You can’t build one by arguing forever either. History’s full of voices that talked revolutions to death.”
Jeeny: “And full of revolutions that devoured their own children because they forgot to listen.”
Host: The typewriter keys clacked once — not from use, but from memory. Rain struck the window, each drop glowing in the orange light of the streetlamps. Outside, a crowd roared, a chant rising and falling like waves crashing against old ideals.
Jack: “You think freedom of the press means truth, Jeeny? It doesn’t. It means noise. It means everyone shouting until nothing can be heard. In a revolution, clarity matters more than liberty.”
Jeeny: (her eyes burning) “Liberty is clarity, Jack. Without it, you don’t have a revolution — you have a dictatorship with a new logo.”
Jack: “You talk like freedom’s a flower. It’s a weed. It grows everywhere, chokes everything if you let it. Revolution needs pruning.”
Jeeny: (leaning forward) “Then who decides what gets cut? You? The State? The ones with the guns? That’s not pruning — that’s sterilization.”
Jack: (flicking ash into a tin cup) “And chaos is purification, right? I know your kind. You want everyone to speak until the movement collapses under its own ideals. The French tried that — liberty, equality, fraternity — and ended up with guillotines.”
Jeeny: “They ended up with lessons. Maybe the wrong people fell, but the world still learned that power must answer to voice.”
Host: The lamp flickered, casting their shadows huge against the wall, like two ideologies wrestling in silence. The room pulsed with the rhythm of their words — idealism clashing with pragmatism, hope colliding with fear.
Jack: “You think you can have both — revolution and freedom? History disagrees. The Bolsheviks didn’t have time for debate. They acted. And that’s why they won.”
Jeeny: (coldly) “And that’s also why millions died in silence. Victory without humanity is just conquest.”
Jack: “Humanity is a luxury when you’re trying to rewrite history.”
Jeeny: “Then maybe history isn’t worth rewriting.”
Jack: (raising his voice) “You’d rather wait than win! You want freedom now — fine. But freedom of the press means counterrevolutionary ink. Lies dressed as liberty. Lenin saw it. You either move forward or you lose the momentum.”
Jeeny: (standing, voice shaking but firm) “No, Jack. You either move forward with humanity, or you lose your soul. There’s no revolution worth winning if it kills what it was meant to save.”
Host: The rain outside turned harder, drumming like gunfire. The crowd’s chant grew louder, echoing through the cracked walls. The city’s heartbeat quickened, as if the very air demanded a verdict.
Jack crushed his cigarette, hands trembling, but his voice remained steel.
Jack: “You ever read Trotsky’s letters? He said, ‘Revolution is the locomotive of history.’ Locomotives don’t stop for passengers who change their minds halfway. They keep moving, or they derail.”
Jeeny: “And I say revolutions driven by fear always crash. They burn their passengers and call it progress.”
Jack: “Fear is fuel.”
Jeeny: “No. Fear is fire — it consumes. Hope is what builds.”
Host: Lightning split the sky, illuminating their faces for a heartbeat — Jack’s stern, Jeeny’s defiant. For that instant, they looked like two sides of the same flame, burning in different directions.
Jack: “You think you can guide a movement with sentiment? Revolution demands obedience. Unity. One voice.”
Jeeny: “Then it’s no longer revolution — it’s religion. You’re preaching faith in the machine, not belief in humanity.”
Jack: (sneering) “Humanity’s fickle.”
Jeeny: (softly) “So is tyranny.”
Jack: (turning away) “You’d rather drown in debate.”
Jeeny: “I’d rather drown speaking than live mute under progress.”
Host: Silence fell, heavy and charged. The rain softened, but the street below still echoed with the sound of marching feet. Jeeny’s hand trembled on the edge of the desk, fingertips brushing the old pamphlets — words from another time, smudged but defiant.
Jack looked at her, the smoke curling between them like old ghosts.
Jack: “You really think a revolution can survive with a free press?”
Jeeny: “I think a revolution dies the moment it fears one.”
Jack: (sighing) “You’re an idealist.”
Jeeny: “And you’re a realist too afraid to dream.”
Jack: (quietly) “Dreams don’t build nations.”
Jeeny: “No — but they remind nations why they were built.”
Host: The lamp flickered again, finally dying. Darkness filled the room, but the city outside still glowed — fire, lightning, and the neon pulse of unrest.
They sat in the dim light of the window, two silhouettes framed by revolution, their voices now softer, less like weapons, more like wounds.
Jack: (after a long pause) “Maybe you’re right. Maybe revolutions that silence their poets end up worshipping their generals.”
Jeeny: (gently) “And maybe freedom without discipline turns into noise. I’ll grant you that.”
Jack: (smiling faintly) “So there’s no winning.”
Jeeny: “No. But there’s choosing. And that’s what makes it human.”
Host: Outside, the chanting faded, replaced by the hush of rain and exhaustion. The fires dimmed, the street wet with reflection — a mirror of dreams both righteous and broken.
Jack stood, looking out the window, his face caught in the faint red light from a distant banner — a color that meant both danger and dawn.
Jeeny joined him, their silhouettes merging in the glass.
Jack: “So where do we go from here, Jeeny? Forward, or back?”
Jeeny: (quietly, almost to herself) “Forward. But this time, not headlong — heartlong.”
Host: The rain slowed, the neon flickered, and the sound of footsteps faded into the wet silence. Inside the room, only the typewriter remained, keys cold, paper blank, waiting.
The camera of the night pulled back, revealing the city below — still burning, still alive, torn between its future and its conscience.
And above it all, like a question written in lightning, Lenin’s words echoed —
not as an answer, but as a warning:
Revolution must move.
But where it moves depends on who dares to speak.
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