I feel like the Latinx community, first of all, they're not

I feel like the Latinx community, first of all, they're not

22/09/2025
15/10/2025

I feel like the Latinx community, first of all, they're not often shown on camera in general. But they're also oftentimes not shown in a positive light. I never want to play a maid and I never want to play a cartel leader's daughter. I would much rather play a person of power, a powerful character in a positive way.

I feel like the Latinx community, first of all, they're not
I feel like the Latinx community, first of all, they're not
I feel like the Latinx community, first of all, they're not often shown on camera in general. But they're also oftentimes not shown in a positive light. I never want to play a maid and I never want to play a cartel leader's daughter. I would much rather play a person of power, a powerful character in a positive way.
I feel like the Latinx community, first of all, they're not
I feel like the Latinx community, first of all, they're not often shown on camera in general. But they're also oftentimes not shown in a positive light. I never want to play a maid and I never want to play a cartel leader's daughter. I would much rather play a person of power, a powerful character in a positive way.
I feel like the Latinx community, first of all, they're not
I feel like the Latinx community, first of all, they're not often shown on camera in general. But they're also oftentimes not shown in a positive light. I never want to play a maid and I never want to play a cartel leader's daughter. I would much rather play a person of power, a powerful character in a positive way.
I feel like the Latinx community, first of all, they're not
I feel like the Latinx community, first of all, they're not often shown on camera in general. But they're also oftentimes not shown in a positive light. I never want to play a maid and I never want to play a cartel leader's daughter. I would much rather play a person of power, a powerful character in a positive way.
I feel like the Latinx community, first of all, they're not
I feel like the Latinx community, first of all, they're not often shown on camera in general. But they're also oftentimes not shown in a positive light. I never want to play a maid and I never want to play a cartel leader's daughter. I would much rather play a person of power, a powerful character in a positive way.
I feel like the Latinx community, first of all, they're not
I feel like the Latinx community, first of all, they're not often shown on camera in general. But they're also oftentimes not shown in a positive light. I never want to play a maid and I never want to play a cartel leader's daughter. I would much rather play a person of power, a powerful character in a positive way.
I feel like the Latinx community, first of all, they're not
I feel like the Latinx community, first of all, they're not often shown on camera in general. But they're also oftentimes not shown in a positive light. I never want to play a maid and I never want to play a cartel leader's daughter. I would much rather play a person of power, a powerful character in a positive way.
I feel like the Latinx community, first of all, they're not
I feel like the Latinx community, first of all, they're not often shown on camera in general. But they're also oftentimes not shown in a positive light. I never want to play a maid and I never want to play a cartel leader's daughter. I would much rather play a person of power, a powerful character in a positive way.
I feel like the Latinx community, first of all, they're not
I feel like the Latinx community, first of all, they're not often shown on camera in general. But they're also oftentimes not shown in a positive light. I never want to play a maid and I never want to play a cartel leader's daughter. I would much rather play a person of power, a powerful character in a positive way.
I feel like the Latinx community, first of all, they're not
I feel like the Latinx community, first of all, they're not
I feel like the Latinx community, first of all, they're not
I feel like the Latinx community, first of all, they're not
I feel like the Latinx community, first of all, they're not
I feel like the Latinx community, first of all, they're not
I feel like the Latinx community, first of all, they're not
I feel like the Latinx community, first of all, they're not
I feel like the Latinx community, first of all, they're not
I feel like the Latinx community, first of all, they're not

Hear now the voice of Jenna Ortega, whose words echo with both defiance and hope: “I feel like the Latinx community, first of all, they're not often shown on camera in general. But they're also oftentimes not shown in a positive light. I never want to play a maid and I never want to play a cartel leader's daughter. I would much rather play a person of power, a powerful character in a positive way.” In this declaration resounds not only the yearning of an actress, but the cry of an entire people weary of being seen in shadows. It is the cry of one who seeks not caricature, but dignity—not stereotype, but power.

The ancients would have understood this struggle well. For in every age, those without power have often been chained by the stories others tell of them. To control a people’s image is to control their destiny. Thus, Ortega speaks for the Latinx community, declaring that they are not merely servants or criminals, not merely figures in someone else’s tale, but creators of their own legend. In her words is the wisdom of reclaiming narrative, of lifting one’s people into the realm of heroes, scholars, leaders, and builders.

History gives us many mirrors of this struggle. Recall the tale of Frederick Douglass, born into bondage yet rising to become a voice of thunder. In his day, the enslaved were portrayed as voiceless and incapable, defined by the cruel images their masters spread. But Douglass seized the pen and the stage, reshaping how the world saw his people. He refused to play the part assigned to him by oppression. Instead, he chose to be a man of knowledge, eloquence, and vision. His life, like Ortega’s words, teaches us that to refuse the roles imposed upon you is to begin the march toward freedom.

Jenna’s rejection of roles such as the maid or the cartel leader’s daughter is not mere pride—it is resistance against chains unseen. These roles, repeated again and again in film and story, become cages of the mind. They whisper to the world that this is all a people can be. But when she says she would rather embody a person of power, she invokes a sacred truth: that representation is destiny, and that the characters we see shape the possibilities we believe.

Her words are not only for actors or artists, but for all who live under the weight of narrow expectations. Each of us is offered roles by society—some noble, others degrading. Some are told they are destined to fail because of their origin, their gender, or the color of their skin. Others are told to remain silent, to play small parts in someone else’s story. But the lesson here is eternal: do not accept the mask handed to you if it diminishes your light. Instead, claim the mantle of dignity, and walk in roles that honor your worth.

The path forward requires both courage and action. First, recognize the stories that bind you—whether they come from media, culture, or even the voices of those near you. Then, reject the roles that limit you, and seek out those that uplift. Create art, speech, and deeds that portray yourself and your people as strong, wise, and noble. Support others who strive to show communities in their fullness. And above all, live in such a way that your life itself becomes the powerful character that others can look up to.

Thus, the words of Jenna Ortega are not the passing thought of a performer, but the proclamation of a truth as old as humanity: we become the stories we tell of ourselves. If those stories are chains, we must break them. If those stories are shadows, we must bring them into the light. And if those stories are small, we must expand them until they can hold the greatness of our spirit. To future generations, her words shall be remembered as a call to rise—to be seen, to be honored, and to be powerful in the eyes of all.

Jenna Ortega
Jenna Ortega

American - Actress Born: September 27, 2002

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Have 6 Comment I feel like the Latinx community, first of all, they're not

GDGiao Dotrang

This statement sparks questions about the evolution of Hollywood itself. Are there emerging projects or platforms that are actively creating roles where Latinx actors can portray powerful, multidimensional characters? How can the industry shift from tokenism or stereotypical roles to meaningful representation that reflects the diversity and complexity of Latinx experiences? Understanding these trends could offer hope for future generations of actors seeking both visibility and dignity in their work.

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TUPham Thi Thanh Uyen

Reading this makes me curious about audience perception. How does the portrayal of Latinx characters in negative roles influence societal attitudes and stereotypes? Does consistently seeing Latinx actors in positions of power have a measurable effect on cultural understanding and inclusivity? I’d also like to explore how other marginalized communities experience similar challenges in media representation, and whether there are lessons from successful advocacy that could apply more broadly.

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HTDang Huy Hoang Thinh

I wonder about the balance between artistic freedom and social responsibility. Can portraying characters like maids or cartel affiliates ever be meaningful if done thoughtfully, or do such roles inherently perpetuate stereotypes? Jenna Ortega’s stance raises a deeper question: how can actors challenge the status quo without being limited to either ‘positive’ or ‘negative’ portrayals? Exploring this tension could provide insight into how storytelling can be both authentic and empowering.

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GGGOS Gaming

This quote makes me think about the responsibility of filmmakers and showrunners. Should there be conscious efforts to avoid reinforcing negative stereotypes about Latinx communities? I’d also like to know what strategies actors like Jenna Ortega use to advocate for roles that reflect power and positivity. Does the industry provide support for these choices, or is it mainly individual actors pushing for change? Examining this could reveal the dynamics behind cultural representation in entertainment.

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NAng anh

I deeply resonate with the concern about typecasting. How do actors like Jenna Ortega navigate industry pressures while staying true to their desire to play strong, positive characters? I’m curious whether there are systemic barriers that limit these opportunities and how casting directors, writers, and producers can actively create space for nuanced portrayals. Understanding this could shed light on the intersection of representation, opportunity, and storytelling in mainstream media.

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